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Royal Yaksman

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    how do i un-register?

    in Feedback Loop

    Posted

    22 hours ago, pwalpwal said:

    how do i un-register and delete all my stuff from bandlab?

    I'm curious, are you just inquiring the process, or are you actually over using Cakewalk? If it's the later, what has driven the wedge between you and the freebie?

    How to pitch bend 808’s

    in Instruments & Effects

    Posted · Edited by Royal Yaksman
    spelling

    If you are using an 808 from a synth/instrument: In the controller lane for the synth you are using, you have to add portamento and portamento time. The lanes work as on/off for portamento and portamento time being how quick the slide occurs. However, this is dependant on the synth or instrument you are using. Some instruments do not support the portamento slide feature and whilst some do, you may have to search around the instruments options to find how to activate the capability within the plugin.

    Unlike FL Studio, Cakewalk doesn't have a sampler track where you can dump an 808 single shot sample into the channel rack and then trigger it at different notes with slide enabled. This is one feature that FL made incredibly simple.

    • Thanks 1

    Series of 500 Whys?

    in The Coffee House

    Posted

    Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why? Why? Why? Why? Why? Why? Why? Why? Why? Why?Why?

     

    ^There you go Bapu!

    • Like 1
    • Haha 1

    CHRIS LORD-ALGE UNSCRIPTED | The Beato Interview

    in The Coffee House

    Posted

    10 hours ago, James G said:

    Me too. A lot of it is way over my head but he's a very engaging chap, and I love his 'what makes this song great' series. 

    That series is awesome. There has been quite a few songs where I recall having seen the tab for it, but when I played it through, one part just wasn't quite the same. I always assumed that maybe the band just doubled some stuff, so it won't sound right with just one guitar? But then Beato does a physical play through and pulls out some dissonant note with a hidden rest and I slap my head, realising I have been playing it wrong all along! 💩

    I think my relative pitch is only relative to parrot fashioned learning. 🤪

    • Like 1

    CHRIS LORD-ALGE UNSCRIPTED | The Beato Interview

    in The Coffee House

    Posted

    11 hours ago, paulo said:

    He's nothing like I thought he would be, which is strange because I've never consciously thought what he might be like.

    Same. Despite owning a few plugs with his name on it, I'm not sure that I have even heard him speak before? For some reason, I dunno if it is because he has been in the software game for ages, I guess I kind of pictured a semi-nerdy dude. I hit play, half thinking I'm probably not going to watch the whole thing and two minutes in, I got myself a drink and settled right in!!! 😀

    The Great Shutdown - What have we learned?

    in Cakewalk by BandLab

    Posted

    4 hours ago, Blades said:

    2. The community is better, I think.  Even if there are some things here that are a little difficult sometimes, the general sense is more community and less "program".  The Presonus forums are not as active and definitely not as "community" oriented.

    The sad thing is that the original Presonus forums were actually great. But Presonus decided to go the ultra PC route and created new forums with heavy handed moderation, deleted posts, deleted threads and banning sprees. They have really hampered themselves because ever since then some of the most interesting people that were on the now archived forum, don't bother to post anymore. I can't really blame them, as too often I see something like this:

    1st Poster: "I have this opinion."

    2nd Poster: "I have a different opinion."

    1st Poster: "I can see what you are saying, but here is a link to a site that shows why I hold my opinion."

    2nd Poster: "That is interesting but I am still sticking with my opinion."

    (At this point neither poster has attacked the other and there isn't even a hint of snide remarks, nor sarcasm)

    Moderator: "This is a place for civil discussion. If all you two are going to do is argue, I will lock this thread."

    Everyone else who was reading the thread: "WTF???????????"

     

    Man Makes Noise The Lobby Piano (for Omnisphere 2.5) - Intro deal extended!

    in Deals

    Posted

    1 hour ago, Kuusniemi said:

    At currently no. I do not own Halion and quite a bit of the patches run heavily on the granular synthesis in Omnisphere so Kontakt is not a very good host for them. I did not want to hinder the usage of the sounds by making them into long WAVs that would be run inside a Kontakt interface. I wanted the patches to have a more room for change. :)

    But I have plans for other libraries that will utilize Kontakt. Actually my next one will be made for Kontakt and Battery (and it will have uncompressed WAVs as well). :) But that is another story... ;)

    Okay cool. What about Reaktor? Or would that require breaking the bits apart too much and creating a sort of revealing the wizard behind the curtain scenario?

    Do You Simply Trust Quantizing

    in Cakewalk by BandLab

    Posted

    With less percussive sounds you will likely find that you will have to manually place some, if not all of the markers to get a good result. With guitar you may also find that having the transients begin slightly before (or after, song style dependant) the beat marker, makes it flow better with the rhythm.

    Is 192kHz hi-res audio recording in studio worth it?

    in The Coffee House

    Posted

    1 minute ago, ØSkald said:

    Cakewalk and every other VST DAWs do oversample softsynths and FXs, don't they? Or how is this really?

    They don't  by default. But you can select it. What I am talking about is dry audio recording. I can't hear a difference there. Sure add some plugs that benefit from upsampling and that changes, but tracking dry audio? I'm not convinced.

    This is where confusion lies. People listen to 2 mixes, mixed at different resolutions and the mixes involve plugs. Of course they hear a difference. But what has that got to do with the dry audio?

    • Thanks 1

    Is 192kHz hi-res audio recording in studio worth it?

    in The Coffee House

    Posted

    42 minutes ago, pwalpwal said:

    mixing in your daw of choice, the more accurate the maths (ie, higher resolution) the more accurate your output will be, it's not an opinion, it's science

    And when the human ear cannot accurately hear that difference it's called what exactly?

    I have tried tracking at higher resolutions and at no point was I amazed by this accuracy or science that you speak of. The only things with audible differences are synths and fx that benefit by the higher resolution.  Which comes down to how they were coded. Tracking audio at higher resolution isn't science, it's a waste of disc space.

    Upsampling plugs on render however is a different discussion.

    How Awesome is BandLab! What can we do!

    in Cakewalk by BandLab

    Posted

    Whoa, whoa, whoa! We want them to continue to improve the product. You can't just go heaping praise on them like this! We need to keep them in check by selecting 4% as the answer to how awesome they are. That leaves 96% for improvement and I don't even know what they can improve but they had better get on it!!!😀

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