Rain Posted 9 hours ago Posted 9 hours ago I'd mentioned Metallica's Load remaster being surprisingly quieter than the old masters. Well, I just put on the 50th anniversary remaster of KISS Alive! It is significantly quieter, peaking at around -6 in my UAD meter and with a lot more dynamic range than the old masters I have. I think we may finally be pulling out of that +25 year nightmare, you guys... 1
OutrageProductions Posted 9 hours ago Posted 9 hours ago Insider info from the RIAA and Grammy directorate have pushed for this because most of the streaming services are stomping down levels to where it alters the music in an unappreciated way. Cheers to the return of dynamic range! 1
Rain Posted 8 hours ago Author Posted 8 hours ago (edited) Up next - sensitive balance between dialogues and sound effects in movies. I always thought it was kind of ironic that the increase in the available dynamic range and with all the modern tools available to manage that range things went in the opposite direction of what would have made sense (imho). They compressed the heck out of the one thing that could have benefited from dynamics and took the opposite approach with TVs and movies. I remember giving up on movies after a few minutes because of that. I'm not saying that I want my movies brick walled, but, close. lol Of course, I am a grumpy old man, but, still... Edited 8 hours ago by Rain 1
OutrageProductions Posted 6 hours ago Posted 6 hours ago 1 hour ago, Rain said: Up next - sensitive balance between dialogues and sound effects in movies. I'm with you there... some movie balances are great, others are absolutely horrendous. I think it comes from hiring music guys to mix the 5.1 without dialog experience, or else the dub stage is not Dolby calibrated (I had to re-cal a sound stage in Vancouver several years back cuz it was so out of whack). 1
Amberwolf Posted 6 hours ago Posted 6 hours ago 18 minutes ago, OutrageProductions said: I'm with you there... some movie balances are great, others are absolutely horrendous. I think it comes from hiring music guys to mix the 5.1 without dialog experience, or else the dub stage is not Dolby calibrated (I had to re-cal a sound stage in Vancouver several years back cuz it was so out of whack). There are some streaming services that appear to have somehow messed up the soundtrack of various documentaries such that all the backing sounds and music are blasting over the voiceovers, making them unwatchable. In some it is almost as if they used some sort of reverse-ducking, where the voice gets ducked instead of the rest, *and* at the same time also increases the volume of the rest of the stuff. One of the Jim Al Khalili physics documentaries (don't remember which) was the worst, couldn't even hear that anyone was even talking thru the majority of it, I think on Amazon PV. Some of them even seem to be the wrong soundtrack--like they took two channels out of a surround mix and fed them to left and right of a stereo signal instead--but didn't use the main L and R channels, and instead used some other pair that has mostly music and effects in it, and very little center / vocal / etc. I have such problems hearing (well, really it's *understanding*) voices in various circumstances that I use a multiband compressor and limiter to greatly reduce eveyrhting but the main voice bands, and to really smash everything down (and bring up the low levels of quiet passages) for any "show" I watch. But even that doesn't fix the shows they've messed up this way. And even if I bypass it and just listen normaly, it's still very messed up. 1
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