Lionel 213 Posted November 21, 2022 Hey everyone, I'm curious to know what are some of your guys' personal favorite "game-changer" plugins. What Virtual Instruments and/or Effects made your production that much better and brought it to the next level? And how so? For VIs, my personal favorites have to be Reason Redrum/Kong and Native Instruments Kontakt. With Redrum/Kong, it just made my life so much easier making beats/drum patterns. And with Kontakt, the world is literally your oyster... endless possibilities of professional sounds. For effects, it'd have to be the UAD 1073 and Plate 140. Feels like I'm using the hardware versions. And my mixes just sound so much better. Share this post Link to post Share on other sites
Grem 4,068 Posted November 29, 2022 EZD3. With the addition of the Grid tab and the ability to finally edit a EDX midi clip, I am in lala land!! UA Apollo and the channel strips that I can use with it. Share this post Link to post Share on other sites
Bapu 6,285 Posted December 27, 2022 Anything new and shiny. 🙂 Actually after watching Glenn Fricker tout the AixDSP line of plugins I'm hoping they will take my live drum mixes to the next level. Given I'm the operator, that's not likely to happen. 😞 1 Share this post Link to post Share on other sites
Grebz 42 Posted January 1 For guitar sounds, I'm in love with Bias Amp 2 from Positive Grid. I love the tweaking possibilities and the resulting sounds. It may take a little more time to find "the" sound than with other amp sims (Neural DSPs are excellent too and simpler to use), but well... I don't mind. For orchestral music, I love Vienna Symphonic Library's "Synchron Player". So much better than any Kontakt library I've used before. The user interface is great, easy to use and understand. And their sound libraries are great too (strings, brass, woodwinds, choirs...). Of course, there are tons of great orchestral libraries, but VSL's libraries sound great AND their user interface is the one I like best, so... clear winner and game-changer for me. And Vienna Ensemble Pro is a must. For mixing, I love using channel strips and my favorite one is "bx_console SSL 9000 J" from Brainworx/Plugin Alliance. It's convenient, easy and sounds fantastic. 1 Share this post Link to post Share on other sites
SuperFreq 7 Posted January 16 With plugins I go thru a lazy rotation, they all seem to do basically the same thing so it comes down to spontaneity. BUT there are 3 plugins I've found that do the job hands down better than anything else in their league. These are Brainworx MasterDesk for mastering (FREE from Plugin Alliance) Cakewalk Sonar VintageChannel VC64 for lead vocals (Only available in Sonar 7 & 8 I think?) Waves Chris Lord Algae Vocal for rock vocals - This one generates tons of extreme reactions from producers across the spectrum, fanboys & haters, but they all seem to agree on 1 point - nobody knows wtf it does 😅 Share this post Link to post Share on other sites
Philip G Hunt 592 Posted January 26 In my experience (which is limited), it's not what you've got - it's how you use it. I know guys who can do wonders with nothing but EQ. I agree with @SuperFreq that Cakewalk Sonar VintageChannel V64 can do some pretty impressive stuff (if used right). I will reveal that there are two plugins that always seem to end up in my FX chains. Nembrini LoFi Vintage Clipper and Slate Digital Fresh Air. They both do different things, but very well. Share this post Link to post Share on other sites
OutrageProductions 60 Posted January 26 Scaler 2.7 has made my scoring & trailer work twice as fast. Share this post Link to post Share on other sites
Starship Krupa 4,036 Posted February 6 I'd have to go with Exponential Phoenix Stereo Reverb. It went on sale for $10, so I d/l'd the demo and the first mix I tried it on sounded sooooo much better than anything I'd tried (admittedly not many top-of-the-line offerings, just what came with my DAW's and freeware, the best of which was OrilRiver). It opened my ears to just how much difference a good reverb can make. MCompressor was an important stepping stone because its display helped me to understand compression so much better, so it changed the game in a way. Sonic Anomaly Unlimited opened my ears to what a good mastering limiter can do although it's no longer the first one I reach for. T-Racks 670 was the first plug-in I used that demonstrated the magic that mid-side compression can do, a technique (if not the same plug-in) I've used on every track since. Trackspacer changed everyone's game I think. There's no better tool for the job, IMO. MSpectralDynamics works pretty well, but....I already have Trackspacer to do what Trackspacer does. Share this post Link to post Share on other sites
lawajava 785 Posted February 25 (edited) I agree with EZDrummer 3. Specific to “game changer” I would add Maschine to this list. You can do stuff in Maschine mere mortal DAWs cannot, or not conveniently. By using Maschine in a DAW superpowers are at your command. This refers to the Maschine software. Of course with the hardware that’s even more powerful. The hardware is not needed for the general capability. As far as a quick win on a plug-in buy, PSP’s InfiniStrip is pretty great. Edited February 25 by lawajava Share this post Link to post Share on other sites