Simeon Amburgey

Thanks so much my friend, I really appreciate the kind words. What happens to me is when I play a virtual instrument something unique is always triggered somehow, with this it triggered that "Spain" motif and it was over from there. I have all of these fragments of musical ideas and such rolling around up there and all it takes is the right nudge from a library to jostle things right through the fingers, It's just getting those fingers to translate. It is an amazing experience for sure.

Absolutely. NOIRE paired with Piano Colors is a fabulous combination.

My pleasure Scott.

The Famous "E" is a gem for sure, knowing it was the keyboard used on so many of the arrangements I really enjoy (especially Jarreau). The benefit I see with Soundpaint is first of all Cost. $20 for an accessibly Rhodes like this is really something, and I can see it being especially useful on a live rig as the CPU and memory resources are very good. Side by side with the Famous E, Keyscape, or other Rhodes titles will certainly expose some of the limitations but out of the box it felt instantly fun to play. The other part of having it in the Soundpaint universe is the possibility of using the sources to layer and morph with other titles in the library. I have done some experiments morphing it with the Steinway and it is very interesting. Now if I can just nail that instrument break!!!! ?

I guess it was the lava lights warming up ;^) This was a really on the spot live stream as I wanted to share as soon as I could and have time to get lubch ready. Thanks my friend!

WOW! I have been playing this most of the morning and had to share a little bit with all of you so I did a brief live play. For $20 this is an amazing deal. https://soundpaint.com/collections/keyboard

Yes, Jason is still working on the full Kontakt version with multiple mic positions, more velocity layers and high sampling rate recordings, the SFZ Compact version will give you a basic idea of the sound of the instrument.

It's Here, and only $29!!!! https://www.productionvoices.com/product/300-grand-compact/ Check out my sneak peek:

I downloaded it earlier today and it sounds really interesting and a little different than Elysion v1. They are continuing to refine the user experience with the browser and patch management. I need to do some more digging, but when playing the first patch it was like, LIFT OFF, here we go again ??‍?️

Here is a segment from my last livestream featuring Soundpaint, enjoy.

What a fun and crazy time. The replay is now available with all of the ups, downs, drama, laughter, and a little meltdown to make things interesting.

This would take 35% off the retail price.

Finished the livestream a little bit ago. I wanted to let you know to be sure and check out the video description for a special opportunity from Sound Yeti for all of my viewers, it was very cool of them.☃️

A lot of fun and special moments as usual. Also a very cool surprise from my friends at Sound Yeti. Check out the video description for more info. Thanks as always for all of your support!

I’ll just leave this here ?

I know and without knowing exactly what time they are announcing I am afraid it might be at the same time and if so I might have to have a "We Interrupt This Livestream For A Special Announcement" ?????? (and you know I'm serious)

Today is an extra ordinary livestream. I will be interviewing Andre Fly the founder of Cinematic Alpha, and featuring some of his Kontakt Libraries (currently on Fall sale). I will also be welcoming Ivan Martinez Lacamara, film and TV composer who has worked extensively on the soundtrack for the Netflix series Money Heist (La Casa de Papel).We will also be doing live giveaways of some of Cinematic Alpha's libraries along the way. I look forward to seeing you later today (hopefully after Spectrasonic's announcement) ? More about Cinematic Alpha here: https://www.andrewfly.com/cinematicalpha.html

Subscribe and watch ?

Tryin to decipher this, I loaded the audio into RX8 to see what secrets may be lurking in the spectrogram ?

These do sound very good. Does anyone here have any experience using them, what do you think?

Join us for a special time with Tracy Collins of Indiginus. You will be able to ask questions vis chat as well as enjoy learning more about the work Tracy has done over the years. Hope to see you there: https://youtu.be/u1PNJr9hAjU

This was another amazing livestream. When you first start into it, you think no worries, until you realize how deep the content is going and two hours just fly by. @Heavyocity Media, has done another superb job with this library, putting its unique fingerprint throughout. Damage 2 goes to the orchestra, is a definite understatemen, and when you actually pair Damage 2 with SD, things really start to get interesting. We've deconstructed the orchestra—rebuilding it from the ground up to push the bounds of power, creativity, and aggression in modern scoring. From Full Orchestra Portatos saturated with analog gear to Herrmann-esque detuned staccatos to the kind of deep, dark soundscapes you thought only existed in your head. SYMPHONIC DESTRUCTION is available for $299 (reg. $449) until November 1. Owners of Damage 2, NOVO, FORZO, or VENTO get an additional $50 off (click CROSSGRADE NOW and enter serial to get discount). Learn more at http://www.Heavyocity.com/Symphonic-Destruction

So many amazing libraries and specials out there, I thought I would play through a few today. Also, congratulations to the winner of the BOX FACTORY giveaway! Enjoy the replay!

Join me as I take a look at Box Factory from Fracture Sounds. It is an incredibly fun library that will challenge your idea of a percussion library. Here is the edited livestream replay, enjoy!

I agree - Corrected ?