David Baay

Dollars to donuts, anyone trying to alternate velocities between two values is starting with a string of notes all at the same velocity that are exactly on the grid. ;^) And even if there's some variation, Select By Filter can usually be made to accomodate that though it might be necessary to make a second selection. I strongly agree Sonar should have a library of basic MIDI selection/transformation rules with user-specifiied parameters to facilitate basic operations like this. And, related to this, that all the existing CAL scripts should be converted to native functions as has been frequently suggested in the past.

Best option is to buy one of the used licenses that are frequently offered for sale on their forum. I effectively got Pianoteq Standard for 40% off which is better than you will ever get from Modartt directly. Only caveat being that you can't resell it a second time IIRC.

Or maybe "Can this be done without a CAL script?" If the notes can't be easily be differentiated by note number, you might be able to use Select By Filter to pick out every other note based on Beat/Tick values. Or you could make a short Groove Clip consisting of just 2 or 4 of the events and roll it out as needed.

So it was a velocity-based fade in 3rd-party-generated MIDI as suggested. ;^)

Any new/updated plugins or a new audio interface in use? A crash to desktop like that usually indicates fatal memory corruption due to a misbehaving plugin, audio interface driver or other hardware driver. I'd also recomend you run a memory test to be sure it's not due to bad RAM. In my 35 years using Cakewalk, the one time I had general instability issues that weren't associated with some specific action, it turned out to be due to a bad stick of RAM. And the crashes only manifested in CW, apparently because no other applications were as RAM-intensive or otherwise using that particular segment.

I'm guessing you actually mean an "Instrument" track (combined MIDI and Synth Audio tracks) and it's the audio side that's being faded. Assuming the track isn't frozen (rendered to an audio file) , the only thing that could readily cause that would be an automation envelope. But if the MIDI is from a 3rd party, it's possible it contains Volume/Expression controllers or even a velocity-based fade. Open the Event List view to check for this.

Yes, a "dry" version of the "Jazz Recording" preset with built-in reverb, delay and limiting disabled - otherwise unmodified.

I'm sure a lot of Pianoteq users here are watching the Modartt forum. but thought I'd give a little heads-up here about the change in sound of this release: It's pretty radical for a "minor" update (not a new version with it's own plug-in .DLL that you can choose not to use in existing projects). If you have mixes that depend on the timbre (and loudness) of the last version (8.1.3 I think), you might want to render the raw Pianoteq output to wave before updating in case you don't like it and/or don't want to re-mix. The new timbre aside, I found at least one of the new "voicings" to be 2.5-3dB louder.

...until you accidentally merge takes that were meant to be separate. Then you'll be asking for a "Smart Unmerge" feature. ;^)

SI Bass's tunng control is very coarse with a range of +/- six semitones. A quick calculation shows 420Hz is ~81 cents (0.81 semitones) flat from A-440 . Holding Shift will allow you to get fine control of the Tuning knob to get to -0.8. I checked, and the actual tuning of SI Bass doesn't change with every tenth of semitone (-0.8 and -0.9 produce the same output) but -0.8 should be close enough.

I used to use a Mackie mixer to manage both input and output to/from my MOTU interface, but removed it from my setup some time ago. Now I use the volume control on the MOTU but it's become terminally scratchy as well. I've considered getting a Big Knob in the past; I'll be curious to see what recommendations you get.

Glad you got too a solution/workaround. I thought you actually needed to create individual split sample files so did not suggest non-destructive alternatives. Reading your original post in that light, I would suggest you use Pan automation with Jump segments and send to two Aux tracks with their inputs set to the left and right sides of the Patch Point.

The MIDI Prepare Using buffer has no bearing on MIDI sent to hardware ouputs. Its purpose is to pre-render audio from soft synths. For bes behavior when starting/stopping playback, changing loop points or editing MIDI during playback, it's best to keep it low. The primary symptom of an insufficient buffer is dropped notes. If you're not hearing that, you probalby don't need to change it from the default of 50ms.

Yes, but the Vel+ fader can add or subtract up to 127, so it goes from -127 to +127 and resets to 0 (no offset).

I'm afraid you're out of luck. The only way to create a non-contiguous selection of audio is by manually Ctrl-clicking segments. I tried some workarounds but had no success.

I think you must mean MIDI Volume faders. Vel+ runs from -127 to +127 and resets to 0. It's MIDI Volume that resets to 101. That said, do you use a hardware control surface or possibly have Remote Control set up on your MIDI Volume controls?

The controller sends MIDI messages to instruct a synth what to play. The meter is showing the velocity of MIDI Note On/Off messages, not audio volume level. What you need to do is right-click in the tracks pane below your existing MIDI track (which you can just delete), choose Insert Instrument, and pick TTS-1 (a multitimbral General MIDI synth) or one of the "SI" synths that comes bundled with CbB (assuming you haven't yet installed any 3rd-party instruments). An instrument track combines a MIDI track and a synth Audio track. To understand how it works, you should right-click the new track and choose Split Instrument Track which will separate the MIDI and Audio parts of it into separate tracks so you can easily examine and play with the controls and I/O assignments of each.

What driver mode? Some ASIO drivers cannot be shared regardless of App settings; I don't know about Focusrite. If that's the issue, it should be sufficient just to shut down Finale and re-launch CbB. If Finale supports WASAPI, changing them both to WASAPI Shared should do the trick. Or Rewire Finale into CbB as a client if Finale supports Rewire (some developers dropped it when it became unsupported).

Hey William, good to see you on the new forum (David Baay = brundlefly). You probably know that hard crashes like that are usually driver-related. I would guess this issue is related to your audio driver being invoked to audition pitch changes. You might try turning off audition (or toggling the audio engine off altogether) and see if gets more stable. If it does, changing ASIO buffer size might help. Otherwise you might need to try a different interface or experiment with WDM/WASAPI to further confirm it's the ASIO driver.

Having only listened on headphones at this point. I much prefer the meatier V2 drums, especially the snare.

In that case, I'm sure you know the preferred approach would be to record the MIDI from the Alesis, quantize it as needed, and then record audio from the Alesis being driven by MIDI played back from CbB. But if you only have access to the audio, quantizing tracks separately is fine in this case. Beyond that, I really can't advise further without seeing an example, preferably as a minimal project file that demonstrates the issue.

This indicates the problem is with the interface or monitoring. A quick Google found several other references to "fade in" problems with the UMC 404HD, but no solutions offered. Seems it's got some sort of built-in gate or speaker-protection circuit in the analog section that's malfunctioning. You should return it if you can and get something with a proven reputation for quality hardware and drivers.

Can you share a sample project with a single track that goes out of sync with the metronome when not frozen? Quality of the interface/drivers should not have any bearing on this scenario, but the Soundcraft seems like a reasonable piece of kit with ASIO drivers so should not be a problem in any case. Quantizing tracks individually should not be a problem in terms of basic timing sync, but to avoid phase issues due to mic bleed across tracks, you really should look into one of the suggested approaches that uses a common set of transient markers applied to all tracks before quantizing.

The best manual tool is Set Measure/Beat at Now. Set the Now time at a transient, Shift+M, and enter the measure and beat (or fraction of a beat) that transient should be hitting. CbB will modify the previous tempo to make it happen and enter matching one at that point to act as an "anchor" for the next Set. If the first downbeat isn't at 1:01:000, more steps are required to get started. I have a single key bound to it since I use it a lot and Shift+M is awkward. Take advantage of Tab/Shift+Tab to transient and other keyboard shortcuts for navigating the timeline, and you can move through a piece pretty quickly. I recommend snapping downbeats every 4-8 measures to start. Then you can go back and Set more points as necessary to tighten things up further.

Is this a new installation of CbB with no changes to default settings? Does it happen if you freeze the synth? The symptoms sound like you have a non-zero Fade On Start set in Preferences > Audio > Playback and Recording.