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Craig Fowler

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Posts posted by Craig Fowler

  1. 8 hours ago, Fleer said:

    That’s good news. CGR is quite trustworthy for piano advice over at VI Control. 
    Wish the bundle would include their new Electra 88 though. 

    Agreed on both counts...and am now hoping I haven't misremembered "other" Craig's comments!

    FWIW as much as I know you love the OTS Rhodes, the Soniccouture one might be my favourite - and Black Friday's coming up!

    • Like 2
  2. 19 minutes ago, MusicMan said:

    I haven't tried that one yet, so that's great to hear ? I love Moogs, so I'd been using that a bit and it's pretty decent. I already liked Polymax when I got that and the Waterfall B3 organ can make some really nice sounds too. Haven't installed the piano yet, but some reports I read aren't super positive. I'll still try it at some stage seeing how it's paid for.

    The Ravel is far from being my favourite piano VI and if I'd paid anything like the asking price for it, I'd be miffed. But there are some really good players who rate it (e.g., CGR over at VI:Control), and it has its uses. The reverse sound thing is a weird gimmick - and if you have your screen scaling adjusted, you can't always see that you can turn it off/down...the UADx plugins have some weird relationship with Windows scaling!

    • Like 2
  3. 1 hour ago, Jesse Screed said:

    For the person without much cash this would be a good price to get a lot of stuff.  It comes with a bevy of t racks effects, but you can't use them outside of the platform, and there are usable sounds.  I am not sure it compares at all to Kontakt, though others may have different opinions.

     

    At $49 I would recommend this for sure to someone who just wanted to stick their toe in the water when it comes to sample players.

    Yup - when I think back to shelling out for hardware synths on the basis of the onboard sounds, ST4 at $49 is a steal. And there *are* some good sounds in there...but damn, if it doesn't make you work to find them!

    I've opened ST4 to pootle around with out of curiosity, but the GUI just sucks the fun out of playing. I mean, I hate Kontakt's interface too, but the hatred I have for working with Sampletank is at a different level.

    I know VSL are on the fancy side of things, but their Synchron player is a thing of beauty as these things go.

  4. Yeah, I don't have ABB, but didn't love the demos. IIRC some of the individual sections sounded OK, but I didn't hear the same level of ultra-realism in the context of full arrangements. FWIW, the dynamic range of the solo instruments tops out around forte - you're not going to get the real 'blasts' you'd probably want. I.e., you'd get the timbre you'd need for something like Moonlight Serenade, but not for the later bits of American Patrol.

    • Sad 1
  5. This is one of the most jaw-droppingly good VIs I own.

     

    If you pipe or play in some midi and listen back in 'regular' mode, it's pretty meh. It's just a sampled trumpet. But flick that smart delay switch and/or start playing with the articulations via the keyswitches/articulation maps, and it's damn near miraculous. The same goes for the trombone, tenor, and clarinet (I haven't had a chance to play with the alto yet even though it's been Bapu'd for months).

     

    SAS' brushes and upright bass are good value too.

  6. Thanks PC, very helpful!

    I really like Skybox Audio as a developer too - I have the acoustic piano libraries which are outstandingly good, even taken as 'straight' pianos. I think I'm in the same boat you describe re your preferences; my ideal would be for the electric pack to combine the Rhodes with the 145b! I'm more of a Rhodes guy than a Wurli one, but I love the 'juiciness' of a nice Wurli!

    • Like 1
  7. How much difference is there between the 145B and the 200A, @PavlovsCat? I'm semi-tempted by the offer on the 145B, but I only just bought SonicCouture's Broken Wurli. Which is very nice, although I think the Canterbury Suitcase (their Rhodes) is on a whole different level. 

  8. 4 hours ago, kitekrazy said:

     I think you can buy a real one or close to it for that price.

    Well sure...but can you *play* it? I imagine a half-decent tremolo will take a fair few years to develop!

     

    Musical Sampling libraries tend to be very good, although Indiginus wins in the playability stakes. 

    • Like 1
  9. It's hard to beat PA for the sheer scale of what they offer.

    I believe there are deals where you can get a year of Spark for $99 which isn't bad. I think I actually like their B3 emulation more than IKM's, which was already stellar. And IMO the UAD reverbs are the best out there; all excellent and covering tons of ground (spring, capitol chambers, hitsville, Lexicon, plate etc).

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