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Wtf , i m always on the deal forum , just decide togo on the coffee house to found that event ! Bit , i hope everything is straigth now and if you need anything from us just ask , don t eventhink twice ...

Thks .... do you own the tokyo ? by the way, ot , but i just released a video about xln audio xo .... this thing is all fun and deep ...

Does it have all the character algos ? is that tokyo so called colored eq great ? Never tried it , i thinkitried some of their plugin but cpu made me skip ...

Lar , are those exclusive to mixbuss still ?

If anybody is interested to swap their chnadler for my megasingle , pm

I have the symphobia stuff and i can say that those are just pure production ready material beauties , i don t regrets any $ spent on those .... giving that the essentials content are taken from those. I woul'say : exellent bang for the buck for any regular music producer , but if you re into orchestration , big package is the way to go ....

Good idea , i would keep either the roland o rput nothing ...

impossible to resell my lindells , now my amp (megasingle) now : If someone has a vaucher (it will serve for the transfert) and want to buy a mega single , i will sell it for 20 euros if anaybody intersted

lol Fleer how do you want a pada one to understand us here lol .....the step from Kobester to Koby , to everyplugin is a looooooonnnnnggggggg one lol

still too expensive , that said i bought philcascade for 75 $ knowing that i will see it at 49 (so virtually 25) in few months ?

Also you can use your vaucher to lower the price

Thks oncle L !!

Yep i watched it , but the v1 seems as deep , i almost felt like some stuff lisding ( or must be the simplifued layout) anyway i will give it a test ... i ve been at plugin boutique , where do you see the free regroover option ?

Well sergio it s more about what you need ... usually for sound generation , i give a high priority to inspiration and how fast i get what i need and want ..i ain t gonna spend dayz doing a/b like i can do with compressors lol ... so if you re after the absolute oberheim sound , this one might be what can def do it itb ...opx pro also is a beast ...but if you need to expand your sonic palette , it s about what s missing from your arsenal ... try it and let your feeling decide , and don t feel bad about the HW or even the software , if you decided to not gôfor itb, pretty sure in you subconscient you had good reasons

Is it just new face lifting and the pianoroll ?

Beware he L2 is exelltn , but from memory you can t deactivate bits resolution , so from memory , your audio will get out of this thing at 24 bits ...

Yep in fact there s cons and pros , a big pro is project exchange between same daw users ... a lot of pro collegue do that ...also another pro is maintenance that is always done at the same as the daw itselff , you have a warranty compatibility and trouble free experience ... talking about the quality alot are made by Overloud , a brand synonimous with musicality in my book ...i love all their stuff ...

Or maybe they have several daws and want cross daw plugins

Thks believe or not , i forgot to post on my fav forum spot ...sorry and thanks to you

Still an exellent super fast to tweak limiter !!

J 37 ok rs 56 ok the tg mastering could be use on mastering stage forget about the rest ...

Yep i guess , waves trying to push their own dsp , because even it sounds great their chambers isn t better than 3 times less cpu hungry algo stuff around ... even convo stuff like liquidsonics .. if i knew how , i would sell those .... because it s even more fristrating to see them and not being able to use them !

Sounds beautyfull , never use them ...go figure ...cpu is a pain in the ....

Sergio no need to apologise ... in fact i didn t compared them side to side and was more ficused on features and stability ... For me , the arturia is usperior when it comes to interfacing ... sound wise , i can t say that much i let you guyz decide ...

lol no kidding here , beta tested this great one for sure , and the FX rack we can use is great ..