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New Harrison Mixbus versions and discount upgrades ($59 for V8, $79 upgrade for Mixbus 32C)


TheSteven

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New Harrison Mixbus versions and discount upgrades

Mixbus32C just got a lot better!

We've published a new version for Mixbus32C users: version 8.1

If you've been waiting to upgrade to version 8, then now is the time to act!

In addition to hundreds of fixes and improvements (you'll find a partial list at the end of this email), v8.1 introduces a killer new feature:  Mixer Scenes.  Mixer scenes allow you to quickly store and recall your knob settings. You can compare 8 different mixes with a button-click.  And you can audition a scene using 'momentary mode' before you actually overwrite your current settings. This takes plugin A/B'ing to a new level: you can A/B the setting for dozens of plugins, and your faders/mutes/sends/eqs/compressors ... all with one click!

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Upgrade From Any Prior Mixbus32C!

Get Mixbus32C v8 Now
List Price $349 USD
Just $79 USD with upgrade coupon

During checkout, enter the code  ######## and click Apply (Check your August 5th emails for "Mixbus32C just got a lot better!" and its discount code!)
(this is a unique coupon for you only!)

 

 

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  • TheSteven changed the title to New Harrison Mixbus versions and discount upgrades ($59 for V8, $79 upgrade for Mixbus 32C)

I connect with Mixbus having learned sound on old analog sound boards (lower end Mackie, Yamaha, Soundcraft).  I purchased V6 and 32C V7 (having spent a grand total of $19 + $49), but haven’t completed a project with them yet.  I hope to actually finish a project to justify a future upgrade.

Who’s using Mixbus?  My main DAW is Studio One Pro (which I’m comfortable with).  How’s the transition between other DAWs and Mixbus?

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15 hours ago, ALC said:

I connect with Mixbus having learned sound on old analog sound boards (lower end Mackie, Yamaha, Soundcraft).  I purchased V6 and 32C V7 (having spent a grand total of $19 + $49), but haven’t completed a project with them yet.  I hope to actually finish a project to justify a future upgrade.

Who’s using Mixbus?  My main DAW is Studio One Pro (which I’m comfortable with).  How’s the transition between other DAWs and Mixbus?

I will preface this by saying I never updated past v4 so I am far from an expert.   With that said, the main appeal is the sound, which I am still not convinced is as magical as people make it out to be.  It sounds good, but for me that comes down to a combination of the consistency of having same channel strip and saturation on every channel.  I have templates in studio one and Cakewalk( since this is a cakewalk forum) that have simple console style channel strips on every channel and buss.  Harrison even sells channel strip plug now.  

I have tried the bounce stems to mix in mixbus approach and the time never seemed worth it.  If Mixbus did AAF import natively it would be an improvement, but as it stands, the process now involves having to delete silence on every track I import. I will occasionally mix a project I received as stems on Mixbus, but the colorization I get in Mixbus is just not worth the process to move from another DAW. Part if the results one gets when using Mixbus are a result of following a simplified workflow. This workflow can be achieved in any DAW after a one time template setup. My newest ST1 template is Amex 9099 on all channels and busses with a Softube Drawmer 1973 on my mixbus. I have Echo Boy on 2 effects sends ( one ping pong and one set to 1/8s). I have three verb sends( little plate, supermassive and stock). I also have a sort of sizzle buss with new fangled audio saturate and a high pass filter and boost( I use very little since Amek has saturation).  No, it doesn't sound like Harrison , but the simplified workflow gives me something similar to what my main purpose if using Mixbus would be. I will concede that there are setups that would come closer to that sound( perhaps Harrison's strip and even that has an asterix), but my way too long point is I struggle to find scenarios that make DAW jumping a better use of time than creating your own simplified workflow where your work is already living.  Here is an interesting take on Harrison's marketing:

 

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And I am not trying to crap on harrison. In fact when singer-singwriters come into my studio (particularly older people who grew up on consoles) and they have no interest in MIDI, I often recommend Mixbus without selling them on the somewhat placebo effect often used as a selling point.

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Aight gentlemen let's calm down now. We're all adults here, no need to fight over a piece of software.

Meanwhile, needless to say, REAPER is by far the greatest DAW of all time, and there isn't any real reason for other DAWs to exist anymore.

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