martsave martin s 182 Posted August 7, 2019 before EQ or after EQ?? what do you think? Share this post Link to post Share on other sites
John 445 Posted August 7, 2019 Before. EdIt I was thinking EQ not the compressor. So I think EQ first than compress. Sorry. Think this EQ is there to control tonal balance. That should be first. The compressor is there to control dynamics . That should be on the output and last. However, it really depends on what you want out of those two plugins. They can interact in interesting ways. Or you can use a dynamic EQ. Really we are at a point where you can do just about anything. It is all about the sound. 1 Share this post Link to post Share on other sites
Kalle Rantaaho 49 Posted August 7, 2019 A compressor may introduce results, that make you need to EQ, and an EQ may cause a need to compress. So, depending on the material, it can be useful to have more than one of one or both. I would start with an EQ, though. 2 Share this post Link to post Share on other sites
chuckebaby 783 Posted August 7, 2019 I agree with both reply's above. I almost always put the compressor first in the chain (Compressor>EQ). Because if you use it after, your compressing frequency's you might not want to compress. There are times though, boosting certain frequency's can add a great effect. 2 Share this post Link to post Share on other sites
martsave martin s 182 Posted August 7, 2019 (edited) john,Kalle,Chuck thank you Edited August 7, 2019 by martins Share this post Link to post Share on other sites
Jim Roseberry 992 Posted August 7, 2019 One use of EQ before compression is to use a high-pass filter (to roll out unwanted low frequencies). Doing this prior to compression can ensure the compressor doesn't respond to those (unwanted) low-end frequencies. 5 1 Share this post Link to post Share on other sites
John 445 Posted August 7, 2019 3 minutes ago, Jim Roseberry said: One use of EQ before compression is to use a high-pass filter (to roll out unwanted low frequencies). Doing this prior to compression can ensure the compressor doesn't respond to those (unwanted) low-end frequencies. One of the most common uses of EQ. Good point Jim. 1 Share this post Link to post Share on other sites
pwalpwal 3,974 Posted August 7, 2019 22 minutes ago, Jim Roseberry said: One use of EQ before compression is to use a high-pass filter (to roll out unwanted low frequencies). i do this by default on almost every track... 2 Share this post Link to post Share on other sites
Jim Roseberry 992 Posted August 7, 2019 5 minutes ago, pwalpwal said: i do this by default on almost every track... It's one simple thing that can make a HUGE difference in the clarity of your mixes. 2 Share this post Link to post Share on other sites
Gswitz 463 Posted August 7, 2019 1 hour ago, Jim Roseberry said: One use of EQ before compression is to use a high-pass filter (to roll out unwanted low frequencies). Doing this prior to compression can ensure the compressor doesn't respond to those (unwanted) low-end frequencies. This also prevents your guitar Or Vocal compressor from triggering with the bass or kick. 2 Share this post Link to post Share on other sites
Grem 4,075 Posted August 7, 2019 3 hours ago, John said: However, it really depends on what you want out of those two plugins. This is probably the most important thing said. As you can tell by all the different responses you got. Use your ears! 1 1 Share this post Link to post Share on other sites
Jonathan Sasor 975 Posted August 7, 2019 I mean, there's no right answer to this kind of question. Both have their advantages or disadvantages, plus it'll be relative to which compressors or EQs you're using. As mentioned, shaping the bass before you hit the compressor is going to have a big impact on how the compressor reacts to the input, but maybe you want to tailor how the EQ sounds after the compressor too. Depends on the material and what you're going for. Most important thing is to train your ears. If you understand how your tools work, then you'll be better able to apply them as you see fit. Experiment, listen, learn how things play together, then adjust as needed! 3 Share this post Link to post Share on other sites
Gswitz 463 Posted August 7, 2019 The answer can be both, honestly. Also, it is common to apply eq only to the side chain input for the compressor. You can use this to avoid triggering on bass sounds without removing bass or to turn your compressor into a de-esser. 3 Share this post Link to post Share on other sites
razor7music 249 Posted August 7, 2019 Hah! Either is fine. You can get an opposite, equally firm opinion from industry pros on both approaches. Share this post Link to post Share on other sites
mettelus 637 Posted August 7, 2019 FX do not care what they take in nor what they pass on, so always be mindful of the signal you are sending from one FX to the next. A compressed signal is harder to EQ if it has unwanted content (like roll-off's mentioned above), and there is nothing limiting you from multiple steps (where more transparent changes can be made). Mild compression in -> EQ the proper content (for the instrument) -> compressing again to fit the mix is not uncommon. 1 Share this post Link to post Share on other sites
Grem 4,075 Posted August 7, 2019 7 minutes ago, mettelus said: Mild compression in -> EQ the proper content (for the instrument) -> compressing again to fit the mix is not uncommon. This^^^^ Share this post Link to post Share on other sites
Julayla Tovah Grimaude 274 Posted August 8, 2019 Multi-stage light compression is always good praxis anyways 1 Share this post Link to post Share on other sites
Mike Morris 13 Posted April 18, 2020 (edited) On 8/7/2019 at 4:50 PM, martsave martin s said: before EQ or after EQ?? what do you think? In my experience the answer to this question highly depends on the specific situation and application of the EQ and compressor. BUT... 99% of the time starting with EQ is the better choice (unless you have chosen to use analogue compression BEFORE the signal hits the interface). My first move when editing a song is to do a super rough mix (getting to know the tracks in the song if I've not recorded it and getting a general feel of what I can hear and what I cannot - i.e. what needs EQ and where it needs to be done [frequency range]) and following this up with subtractive EQ to fix the problem frequencies in the various tracks. Choosing to use a compressor is dependent upon a number of different variables. BUT... 99% of the time when I have BOOSTED the EQ on a track, I will put a compressor on right after it. Why? Well, your boost might sound great in isolation (track solo'd) and it might even sound great in the mix, but often when you turn the volume up those boosted frequencies start to get rowdy and fly all over the place. Having a slight bit of compression helps to tame those frequencies without compromising on the tonal adjustments you have made. I think of it this way: When I have EQ'd a track (especially when I've boosted frequencies) and then placed a slight bit of comp on it, the comp acts to print the EQ changes in place. If you don't cement them with a comp, then you risk getting a different sound when the volume starts pumping - and we definitely don't want that. The same idea is essential for various effects as well - adding compression after helps keep the effects in check and printed how you want them to be. Hopefully my input has been helpful. I have started putting my thoughts into videos recently so hopefully some people can gain from what I've learned. Edited April 18, 2020 by Mike Morris Remembered something else to add... Share this post Link to post Share on other sites
Mike Morris 13 Posted April 18, 2020 I forgot about this video - some food for thought here: Share this post Link to post Share on other sites