Bruno de Souza Lino

What I am alluding here more applies to the idea that a person's unique voice at least for now, always exists before the AI model which replicates it, meaning it could be considered part of their likeness and not to be used without permission.

In short: a persons's name and likeness is their own property and they have a right to decide how it is used. Rockstar has been the target of a few lawsuits over the years because of that. Granted that doesn't quite work when you are football player playing for a team and your whole team is used. Although if I'm not mistaken, some soccer games sometimes don't have certain players in teams because the player in question didn't give permission to have his likeness used.

Like they did in Logan?

I'll concur that the vast majority, if not all, drawings, sweepstakes, contests and giveaways are either fraudulent or scams.

In order for you to be replaced by said software, a model of your voice must be trained by such, which is rarely a concern for nobodies of the internet like myself and potentially you and others. Not really studios, but Spotify is. Making use of AI generated music would solve the primary problem they have currently, which is having to pay musicians to use their music. And they barely do that these days. Wouldn't all of those fall into prior art? Because we have yet to meet an algo that can train on models of real life stuff which doesn't exist yet. This is one of the reasons why 15.ai doesn't exist anymore and Uberduck has removed several voices models which came from the former. The owners of these voices (people, actors and voice actors) demanded them to be removed off the platform.

And not only that. The new controls are also smaller too.

Apparently all of them are pre-order, so no one has received theirs yet. Memphis Drum Shop usually has sound demos of most of the cymbals they sell, but not even them have anything past the promotional video.

Then what would you use Aux Tracks for?

We might see the brand new Active Incompetence Avid Pro Tools Komplete Brainworx Collectors Ultimate Edition DAW.

While this could probably be true in some places, music software users prioritize stability over features. Doesn't matter if your eye candy filled interface can slice you lunch, emulate a lava lamp and make you capuccino if it crashes all the time. People are just gonna use something else.

I did download it and first impressions were meh to say the least. For starters, their installer doesn't let you select which plugin formats you want to install nor where they'll go. Which means I'll have to accept I'll have a VST2 where it shouldn't be and an AAX I'll never use taking disk space. As per the plugin itself, I don't know if it installed correctly or not because I only have horns, woodwinds and violins as instruments I can use. Where are the other orchestral instruments?

Modartt's goal seems to be more to make a piano plugins which responds like a real piano with most of the controls you'd have in the real thing than a nice mix ready piano sound you can wedge into a mix.

I'm not sure I remember, but Ritchie sure does:

This is perhaps the first time I've seen a DAW where you have quantization you can't turn off. That's a shame.

This is certainly one of the posts of the entire internet.

You can see a cable plugged into the top head. Wild guess here is he's using the Dual Rectifier as a power amp for the Badger.

Hm... That most likely Dual Rectifier head under the possibly Suhr Badger is a bit hard to spot.

I will confirm to you that the guitar you're looking at is a Yamaha SG-3000, more specifically a SG-T, which was a limited run of 200 made as a signature model for Takanaka. https://www.j-guitar.com/products/detail.php?id=1000803 I'm gonna take a guess based on the back of his amp head he's using a Suhr Badger: https://medias.audiofanzine.com/images/normal/suhr-badger-30-2006-2016-1766440.jpg

Since we had at least two cover versions of Heroes...

The video I posted is not one of the recent Sky Guitars, but one of the older ones. They had robot tuners since his signature Dean.

Thankfully, Uli himself doesn't use much of that high register himself. Even in songs where he needs those violin high notes, he often uses a Whammy pedal instead of going there. You have to use tons of distortion in that upper register because the strings are so short and under tension they don't vibrate much at all. I think Sky Overture is one of the few examples where he goes up there for those high notes in the violin register.

That's not a Revstar. That's one of the guitars Gibson wished they made, which is the SG-3000. Imagine a Gibson Les Paul Custom but 100 times better built and with a neck through body.

I'm more particular to the crazy guitar he had in the past which is a surfboard: