dantarbill

Yeah...that's the whole question right there. When you use the Bandlab Assistant to do the install, it pulls down a file or files and puts it in a mystery location. If you want to sidestep the download time when installing on a second system, where do you find the original download?

Thanks for the detail.

Noted that. Thanks!

(Using SPlat version 23.10.0 build 14 [2017.10] x64) Per Project Audio has done what it is supposed to do for years. However, it has now taken a weird turn... I've started a project from a template... From the Cakewalk Start Screen, select New Project From there, I select a template (not the typical default Normal template). Note that it doesn't ask me for a filename (with the associated audio folder path). It just opens an Untitled Project. Subsequently, any audio you add to the project gets stored in the global audio dump X2 documentation says you could enable this in Preferences/File/Audio Data Project/Audio Files... merely tells you what the file path is but doesn't offer a way to change it. Is there a way to mitigate this without starting over?

I don't think we've yet mentioned all 4... Back in the olden days of the MIDI sequencer known as Cakewalk, there was an "Interpolate" dialog. I thought it had gone away, but it's still there, under Process->Find/Change... You'll find a spectacularly daunting dialog that will allow you to apply all manner of evil to your selected MIDI data. Make sure that just Note is checked and then check the "exec" box under Velocity. Set Min and Max to 84 and click OK.

It's used to render the metronome. Other'n that, I don't think you can use it directly for anything.

This is going to seem like a stupid question... Is there a way to handle a project with audio that doesn't match the current driver's sample rate? For instance, I pulled in live multi-track stems that were all 48 kHz. I didn't want to go through the pain of reconfiguring my setup to 48k...so I chickened out and just down converted it all to 44.1. Another thing would be, I'm considering getting a live mixer for studio use that runs at 96 kHz (fixed). How would I then handle the metric boatloads of legacy projects that are all at 44.1? <...and sorry for cross posting on the QA subforum...that seems to get no visibility...>

This is going to seem like a stupid question... Is there a way to handle a project with audio that doesn't match the current driver's sample rate? For instance, I pulled in live multi-track stems that were all 48 kHz. I didn't want to go through the pain of reconfiguring my setup to 48k...so I chickened out and just down converted it all to 44.1. Another thing would be, I'm considering getting a live mixer for studio use that runs at 96 kHz (fixed). How would I then handle the metric boatloads of legacy projects that are all at 44.1?

I'm trying this approach using AD2 as the "favourite VST drummer". The problems I'm having now is that Drum Replacer has a limited range of MIDI notes to assign drums to (35 through 53), and the AD2 notes (for toms for instance) are 77 through 82. Is there an easier way to do this? Are there better replacement tools? I would think that Addictive Trigger would, at the very least, not have the MIDI mapping mismatch. Then again, there goes $150. Thoughts?

Whew! Thanks so much for the clarification.

This is probably the better approach for the long game. Yeah...supplied drum samples = pretty bad.

Thanks so much for the updated signal flow diagram... This would suggest that I could put FX on the clip FX bin for the Region FX clip. The diagram raises another somewhat unrelated question though. I had assumed that the FX bin was somewhere in series with the ProChannel. The diagram strongly implies that it is an either/or affair (or that it's in parallel...which would seem less useful in most cases). That is to say that the FX bin is just plain ignored when the ProChannel is engaged for a channel. Is this true? If so...it's something that I wish I had known a long time ago. It's means that you more or less have to use an FX chain wrapper in order to use non-ProChannel FX. (That is to say that I *have to* because I very rarely don't use the ProChannel on any given track.)

I'm trying Drum Replacer for the first time. I've discovered that the stock replacement samples are a bit limited...but I don't (yet) want to go chasing down more appropriate ones. In particular, all the replacement toms ring way too much. A transient shaper would be the obvious solution, but it's NOT so obvious where to put FX where they affect the replacement samples rather than the original source audio. Put another way, where is the replacement audio in respect to the ProChannel fx chain and/or the standard FX slot?

I'm trying to find the Phase and Mono/Stereo Interleave buttons in SONAR Platinum track and/or console view. I'm finding nothing. What is it that I'm missing? I'm not seeing them in the Track Control Manager either.

I'm finally trying to commit to 64 bit since Cakewalk has gone 64 bit only...and some plugs are following suit. I'm just now trying out JBridge to see what I can drag forward from 32 bit land.

Thanks! I was thinking that there was something built in but couldn't remember what it was.

What are people using for a (64 bit) convolution reverb since Perfect Space seems to be in the rearview mirror?