Jump to content

Jim Roseberry

Members
  • Content Count

    693
  • Joined

  • Last visited

  • Days Won

    8

Posts posted by Jim Roseberry


  1. Also wanted to chime in on the multiple DAW applications vs. CbB

     

    With what I do for a living, I have all the major DAW applications.

    Each has incredible strengths... and head-scratching weaknesses

     

    For straight up audio work, both Reaper and Samplitude are incredibly powerful (both having Item/Object based editing/processing).

    For more advanced MIDI, it's hard to beat Cubase.  Almost all of our professional composer clients are running Cubase.

    Studio One is extremely easy to use... and has a nice balance of features/performance.  However, it lacks in more esoteric MIDI features.

    ie:  Percentage Quantize is limited to 50%.  Why not let the user choose the desired percentage??? 

    ProTools 2018 offers a well balanced feature set, but CPU efficiency (especially when working at the smallest ASIO buffer size) isn't as good as Reaper/StudioOne/CbB.

    When it comes to CPU efficiency, Reaper is the top performer.  What's Reaper's weakness?  It's configurable almost to a fault.  Initial configuration can be daunting... especially for less tech-savvy users.  More esoteric MIDI features are lacking compared to Cubase.

    Ableton Live is fantastic for working with samples, triggering virtual-instruments/samples (especially live on stage), etc.  It's weakness is on the editing side (lacks many advanced audio editing features found in Reaper/Samplitude, SO4, CbB, Cubase, ProTools).  

     

    Even with numerous (good) options available, I'm not 100% settled on which application will be my main DAW software.

    Of late, most of my time has been spent with Studio One.

    There's a lot to like about SO4, but there's also a lot to like about CbB.

    Truth be told, most of us could make do with any of the above.  That's when it starts to feel like we're spoiled by so many quality choices.

     

     

    • Like 5

  2. Wanted to chime in on "Dropped Buffers"

    Dropped buffers aren't because of your audio interface or the A/D D/A.

    If buffers are lost/dropped, it's because the machine can't keep up with the sustained data-flow.

     

    High DPC Latency is often a culprit

    • Great Idea 2

  3. Companies like Fractal Audio and Kemper raised the bar for guitar (amp-sim) processors.

    This caused other companies like Line-6, Atomic Amps, HeadRush (InMusic), UA, etc to step-up their modeling.

    Line-6 (IMO) nailed a great UI with Helix.  Super easy to use.  They also released Helix Native (software only version of Helix), which is extremely convenient.

     

    I've owned/used all the major guitar modeling/profiling processors... and compared most side-by-side. 

    In short, ALL are capable of good/excellent results.

    All are also capable of sounding bad.  The more familiar you are with your chosen modeler/profiler (and the original gear), the better your end result.

     

     

    • Thanks 1

  4. 12 hours ago, Starship Krupa said:

    So a computer that ran CbB and everything else just fine when I was running Windows 7 should now have its RAM doubled or quadrupled because I installed Windows 10.

    Had I known this ahead of time, I would surely have stuck with Windows 7. I had been under the impression from my research on the web that Windows 10 was no more resource-hungry than Windows 7.

    Until a few weeks ago, my i5 notebook was running CbB on Windows 7 with 4G RAM like a champ. I doubled its RAM to 8G in anticipation of the Windows 10 "upgrade," did the "upgrade," and now it's actually less responsive with Windows 10 and 8G of RAM than it was with Windows 7 and 4G of RAM.

    Throughout this, I have been monitoring things with Resource Monitor, and there haven't been problems with excessive page faults that I can see. That's the mystifying part. Resource Monitor shows, of course, a lot of disk read activity from the project disk, which is a 7200RPM SATA in AHCI mode, but that's about it. The project in question is an audio-only affair, no samples, no VSTi's. Same with the other projects I have called up to test it with.

    Resource Monitor shows the CPU busy, but not straining itself, disk reads normal under the circumstances, memory of course a lot of it in use, but not all of it, not to the point of excessive page faults. I once had a Microsoft Certified Systems Engineer cert, I know where to look, but this is eluding me. I don't see a smoking gun.

    So far, my advice to anyone contemplating going from Windows 7 or 8 to 10: try dual boot before you commit.

    I'm going to try swapping video cards next, because I'm thinking there's a bottleneck, and I've had DAW's not play nice with graphics cards/drivers before.

    By today's standards, 16GB RAM for a DAW isn't a "stretch"... it's common place.

     

    If you're running 8GB RAM (especially using virtual-instruments), that's running pretty lean (even with Win7).

    The OS itself is going to take some of that 8GB (Win10 with Chrome open to write this message is using about 2.8GB).

    So, even in your Win7 scenario, say the OS is taking 2GB of the 8GB total RAM.

    That leaves ~6GB before the machine starts to hit the VM swapfile in lieu of real physical RAM (which will absolutely kill performance).

    If you're running something like Superior Drummer (where the samples are loaded/streamed from RAM), that can consume another 2+GB.

    You're now down to ~4GB for your DAW software and any remaining plugins.  Even if it's working fine, that's definitely running lean.

     

    It's not about doubling/quadrupling your RAM for Win10, it's about having enough RAM for your largest projects (to avoid hitting the VM swapfile).

    The doubling/quadrupling is the reality of having to install dual-channel (two matching sticks) for maximum performance.

     

    With each OS release, the OS is slightly larger... and the system requirements creep up. 

    Been the case with Win95, Win98, WinNT, Win2k, Vista, Win7, and Win10

    One could say each OS becomes slightly more "bloated" compared to the previous version.

    Hardware speed/capacity increases... and the OS/Applications/Plugins are developed to use this increase in speed/capacity.

    If you were transitioning from Win98 to Vista or Win7, you'd be feeling exactly the same.

     

    Win10 is a fine DAW platform.

    Increase your RAM to 16GB and tweak the OS for maximum DAW performance.

    If you want the option to run Thunderbolt, you have to be running Win10.

    If you want to run the latest generation of hardware (ie: Z390 chipset motherboards), you have to run Win10. 

    If you want to run the latest DAW software/plugins (smoothly), it makes sense to run the latest OS (not one that's a decade old).

    Some software developers have stopped official support for Win7 (more will follow).  That's a reality of finite development resources.

     

     

    • Like 2

  5. In the context of a dense Rock mix, a typical DI electric bass (especially a passive bass) is going to sound a bit anemic.

    If you have access to something like a Neve preamp, that can help immensely.  The sound is larger/smoother (without sounding compressed).

    I struggled for many years to get a good DI electric bass recording (especially with passive basses).

    I used the Avalon U5, Reddi Box, UA-610... and all were OK sounding (to my ears)... but not great.

    Ultimately got a Neve Portico-II channel-strip... and it was what I'd been looking for all those years.  

    Though it has a great 4-band EQ and nice dynamics processor, the sound of the bass straight off the preamp sounds great.

    At mix, a very slight amount of compression and a very small bit of high-pass filter to roll-out the very deepest sub-bass

    The sound is there from the very beginning...

     

    If going DI with electric bass, keep in mind that a mic'd bass amp isn't going to reproduce sound all the way down to 20Hz.

    Use a high-pass filter to roll-out the deepest sub-bass (20-50Hz)... and the bass will sit better in the mix.

     

    If forced to use a "plain-jane" (for lack of a better word) type DI to record electric-bass, I'd use an Amp-Sim plugin to "toughen up" the signal.

    If you have a nice bass-amp and decent mic, consider mic'ing the amp.  Sometimes it's quicker/easier to just record the real thing.

    If you have a great bass amp (Ampeg, Mesa, MarkBass, etc), I'd definitely try recording it.

    • Thanks 1

  6. Do not use any type of RAM "enhancement" or optimization applications.

    Those will do nothing positive for DAW performance.

    As long as you have your RAM timing set properly, you're good-to-go.

     

    DAW optimizations are much more about performance throttling (disabling)... and power-management (disabling)

    • Like 1
×
×
  • Create New...