Jump to content

Gswitz

Members
  • Posts

    1,480
  • Joined

  • Last visited

  • Days Won

    1

Gswitz last won the day on March 8 2019

Gswitz had the most liked content!

Reputation

584 Excellent

Recent Profile Visitors

5,015 profile views
  1. You can move the mics around in thu/th3. I guess just the differences in mic types showed the how far emulators are from the real thing. . A real ribbon sounds obviously different than a sm57. In th3/thu, it's almost hard to tell which is which. All this is to say, I definitely started reamping after late night headphone sessions. I might record in thu, but I'm likely to use a real recording of my amp in the end. The real amp with real mics is just cool.
  2. I recorded direct and reamped. I sent the same signal to both thu and the amp. I used a passive reamp box i soldered from a kit. The amp sounded great. Then I just had to match it. I adjusted gain in. I adjusted adjusted knobs for a long time. I think i made a video of it.
  3. My opinion dropped of amp modelers when I would try to mimic a specific recording of my amp with the Modeler. I could not get close to the tones I got with the amp. I used the exact same recording... sent one to the amp and one to thu. I was nowhere close to successful.
  4. BTW, what modules are you going to put into it?
  5. I've always wanted one.
  6. Happy bday. I recently took a friend to see Palmer of elp for his birthday. That was something. I love a good band.
  7. I couldn't make it through. 😔
  8. I guess I'm not really scared. For a long time, photography could have replaced painting, but it hasn't. That said, I don't expect to make money.
  9. I never enjoyed perfect songs.
  10. I'm sorry about having to wear your suit. I had to wear mine last week.
  11. Have you ever done analog summing? https://www.sweetwater.com/c1071--Summing_Mixers?mrkgadid=1000000&mrkgcl=28&mrkgen=gtext&mrkgbflag=0&mrkgcat=studio&recording&acctid=21700000001645388&dskeywordid=303992866454&lid=43700079952108136&ds_s_kwgid=58700008702316262&device=m&network=g&matchtype=b&adpos=largenumber&locationid=9189398&creative=706366317736&targetid=kwd-303992866454&campaignid=21210470845&awsearchcpc=1&gclsrc=aw.ds&gad_source=1&gad_campaignid=21210470845&gbraid=0AAAAAD_RQYkbJkkwVjmZWEMZfq3U6Eln0&gclid=Cj0KCQjww4TGBhCKARIsAFLXndSUzgwZwpluCphj4rQ4v01qZeP2RGqp10c338mNzMC1rM9qEiakAeMaAtSbEALw_wcB Or maybe mixed using your interface only?
  12. Gswitz

    random

    I'm listening to mixerman's book in which he is talking about sample replacement for drumz. When he mentions time intensive techniques, he says, 'but surely your time has some value. ' and I thought in response, 'nope, it sure does not. ' I have used cakewalk auto splitting in the past to make separate clips around every drum hit then shortened the clips like a manual gate. Then generated the data for Sample replacement and corrected it manually for each mike on the 🥁. 😃 In the end, I pleased the band most with a rough mix of what i had. As years go by, I do less and less work maybe because my time becomes more valuable if only to me.
  13. Supposed to be hard disk recorder.
  14. I had one of these interfaces and used it for a while. I was struggling at the time to be able to get recordings on the computer without dropouts. For years I recorded on a hard discuss.cakewalk.com recorder... akai dps12... then tascam 2488. The spidf from the tascam worked to sync with the m-audio. I would mix in cakewalk. I still record by setting and forgetting. I often record for 3 hours without interruption. When i mix in cakewalk, I sometimes mix all songs in a single project. Sometimes i create a project for each song after the main recording.
  15. Mix bus is cool and keeps improving. The export measures loudness on ebu, which i think is helpful if you want the tracks of your record to be similarly loud. But in cakewalk, I listen while measuring loudness and I often find things to adjust. In other words, listening to the mix has value. My brother pointed out to me that I don't own any microphones with a low enough noise floor To test my interface specs, even if I had a silent chamber to put them in. I color lots of stuff. Tubes. Silk on the pre amp. I'm totally fine that I cannot hear the difference of two high quality interfaces. I can hear a good preamp from bad. I loved the sound of a focusrite that I had for a bit. It sounded fantastic. The rme sounds transparent to me now, but that's because I've had it so long. Idk how long. 15 years? I don't replicate all my steps mix to mix even when using templates. If you use templates, try skipping it once in s while. Doing things manually gets you thinking/ listening again.
×
×
  • Create New...