Byron Dickens Posted January 29 Share Posted January 29 I talked myself into two different jobs when I knew better. Link to comment Share on other sites More sharing options...
Notes_Norton Posted January 31 Share Posted January 31 We had a 16 year, mid-week, mid-day party going, with 50-70 regular customers and others that didn't come every week. New owner, put the entertainers out under a canopy with no protection from a sudden thunderstorm (they are quite common here) and didn't want to pay what we were getting. So we started searching, two clubs said nobody with backing tracks (we have backing tracks, that I make myself, from scratch) One led us on for a couple of months and said that he didn't want the same band on the same day/time every week Another said, I've never tried a mid-week, mid-day band, and I don't want to start that. And on and on and on. We were just about to give up, tried the last one on the list, and the manager gave us all February, and if the people come like we hope they will, we will have a new place for the party, starting on our 17th year. We spent so many years building that up, we hated to say "Bye-bye". Insights and incites by Notes ♫ Link to comment Share on other sites More sharing options...
bitflipper Posted January 31 Author Share Posted January 31 That's the first time I've heard of an employer forbidding backing tracks. Is that common in your area? Seems like an unnecessary reduction of the local talent pool. Then again, I remember back in the 70's it was not uncommon for some clubs to require a female vocalist. I remember that because we hired two of them to gain entry into those venues. It was a horrible experience, a soap opera. The two gals were close friends, had choreographed dance moves, and were decent vocalists. Then one of them decided it would be a good idea to do the horizontal bop with the other's boyfriend and that was the end of that band. Never again, said me - who's been performing with a female vocalist for the past 10 years. She's married to the drummer. They're currently getting a divorce. If it comes down to them not being able to be in the same room together, I've already decided to keep the drummer. Link to comment Share on other sites More sharing options...
craigb Posted February 1 Share Posted February 1 Link to comment Share on other sites More sharing options...
Byron Dickens Posted February 1 Share Posted February 1 Hell is other people. - Jean-Paul Sartre Link to comment Share on other sites More sharing options...
Notes_Norton Posted February 1 Share Posted February 1 22 hours ago, bitflipper said: That's the first time I've heard of an employer forbidding backing tracks. Is that common in your area? Seems like an unnecessary reduction of the local talent pool. First time for me, too. And I've been making my own backing tracks since 1985. The the future Mrs. Notes and I were playing in a 5 piece band. Bass player quit due to family issues, out of work a couple of months. Then the drummer quit, out of work for another month. First gig with her and she didn't want to play in a bar. So I bought a Teac A3440 4 track reel-to-reel and started making backing tracks (I play drums, bass, guitar, sax, flute, wind synth, keyboards and vocals in various levels of competency or incompetency). Mixed to cassette and started gigging. Then digital came and we went through various generations of that. Other than the COVID lockdown, we've never been out of work. I tell the audience that the only band that has been together longer than us is The Rolling Stones. If it works, I wait a bit and then say, "And we still have all the original members!" (Of course we are a duo). The guy who doesn't like backing tracks hires bands for two venues, too. Perhaps he is a musician??? Or had a bad experience with someone using karaoke tracks??? I don't know, and he didn't explain. Another guy didn't want us because we didn't have a facebook page. I told him we have a www page that anybody on the Internet can see, including anyone who has facebook. But if I had a facebook page, only FB people could visit us. To me that was weird. facebook.com/sophisticats.duo - Even though I own The Sophisticats trademark, I can't keep others on FB from useing it, so I added the dot-duo at the end. So, even though I hate FB, I started a FB page. Only 10 followers so far, I'm not promoting it yet, still learning how to do things on it. The problem with that is it's mid season, I have almost 20 one-nighter gigs, and I'm learning new songs for our fans. Plus I make aftermarket styles for Band-in-a-Box and run that biz nortonmusic.com We have close to 500 people on our opt-in e-mail list. Quite a few people told us they are happy to start the 17th year of our mid-week, mid-day party and will show up. That's job security. Through the years I've improved my backing track skills. I'm now working on Blood Sweat & Tears, "I Love You More Than You'll Ever Know". It's a cover version without the lead guitar, saxophone and lead vocals, which we will do live. It's a request from a regular audience member. It's a piece of work! When I started making tracks, decades ago, I didn't have the skills I have now, and couldn't have done it. I'm not done yet, but it's sounding really good to me, and it should be a lot of fun. I've been in this biz for decades, and I've met some really weird agents, club owners, and other musicians. No backing tracks? Too bad, I was offering him money during a time when the business is slow, between lunch and dinner. Now one of his competitors will get the money. We love our fans, many of them have become friends, and I'm thankful that they support us. Sorry if I've drifted off topic too far. Insights and incites by Notes ♫ 1 Link to comment Share on other sites More sharing options...
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