All Activity

It has been free if you've ever had access to Computer Music Magazine https://unitedplugins.com/OrbitronCM

We almost bottomed out and now you pushed us back up.

Hi @PhonoBrainer thanks for listening yes i checked on various systems & didnt notice anything i usually use the same channel chain for the bass so a bit unusual i will check again THX subvibe

There are more and more "AI pose generators" coming online that are descent and will manipulate/merge subjects/settings from input image(s). It seems that is part of your request in that you want to re-use a precise subject elsewhere. With 2D this can be more limiting/challenging (massive pose changes require 3D detail of the subject), so I suspect this will spill over into 3D AI tools going forward, but the processing power for such can be pretty hefty.

Thanks! I used you idea and added the delete in to the existing forEachEvent loop, after the actual CC 11's are adjusted. Works like a charm! (if (== original_control_num ENVELOPE_CONTROLLER) (do (delete) ) ) Attached the modified script with my C-like notes 😅 I'll also have a look at your script for future projects 💪 _expression-fadeout2.cal

A bigger picture of Daw. development and feature request is as simple as picking any given Daw and start reading the user forum posts. I have observed that they all have one thing in common. Comments about a feature request that goes way back in time which was never addressed. Examples with Sonar might be updated Playlist. Event List and Staff view. Now the most recent request is for the return of Custom Themes or more options for customization of the Graphics. So all these developers are constantly bombarded with a list of feature requests. They might also be bombarded with hundreds of bug reports as well as crash dumps from the user base. Now how do you want this development team to spend their days? Making the software solid and dependable or adding new code to grant a feature request? Working towards stability benefits the entire user base and will eliminate any negativity in the Daw community. I believe this has been the main focus of the Cakewalk team since Bandlabs takeover. Making Cakewalk free increased the user base 1,000 fold and possibly resulting in more feedback about bugs and crashes. That results in the creation of what seems to have been the plan to eventually release what we now have. A rebuild of Sonar. The most stable version ever. Take note of how quickly the development team has been fixing any, and all issues that have been reported. This is definitely the focus. But then somehow they did manage to sneak in a long list of new features. This became very apparent to me when I returned to using Platinum last Spring. The sad part is that I feel the developers are a small team that is sort of trying hard to survive in a business environment that doesn’t really care one way or the other about their work. They have to sit there and watch their “Baby” fade away due to strong opposition to the membership deal. I think they have been on our side and fighting this best they can and are probably responsible for the delay in the end of Cakewalk as well as coming out with a Free version of Sonar. I don’t think that was a “Bandlab” thing. So personally I think we need to support the development team and not keep yelling at them to add new features. Let’s just get through this low point in Cakewalk history and help them succeed and hopefully they will also succeed in convincing the owners that if Sonar was once again a product that was not just by subscription it would once again be back on the map and even become one of the top sellers. I say this because I know that this is a Daw that can run head to head with Cubase. Studio one and Reaper. It shouldn’t be off the charts! Not at the bottom like it has become since 2023.

It's when you install new libraries where they can fail, I'm running Komplete fine too but not going anywhere near Native Access until NI says it's all sorted.

Thats strange, on Mac here and running KUCE15 from external drive with no problem whatsoever. The only problem i have with Native Access is with their new Accessibility tool that messed up my Kontrol Keyboard completely, uninstalling the thing solved the problem.

OK very cool lyrics and an unconventional song structure which was very catchy once I caught on to it! Very original all the way around, like maybe Nik Kershaw wrote a Steely Dan tune. If you don't like the Dan or Nik Kershaw, or see no potential for overlap, then please disregard that last comment 😄 the lyrics meet the music, and there are spots where the words are just a bit masked enough to make you guess. Very good tune! Time not wasted! cheers, -Tom

inMusic - are they the ones that now do AIR? I have had a crazy time trying with my iLok authorized AIR products that were OK before I made my C-Drive unbootable and had to create a new C-Drive. They have a siren sound at a very high level (in addition to the lower level noise injections). The siren actually hurts my ears plus the sound is introduced directly into the audio system--so changing the volume at the host level didn't help! I just check--its the same inMusic that uses the inMusic Software Center tool! BTW, after a while I think I found a solution: deactivate each and every plug-in in iLok, reactivate them on the same computer, etc. I think I also had to find the original AIR installers on my PC, because the old installers don't seem to be on line and the updated ones from inMusic might not be compatible with iLok. I hope I won't have to deal with this every 90-days. Is it just the Moog plug-ins that have this obstacle?

I listened to the video version, I like the track, its a great jammy lights out jazz thing, and very expressive, particularly the excellent flute playing! Mix-wise, to my taste its a bit clinical and dry sounding, as if it is all close mic'd. I was wanting a bit more room sound, something medium and wood panelled, particularly with that nice fretless bass tone. But that of course is just personal preference, isn't it? Might be worth experimenting with, or not. Anyway, good one, brought me back to 1987! See you at the bar! -Tom

Wow, I'm really glad you mentioned this! I was beginning to think that I was becoming senile b/c it doesn't happen all the time. And the same damn thing happens with all of my inMusic plugins as well (which I've completely stopped using and buying). I certainly sympathize with companies when it comes to piracy, but when they make it so damn annoying and onerous for the honest *paying* customers, they lose them. I will *never* buy anymore inMusic plugins b/c of this dreadful arrangement. I have plugins from 250+ companies and most of them do not cause me this type of grief because they trust me. If inMusic is so distrusting that they're willing to inconvenience me, then congratulations to them because they no longer have to worry about piracy. But they *do* have to contend with lost revenue. Goodbye inMusic...

Your tunes are great and well mixed. In this one, I listened on a pretty decent Bluetooth speaker that I know well. I wonder if your bass isn't just a bit overcooked? It was on the edge of distortion on my setup. Might be worth a check? As I've liked all your tunes and mixes before, I assume you checked this mix on different systems, but just thought Id share what I was hearing on . . .

It is. There's also a link to the documentation up top.

Nice, those harmonies sound . . . perfect! Not a semiquaver off. Amazing! I found myself adding a vocal "cha-cha-cha!" to the end of the fours, it fit perfectly! nice tune, it brought to me a willing suspension of disbelief, because anyone married in a home for a length of time really don't get on like that or do they??? The chorus is as catchy as a bra latch. What does the missus think?

Thanks @Wookiee i think i played it safe trying to get a funky feel subvibe

This "feature", @locrian, is to ensure against piracy and for our security, is what inMusic, the now owners o Moog tell me. They, all Moog plugins, require confirmation of registration every 90 days. As you might have guessed not impressed by this. I am currently in discussion with inMusic asking why the {please insert your preferred expletive here}, as they know I have a legitimate licence, can't it just phone home and tell them how much I use them, without having to screw with the flow of production.

I have three of the Moog FXs (including the MoogerFooger MF-103S), and they all sound great, are stable and easy on my CPU. Unfortunately they *constantly* load-up as unregistered requiring me to stop what I'm doing and go online to re-authorize them. It's a real PITA!

This is an excellent example of when a poll uses a complete 'scattershot' approach and a sample pool that is less than ⅓ of the acceptable minimum for statistically reliable results. Don't waste your time.

AI is handing you what other artists have done without them getting credit. AI itself isn’t doing squat.

Im travelling so can’t confirm but isn’t Local Documentation installed from the Cakewalk Product Manager?

Looks great, but will wait until K16 also. There are ongoing issues with Native Access for Mac users who install libraries to external drive so staying clear of NA for now. NI has ran great for a number of years for me and really happy with their eco system, it's only when I manually move files have I ever had a problem with NI so staying well clear until their automated processes work without manual intervention. I doubt Absynth is affected so don't want to put anyone off, but some of the current Komplete library is - just as a warning to anyone who may go in and decide to install any additional libraries when they see there's been updates elsewhere. https://community.native-instruments.com/discussion/47355/known-issue-failing-installation-for-certain-products-on-external-hard-drive-on-macos-15-and-upper?tab=accepted#latest

https://soundpaint.com/pages/free-engine

https://audioplugin.deals/developer/audiomodern/

I normally hit F2 to rename.