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I bought this a while back because I couldn't afford the Fabfilter or Softube multibands. It sounds good and is a lot more intuitive than most MBCs.
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Oh you tease, Larry...made me think TVerb had finally hit $29!
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I agree with Brian that you'll probably get more for your money with Amalgam if you already have ToneX and use the coupons (I always do the 3for2; I'm not sure if they're permanently active). With that said, $99 is a great price for the UAD bundle. At that price, there's not much difference in price compared to buying them as captures but you get a nicer (IMO) GUI to work with and a quicker and more intuitive (albeit more limited) workflow. FWIW, I think the UAD AC30 and Dream (which is a Deluxe Reverb) are really top notch. They're not necessarily my favourite amp sims ever, but they're probably my favourites of their type, e.g., even though I have the Amalgam BFDR and AC30 captures, I think I prefer the UAD equivalents. The UAD and Amalgam BFDRs can be made to sound nearly identical, and they both sound uncannily like the real 60 year-old amp I have sitting in my music room (and my room/recording abilities mean the real thing doesn't sound as good when I record it). The Lion is also great; I haven't spent much time with the Tweed so far and it hasn't wowed me. As I mentioned in the TotalMax thread, I really like the new Amalgam Brownface captures. I've not been disappointed with any of the Amalgam captures, though - they're just different flavours of 'excellent.'
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I *really* like their Fenders. The new Brownfaces are great, and the Blackface Deluxe Reverb is excellent too. IIRC, their Carr, Toneking, and Matchless captures are ones I get lots of use from as well. The flipside is that the UA bundle of four amp sims is on sale for $99, and their Deluxe Reverb might be even better. Their AC30 is also my favourite.
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IIRC, TonexSE allows unlimited imports, and although the IK developed captures are fine, the Amalgam ones are far, far better IMO - so although I bought ToneX max, SE would have let me do what I want to.
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It's really inconsistent. Sometimes you can use jampoints in combination with deals, other times you can't. It takes the price down to 140Euros which is a steal...although I still don't think I'll bite. The ToneX collections and Pianoverse stuff looks interesting, but I have tons of Amalgam ToneX captures and more pianos than I have drive space for!
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FWIW, at the moment IK is allowing jampoints on the intro price!
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I think I bought one of their compressors (original FET?) simply because I loved the GUI!
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Not trying to put a damper on things, but important to be aware that the libraries appear to be abandonware based on the dev's non-responsiveness. Over at VI:Control there's a lengthy thread showing people troubleshooting the CFX library for themselves!
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Thanks Larry!
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Blimey, that's a deal and a half!
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The thing I like best about it is the drive knob - it's a very usable overdriven preamp sound compared to most in-the-box distortion, and I really like not having endless things to tweak (like the Vertigo/Culture Vulture/Black Box type of saturation plugins). I'm honestly overloaded with channel strips, despite the fact that I never end up using them. If you don't have any, it's worth having. Truthfully, I'd probably buy it just for the drive - I just wish you could have that in a separate one-knob plugin! My one caveat is that it's not the most stable plugin I've used. I sometimes get crashes with it. Perhaps it's just my system.
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Was surprised to see this dates back to 2008! I am resisting the urge to give in to massive reductions on something I don't need.
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Indeed. Hard to beat Orange Tree for going way beyond call of duty for customers.
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Best wishes and healing thoughts, Wook!