Gswitz

BTW, what modules are you going to put into it?

I've always wanted one.

Happy bday. I recently took a friend to see Palmer of elp for his birthday. That was something. I love a good band.

I couldn't make it through. 😔

I guess I'm not really scared. For a long time, photography could have replaced painting, but it hasn't. That said, I don't expect to make money.

I never enjoyed perfect songs.

I'm sorry about having to wear your suit. I had to wear mine last week.

Have you ever done analog summing? https://www.sweetwater.com/c1071--Summing_Mixers?mrkgadid=1000000&mrkgcl=28&mrkgen=gtext&mrkgbflag=0&mrkgcat=studio&recording&acctid=21700000001645388&dskeywordid=303992866454&lid=43700079952108136&ds_s_kwgid=58700008702316262&device=m&network=g&matchtype=b&adpos=largenumber&locationid=9189398&creative=706366317736&targetid=kwd-303992866454&campaignid=21210470845&awsearchcpc=1&gclsrc=aw.ds&gad_source=1&gad_campaignid=21210470845&gbraid=0AAAAAD_RQYkbJkkwVjmZWEMZfq3U6Eln0&gclid=Cj0KCQjww4TGBhCKARIsAFLXndSUzgwZwpluCphj4rQ4v01qZeP2RGqp10c338mNzMC1rM9qEiakAeMaAtSbEALw_wcB Or maybe mixed using your interface only?

I'm listening to mixerman's book in which he is talking about sample replacement for drumz. When he mentions time intensive techniques, he says, 'but surely your time has some value. ' and I thought in response, 'nope, it sure does not. ' I have used cakewalk auto splitting in the past to make separate clips around every drum hit then shortened the clips like a manual gate. Then generated the data for Sample replacement and corrected it manually for each mike on the 🥁. 😃 In the end, I pleased the band most with a rough mix of what i had. As years go by, I do less and less work maybe because my time becomes more valuable if only to me.

Supposed to be hard disk recorder.

I had one of these interfaces and used it for a while. I was struggling at the time to be able to get recordings on the computer without dropouts. For years I recorded on a hard discuss.cakewalk.com recorder... akai dps12... then tascam 2488. The spidf from the tascam worked to sync with the m-audio. I would mix in cakewalk. I still record by setting and forgetting. I often record for 3 hours without interruption. When i mix in cakewalk, I sometimes mix all songs in a single project. Sometimes i create a project for each song after the main recording.

Mix bus is cool and keeps improving. The export measures loudness on ebu, which i think is helpful if you want the tracks of your record to be similarly loud. But in cakewalk, I listen while measuring loudness and I often find things to adjust. In other words, listening to the mix has value. My brother pointed out to me that I don't own any microphones with a low enough noise floor To test my interface specs, even if I had a silent chamber to put them in. I color lots of stuff. Tubes. Silk on the pre amp. I'm totally fine that I cannot hear the difference of two high quality interfaces. I can hear a good preamp from bad. I loved the sound of a focusrite that I had for a bit. It sounded fantastic. The rme sounds transparent to me now, but that's because I've had it so long. Idk how long. 15 years? I don't replicate all my steps mix to mix even when using templates. If you use templates, try skipping it once in s while. Doing things manually gets you thinking/ listening again.

I remember doing a flac test. I bounced to 24 bit 48. I exported as flac. Imported. Null test bounce. Normalize the result of the null test bounce. There was clearly one bit of info lost in the flac. I think that wave does not store the most significant bit because it presumes it is 1. I think flac does store it. Therefore, flac minus wav loses 1 bit of sound.

I like it when cakewalk is getting improvements. How we fund those,idk. I love cakewalk though. It's my computer home -- the only app I really use.

It is fairly reliable. I've done maybe 10 sessions without issue, but last Sunday one channel went funny. I guess it's just life.