Pilutiful Posted November 4, 2022 Posted November 4, 2022 Anyone has tips on how to add (a lot) of reverb to a vocal track without it become muddy and "washy" ? A good example is this song by Suede (vocals start at 00:23), which sounds huge, but still clear.
Teegarden Posted November 16, 2022 Posted November 16, 2022 (edited) Just noticed your post, hope the following is still useful: There's a plugin Chameleon 2 from Accentize that uses machine learning to match reverbs and lets you apply them to your own material. Haven't tried it myself, but it looks promising: How To Match The Reverb Of Location Recordings With Accentize Chameleon 2 I don't have much experience with mixing but the following might help you if you want to have a big reverb: Less is more with reverb, but here you clearly want to have it stand out as an effect, so avoiding a muddy sound gets more serious: Use low pass EQ to cut the lower frequencies Preferably use one reverb bus to create cohesion between the vocals and instruments Use a pre-delay (setting based on the song tempo, see BPM tempo and delay to time and frequency calculator) Don't use long reverb tails Sidechain the reverb to the vocal with a compressor that compresses the reverb during the vocal but not in between the singing You can try the Abbey Roads reverb trick as explained by Dave Pensado: Abbey Road Reverb Technique - Into The Lair This basically comes down to: cutting off the highs and the lows with 12dB/oct before the signal hits the reverb HPF at 500-600Hz and LPF at around 9-10kHz Cut about 3 dB somewhere in the area around 1 to 2kHz depending on the vocal The you could add some saturation to beef up the reverb and make it stand out more Edited November 16, 2022 by Teegarden 2
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