cclarry Posted May 10, 2022 Posted May 10, 2022 $8.39 with code GROUP at JRRhttps://www.jrrshop.com/psp-twin-l 2 3
Michael Parson-McNamara Posted May 10, 2022 Posted May 10, 2022 OK OK I'm tinkin' 'bout it. Do I need it? Would I used it? Hmmmm It seems suspicious that I got interested AGAIN at another $1.60 off, though! LOL
Fleer Posted May 10, 2022 Posted May 10, 2022 I’m thinking no as FabFilter Pro-L should cover this nicely. 1
MusicMan Posted May 10, 2022 Posted May 10, 2022 1 hour ago, Fleer said: I’m thinking no as FabFilter Pro-L should cover this nicely. Very different use cases. This is zero latency for tracking, producing, instruments and busses, whereas I generally wouldn't use Pro-L for that. I normally use that more on the stereo buss. This might be more of an option for creative or vibe style limiting too. It's just another flavour ? 1 1
Fleer Posted May 10, 2022 Posted May 10, 2022 10 minutes ago, MusicMan said: Very different use cases. This is zero latency for tracking, producing, instruments and busses, whereas I generally wouldn't use Pro-L for that. I normally use that more on the stereo buss. This might be more of an option for creative or vibe style limiting too. It's just another flavour ? True, but mostly for drums and percussion I guess. Already lot of stuff for that. Or would it be interesting for other instruments?
MusicMan Posted May 11, 2022 Posted May 11, 2022 (edited) 2 hours ago, Fleer said: True, but mostly for drums and percussion I guess. Already lot of stuff for that. Or would it be interesting for other instruments? I use a limiter frequently on bass instead of a compressor and some other melodic instruments. Sometimes even on cymbals. Drums I'll actually more often hit with a clipper and/or compressor instead, depending on the source material and sound I'm after. But I also use them at times on some of the busses, so drum buss, guitar buss, etc. I find limiting at that stage can help glue things together at the stereo buss stage a bit more. They can be handy as a quick check in production/early mixing stages on the stereo buss to see how levels might be changed by final limiting. They're really great for sound design too. So to completely smash a single element, or a dedicated FX buss for one instrument. Edited May 11, 2022 by MusicMan 1
Fleer Posted May 11, 2022 Posted May 11, 2022 (edited) Thanks. Edith: let’s get it in ! Edited May 11, 2022 by Fleer
Fleer Posted May 11, 2022 Posted May 11, 2022 Do check your PSP accounts. There was a 45% off voucher waiting for me so I got that Twin L for $5.49 1
Tim Smith Posted May 11, 2022 Posted May 11, 2022 I have the 9.99 offer. I already have the Twin L. Hard to beat this price for what it does but I don't need two of em'. 1
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