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The main rival then was Prehistoric Tools, I believe. Or maybe, Neandertools.

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She was wearing a bikini. I can see how that would offend someone. Music, especially Heavy metal and Hip-Hop would never be associated with such filth! Shameful!

I believe you can hold the unregistered serial number and use that to jump ahead if you wait long enough. People certainly have been doing it with Cubase, I don't think Wavelab would be any different.

It is, Sergio Great plugin

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Guyz , i can t say more but Start saving money ....i m beta testing some stuff you guyz will want for sure ...

I've been using it since the stone age when it was called, Cavewalk.

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Read this and count your blessings :O) https://www.vice.com/en_us/article/a3xk3p/adobe-tells-users-they-can-get-sued-for-using-old-versions-of-photoshop

Nine Inch Snails

Well dust my bunny

I bet he had a 6 pack of serial numbers.

I hope all those companies that try to earn money in such a mean way go to hell! I agree, a company has to earn money, but IMHO there must be always a fair deal between a customer and a service provider. Nowadays' trends are really a step back to the Middle Ages. More and more people do not own anything anymore, they are employees, they live in a rented appartment, they have a leased car and they have a bunch of subscriptions to pay. What a life, 100% dependency, bondslaves! The big companies, media and the polititians dictate our lives! You say Middle Ages is exaggerated? Here in Sweden we pay about 400% tax for gasoline (income tax+gas tax) and it is not much better in other European countries. I really wonder about what kind of era we live in?

On the other hand, the fish was not wearing any clothes. Shameful!

Good melodies and well performed. Listened on phone speaker yet sounded good

That's cool that you posted a rocker as a tribute to your Dad - nicely done. I agree with some of the other guys that it has a serious AC/DC vibe. The mix sounds pro. Impressive lead vocal and guitar work. Thanks for posting.

Superior Gold Plus.

For what you already have Mesh these FXs are not ground/barrier breakers.

Once the drums and other instruments come into the song, your lead vocal is drowned out - try turning it up a bit on the fader and maybe add some compression and some eq treatment to give it a bit more separation in the mix. Just my two cents. The lead guitar needs a bit of the same. The arrangement is fine - sounds like you have a good song to work with.

Thanks Larry! I'm thinking about getting one of those mobile hotspots and just purchasing a data plan. I still need to get bandlab!

That time of year for Presomus?

The Magix site says this: Of course, it is still possible to use the software offline. Regular license validation enables us to offer you an unrestricted right of return for 14 days for activated software. This allows to you to purchase from us risk-free. It also makes it easy to switch our new annual and monthly license models, which are similar to Video 365. Read more: https://www.magix.com/us/support/technical-support/ Follow us: Google+| Facebook So I assumed that it was still installable and activatable without being online...so my bad. BUT, if you register it at Magix, then you can download it on a computer that does have the internet, as you can download it from your account

That was in regards to buying Cubase and holding it for the upgrade...not Wavelab

You can kind of do this already by selecting the folder, then using groups: Now moving any of the faders or pans, will move the others relative to your movement. If you want to adjust one in isolation, just hold down the CTRL key while your doing it.

I don't have UAD, however you can try look at Preferences --> VST Settings , and uncheck "Hide Related VST2 Plugins", then re scan your VST folder. That may help in many case plugins don't show up.

Yep, that is such a frequent problem that I wonder why it's not that way by default. You actually can change the number in event list by clicking on it (or hitting enter when it's highlighted), and put in the number you want. You also can change the type of event the same way. Change a note event to a controller event, for example. That's why I had you duplicating a note event, so you can then change the duplicated note event to a CC event. then you have a CC event before the note or series of notes you want to be affected by it.

I hope the thread they removed isn't the thread that is holding your pants up! ?

Cubase licensing is based on activation. So, unless Steinberg changes policy, the # should be good until you're ready (even across version upgrades).

10.5 is right around the corner...sometime later this year...

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Super deal! Very tempting... I would have bought it if they had included at least one virtual guitar. Impact Soundworks and Orange Tree Samples has some nice ones, but I don't need 50 drumkits or 10 basses...

Really like this one Rex ... godda agree with Leadfoot here so Everly Brothers sounding .. sweet SR

Mark is right....I have to wait for the e-licenser to arrive to activate so I'm all installed and reading the manual right now :) Last time I used Cubase was about 10 years ago...we'll see how quickly I get back into it. My key is in a USPS regional center in Indianapolis right now, I can wait a few days. Bill

I don't think there is any reason to be scared of instrument tracks, I moved from Studio One which only has them, no midi tracks specifically as separate from instrument tracks. I don't even use Kontakt as a multi-instrument, just open as many instances of kontakt as I need. I do not do orchestral work or have a massive instrument track count though, probably 15-25 tracks maximum virtual instruments (not all kontakt) , the rest would be guitars which are recorded audio or amp sim 6-8 tracks and then vocals 6-10 tracks, drums 8 tracks. I use instrument tracks exclusively in CbB and have not had any problems with them. I would like to use midi tracks though if I can find out why I should use them in my projects.

HI:) As you can see in the picture below I send all tracks to a Mix bus, which is going to the Master Bus. the Master Out I send to ADAT Out 3 and this is muted so it is always on 0 dB in the Mix. The Mix Out is going to Master Out, but I have a send to SPDIF Out, where I now can have my loudness to the Speakers.... --> which is controlled by my nearest reachable Rotor on my BCR2000! Bassman.

Hardly surprising i guess, men googling on scantily clad women on a public forum is just not cool anymore in todays society...and not really related to music production! Lads, get your eyes off the girls and back to business, what the Cakewalk GUI doesn't do it for you?

Tread carefully regarding the legacy of Ray Thomas within range of my typing fingers. ? I've been a Moody Blues fan since high school, and my high school career was in the late '70's, not exactly during their heyday. By rights, I should have been in The Kiss Army I, too, once subscribed to the theory that Ray fit into the "he doesn't have a lead vocal or flute solo on this one, so give him a tambourine so he has something to do onstage" rock paradigm. But a few years ago as I assembled a MB library of the 2006 remasters and started listening critically, sometimes on headphones, I started to marvel at how thoughtfully and how prominently Ray's tambourine was integrated into the arrangements of many of their songs, especially the uptempo ones. Of course I hadn't noticed it before because it's so well integrated, it fits so well. Mellotron, check, flute, check, tambourine, check. Listen to "Ride My See-Saw" or "Lovely to See You" or "Question" and try to imagine them without the tambourine. A really cool effect they used that I want to swipe someday was how they have Ray double Justin's strumming rhythm on "Question." That tambourine kept the Moodies grounded in their beat group origins, helped keep them accessible when other prog rock bands lost touch. Most musicians would love to have that "half a career." So there.

Fx ... affordable ... i guess .... no release date ...i don t even know myself ... the spl looks cool but it s so tiny i don t even want to try it lol

Those cable twist ties could work too. I'm thinking when those drive adapters go on sale for $2 just buy a lot of them.

No. Everyone I know who could use it does already. For my only muso friend on a Mac I suggested Reaper for now. Once he gets the hang of recording i have a copy of Studio One Artist i may pass on to him.

In this view we see 3 sections. To the left are the tracks. In the middle is the buses that are user created to anything you want. To the far right is the hardware outs. You can route your tracks to any bus at will. Here is the way tracks are routed to a bus. If you see the drop down just above the green test you will notice it says master. The tracks are routed to the master bus. The master bus in turn is routed to your hardware outs. This is the normal way for most users to set up a simple bus structure. I completely agree with Chuck. We are here to answer questions. If the above is unclear it is not your fault but mine.

Beautiful song Rex! I love the lyrics, very uplifting. The vocal harmonies are reminiscent of the Everly Brothers. This song is a great lesson of "less is more." The simplicity let's the song breathe. I love it. Great job!

Fixed

I've tried to convince my band that if I could just record my parts in MIDI, take them home and doctor them up, that when I came back the next night my live performance would then be impeccable. Oddly, they insist on real-time sound generation. "The audience won't wait around while you edit the PRV", they said. Luddites! Next, they'll tell me I have to use a real tambourine instead of samples. Now, that's just a safety issue - those things can give you bruises.

Which means that you totally get it!! You fix the notes that sound wrong, not the notes that look wrong B.B. King would have never had a career if his flatted-7th-to-tonic bend ever actually made it to the tonic... I've often said that far from leeching the soul out of vocals, Melodyne has made my vocals MORE soulful. That's because I can sing with abandon, knowing that if a note or two is off, I can fix it. That's a big improvement over constantly second-guessing whether the vocal is any good while I'm singing it. Similarly, quantization takes the pressure off of playing drum parts. They're all tools, and neutral. The skill of the person using the tools is the determining factor in the tools' effectiveness. But I sure am glad we have these tools. P.S. In my workshops, I use John Bonham as the poster boy example of why playing around the grid works a lot better than playing to the grid.

Yea, I have been using Cakewalk since MS-DOS lol

Hey just remembered why i skipped : synchrosoft key !!

Well, it's not terrible advice for beginner, in fact "Normalize" is one of the first step to learn how to master. It's a basic thing anyone can do easily to turn audio clip level louder without clipping. You don't need any other tool than one Cakewalk has provided by default. It's a simple starting point. The question indicates OP didn't know much about it, and he needs advice he can try. He probably will need to learn any other tools and stuff to go further, but for a while, simple advice won't ruin his life.