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Read all about our latest sample library here! https://www.orangetreesamples.com/news/vocal-library-announcement?fbclid=IwAR2Wn36vJs8iATKf--6oej6NtHZn9Fpeny9RJF3gq9R9hVrd1Uzx9Qy13DA

I'm a lousy keyboard player so when I tried the demo of Chord Potion last week I knew I had found something useful. It takes your live MIDI keyboard input and transforms it into various patterns that you can then drag into your DAW. There's a wide range of patterns which allow you to specify different patterns for a melody line, chords, and bass. You can check out the demo and other info here: https://feelyoursound.com/chordpotion/ They are also offering a 22% intro discount if you purchase before April 14th (so you'll pay about $39). It only took me a few minutes of playing with the demo to convince me to make the purchase. It's a lot of fun if you cannot play well. It's not a one finger chord player like Cthulhu - but if you know how to play basic chords you'll find it can really enhance what you can get from your keyboard.

You may have too many plugins if ... - you have some that you've never figured out how to use - you've accidentally purchased a plugin you forgot you already had - you have bought any "every plugin" bundle from any vendor - you still think that a "musical" EQ or compressor is a real thing, and you just don't have it yet - you have more than one tambourine and/or cowbell library - you have more than one convolution reverb - you have ever been mesmerized by a Dan Worrall video, AKA Hypno-Toad - you are trying or have ever tried to keep up with bapu

Whenever I think about the past, it brings up so many memories! When I sit around with my geezer contemporaries these days, we're not talking about CP/M or Berkeley vs. AT&T as much as about what body parts are failing at the moment. Although sometimes I do get nostalgic for vi. Back then, composing a text message was a real skill.

Here http://everyplugin.com/kuassa.html

This here Nubby dog stole my heart . Kenny

I am Groot?

I'm still trying to figure out if that is true legato I'm hearing in the demo tracks...

I've beano waiting for this. It gets tiresome recording my own.

Flatulus? wtf?

I like being delusional. I mean, have you really taken a good look at what's actually happening out in the so-called "real" world lately??? *Bleh!*

How old are you guys??

In space no one can hear you drum.

Sound on Sound Magazine has frequent Cakewalk by Bandlab technique articles by Craig Anderton. You need a subscription. The digital subscriptions are $40-$50/yr I think. The magazine always has a lot of well written product reviews written by experienced contributors along with tutorials, mix reviews, and lots of other recording, mixing and mastering topics.

Hi Guys , I have had a number of health challenges on my plate this year .Unfortunately my guitar playing and music has had to take a back seat . I have been slowly working my way back into playing my guitar as a creative outlet for my own personal enjoyment . Earlier tonight I decided to play and record a lead part over a Southern Rock style Backing Track . I am happy to be using my guitar amp a 1983 Fender Super Champ recorded direct VIA a direct box into my 2i4 . All my guitar playing was all done in one take as I winged it and played along with the BT , . I Love You More . I hope some one enjoys the guitar playing Kenny

For just $39 (instead of $746), get the massive Rigid Audio Bundle comprising of Aquiver, Cinematrix, Synferno, Supine, Padstation 2, Hypernode and Outerspace bundle! These are some of the best products from Rigid Audio and are available at an insane exclusive deep discount for only a few days. Based in Berlin, Rigid Audio creates premium and excellently programmed Kontakt instruments focused on sound design. Originally $746, the whole bundle is now available for just $39 for a limited time only (you save a whopping $707). You can also buy just what you need from the bundle at incredible discounts. Scroll down to read more! This is an amazing no-brainer offer you should not miss! Deal Page: https://audioplugin.deals/deal-2/ Deal Expires: April 14th Videos Audios

- you have some that you've never figured out how to use Y - you've accidentally purchased a plugin you forgot you already had Almost - you have bought any "every plugin" bundle from any vendor I'm going to say yes because I have FabFilter's FX bundle.. their other plugins are just silly - you still think that a "musical" EQ or compressor is a real thing, and you just don't have it yet LOL! No - you have more than one tambourine and/or cowbell library aw, c'mon, that doesn't count! - you have more than one convolution reverb who doesn't? - you have ever been mesmerized by a Dan Worrall video, AKA Hypno-Toad ? - you are trying or have ever tried to keep up with bapu we all need goals in life

I was about to post this deal... damn, foiled again

The "bits" have chimed in! ? I wonder if kids are even taught there's such thing as registers... Or if they even know what a nibble is!

I wax nostalgic too. I remember sitting around broke in an apartment wishing I could get this and that. Now I can! sudo su apt-get this_and_that.

You might want to send them some email about adding a channel output option. I picked this up and agree it could use the ability to route each part to different MIDI channels. You can easily see this being expanded, lots of more complicated things could easily be mixed into something like this. I wonder if they will go that route?

Do not uninstall your SPlat. Install CbB along side and it will pick up your SPlat preferences and also carry on using any of your SPlat plugins. By all means, look at other DAW. Doesn't do any harm...

I have one. It certainly isn't designed to work seamlessly with Sonar, but I haven't had the problems you describe with muting notes and playing only the selected track. Maybe reach out to Nektartech support?

Only if you have too much Wet Signal ?

Mesh, you're going to do well with those M50's. I can't think of another model that's as versatile for the price (and most of us paid more than $129 for ours). Isolation is decent enough for tracking, frequency response is good enough for at the least the early stages of the mix process, transients are clear enough for detail editing, and they're not bad for just kicking back and listening for enjoyment. That said, I have moved away from the M50 as a single do-all headphone solution. All headphones compromise something. It's about physics, which no amount of money can defy. The M50 achieves a practical balance of compromises, but... For tracking, I want better isolation. For mixing I want a less-hyped bass. For lying in the dark listening to music, I want clarity and a flat response. Because no single headphone model can do all that, I've resigned myself to having a different headphone for each purpose. The M50s still serve for editing tasks such as Melodyne tweaking and cutting/fading clips, but the HD280Pro's superior isolation and midrangey-ness makes it better suited for vocal tracking. The HD650s are for pleasure listening only, being too nice-sounding for critical listening but deeply satisfying for immersing myself in my favorite music. I use the very similar but less-expensive HD558s for travel, just because they're older so I wouldn't be as heartbroken if they got crushed in transit.

https://youtu.be/dqRRW9lKmEQ

Never seen them go as low ?

Thanks everyone for chiming in....a lot of very helpful tips. My ears aren't 'big' and the ath-m50x sounds very good to me....which is what I'm going with. Now that I see it's going for $129 at Amazon (just the headphones), not sure if I need to get the FiiO A1 amp and extra cables bundled for $165: https://www.amazon.com/dp/B07KMFGBFF/ref=sspa_dk_detail_0?psc=1&pd_rd_i=B07KMFGBFF

I can't seem to find a proper area to discuss the Bandlab system itself. I feel that it's a site with potential , but also areas that needs to be improved. Would it be an idea to have a for support and feedback for using the Bandlanb site and integrations with Cakewalk ?

Fun! It sounds like A) your pinnas are not as old or as fat as mine - the 280's earcups rest on top of my pinnas, crushing them into submission, and thus whatever benefits in "isolation" you might be getting, I lose completely, because all I can hear is the earcup rubbing on my pinnas as I move my head! For me, the 380's completely surround my ear and that's all the isolation I really want. You sound like you work in a much more acoustically particular fashion when tracking than I do - which is fine! I bet your stuff sounds good. But I would never be concerned with pick noise coming off the strings while I'm laying something down. Just different. Glad you like the 280's ! I'm not 100% in love with the 380's for mixing, I know I'm getting some details smeared - but I just don't want to go buy the best Sennheisers for $800 or whatever. cheers, -Tom

Here's the punch line. Make up the rest yourself. "So you have to get eye surgery before you can drive your new car? Cataract?" "No. it's a Rincoln."

The joke is they are actually charging for this.

A SOS review for the above:- https://www.soundonsound.com/reviews/audio-technica-ath-m50x

These get my vote Mesh

Under $200? Audio Technica ATH-M50x.

MeldaProduction has announced the 14th round of the Eternal Madness Discount 2019, offering 50% off 4 plugins every week. Getting started on Monday, april 1st. Deal of the week: MTurboReverb Price: €150 €299 MXXX Price: €500 €999 MUltraMaximizer Price: €25 €49 MVibratoMB Price: €20 €39 If you happen to be new to Melda plugins, you can use someone's referral code for an additional 20% discount off whatever you're buying. Here's my referral code: MELDA1548575 (Feel free to use it, or use a friend's because Melda gives them 10% credit too!)

I still use EWQLSO as well as HW strings, because they complement each other quite well. In many ways, even though HW Strings was touted as "next gen", it really fits as more of a part 2 of SO, because the articulations are so different. Both the brass in SO and HW Brass are really well done also. However, like you say, I have Ra, Stormdrum, and a few others I can't even remember. I never use them anymore unless I absolutely can't find what I'm looking for in a Kontakt library. Dan

Is going for $5 'Bulldozer is part of our amplifier series, each of which brings a full guitar rig into one easy to use plugin! Bulldozer delivers a range of tones inspired by a legendary high gain amp known for tones that sound like a diesel engine on fire! Combined with a flexible pedal board and effects loop, as well as our Virtual Cabinet with optional IR loader, Bulldozer makes it easy to craft the perfect tone quickly!' https://www.audio-assault.com/bulldozer.php

Well, just to be contrarian, I have used both Sennheiser hd280 and 380pro, have used both for tracking and mixing, and I much prefer the 380 . . . of course the 380's have much bigger and more forgiving earcups, for the fat-eared bretheren out there, such as myself. I think the 280's underwent a redesign a year or so ago, fwiw. And I like the better bass response in the 380's, because if you have bass-light headphones, you have no idea how it translates onto proper systems. You can't mix bass frequencies if you can't hear them, and you won't hear most of them in headphones, anyway. So the 380's get you a little closer. But I agree, the 380's have decent detail but it's still a $200 headphone. Well, I have no idea about Sonarworks - and I'm willing to bet there are better mixing headphones out there at some pretty prices. Better detail, too. cheers, -Tom

"Don't believe everything you read on the Internet!" ~ Moses

This is fun! After a couple of college classes at SDSU while still in high school, I enrolled for a bunch of classes at a community college, made the football team, but only got two calculus classes and dropped off the team. I was supposed to go to Annapolis and fly F-14's, but I grew too tall so, next I went to a private, IT-based college where I took four years in two (Coleman College). I had classes in Assembler, Fortran, PL/I, COBOL, BASIC, RPG and C. Since I had already been programming in a few of those, I had time to set the high score on the Miss PacMan machine during breaks. Half-way through, we all had internships with "real" companies so we could learn not to wear white socks with suits and they could use us for copying and data entry. I got to go to a Defense Contractor (CSC) and, during the initial orientation meeting, the Senior Contracts Administrator was disappointed that we weren't there to code something for her (because we hadn't had classes in that language yet). However, I already knew it and jumped at the chance to do something new. Within a couple of days I had figured out who the "REAL" programmers were, secretly hacked into their accounts to learn all their coding techniques and created the basics of the program that maintained all modifications to the project contract for over five years. At the end of the week-long internship, several guys there lobbied for me to get a contract to finish my work. Next thing I know, I've got a lucrative consulting job as a teenager which turned into being the tech-lead for the CMQA department where I got to build everything and even work on the guidance system of the Tomahawk Missile System. I also got favorably noticed by DEC by pointing out some major vulnerabilities in their system ('cause I'd used them! LOL!). I was there for five years until the main project was cancelled. For most of the time we were right across the street from Miramar Naval Airbase where I had a base pass (ironic to think I could have been flying out of there!). I found out during a Change In Command ceremony that my cousin had been the base commander there! I met with several Admirals there (Cold War paranoia mostly), but never ran into my cousin. Small world! Ah... Mammaries! ? I'll save the story of how Biff became the name of the mail app on Unix for a later time. LOL!

I also have switched to the HD280 pro, from the HD380 pro so going "backwards", I found them to be good at isolation, they are in fact one of the best passive outside noise reducers you can get (32db), and this is noticeable. This is why they are so popular as tracking phones. If you want to hear poor isolation, listen to the HD380 pro's they are terrible, really, really bad. I also have glasses and have had no problems there at all and again, they are noted for being good for glasses wearers'. I also would not describe them as mid range heavy. Are we talking about the same headphones? I guess it depends what you compare them to or personal preferences. These are tracking headphones, they have great isolation compared to others, and the bass, mid and treble frequencies are about where they should be. There is a slight exaggeration of the extreme high frequencies, just slight, they are not anything like the ATH-M50's which are way too bass heavy to be good general purpose tracking phones. That is unless your not a vocalist and primarily a bass player or produce EDM or just like bass heavy phones. Music sounds better through the M50's though. I would recommend the HD280 for general purpose tracking phones, especially for vocalists, instrument players, the Sony 7506's are a bit jumbled in the mid frequencies. The HD280 might not be the best if you are prone to tinitus though. The only thing I don't like about them is the coiled cable. I convert them to straight cable. There are enough of them on the secondhand market going cheap now that it is a no brainer for the budget conscious to grab a pair. I don't like the AKG phones with the bird cage on top, creaks every time you move. I've not tried the Beyer 770's which are also supposed to be good, something put me off those, don't know what. I'd like to try the new ATH-M50X, see if it's anything like the old M50. I like the idea that the M50X has a choice of coiled or straight detachable cable and they may isolate better than the HD280 but I am not sure about that. The old M50 didn't suit my voice at all, when recording and using them for tracking, there were horrid bass resonant frequencies building up that were very off putting, also they don't go over your ears well. When miking up the acoustic and also listening to the electric, I got bass heavy interpretations of what I was recording that then sounded thin when I played them back on other sources. I had the same problem with the HD380's as well. For mixing, I have the Sennheiser 598's which are not that good really, I just want to get closer to the 650's, I don't know what to recommend for mixing phones since I don't really use them for mixing.

Pedro prefers A=1Hz tuning. There I said it.

I grabbed a pair of Blue Lola's on Ebait for $85 new (regular $250). They sound nice, have superb isolation, but can feel a bit clunky when you wear them. if you have the chance to audition they're definitely worth a listen.

Ditto.

I use Bitflipperworks. Does the same job.

I don't own a Fender amp and have limited experience playing through one. As for these sounding like the real amps, my intention here was to show what could be done and not necessarily to say that this one sounds like a Marshall JCM 900, Dual Rectifier, etc. I simply want to show that a very good guitar sound can be produced. I loaded the Tweed Deluxe with matching cab, a Shure SM57 over the cap and the TH3 Tube Nine (Tube Screamer) in front of the amp. Here's an example of something I liked and would record with:

"...no discounts will be given if you own some of the bundle-plugins already." Not good for people like me, who already have lots of PA plugs ? Also if many of the plugs are included in different packs getting 2 or more of them without further discounts looks silly. Isn't it? ?

Articles normally are free to view three to four months after the month of initial publication. Should you find a "got-to-have" article each is available for purchase as a downloadable pdf file. If you've never visited the Sound on Sound website, it is wonderful.

@mebitek your link above seems to looping back to this forum??? I chased you down on Soundcloud though. Mix comes across quite well here on the Adam's thanks for sharing.