Larry Shelby Posted March 25, 2022 Share Posted March 25, 2022 5 Link to comment Share on other sites More sharing options...
MusicMan Posted March 25, 2022 Share Posted March 25, 2022 Looking forward to seeing SPL PQ as I quite like PA's SPL Passeq. 1 Link to comment Share on other sites More sharing options...
Brian Walton Posted March 25, 2022 Share Posted March 25, 2022 Seems like PA is really trying to corner the mastering market. So many Mastering EQs, COMPs, and Saturators Link to comment Share on other sites More sharing options...
Yan Filiatrault Posted March 25, 2022 Share Posted March 25, 2022 24 minutes ago, Brian Walton said: Seems like PA is really trying to corner the mastering market. So many Mastering EQs, COMPs, and Saturators It’s more like flooding the mastering market, as they experienced themselves recently Link to comment Share on other sites More sharing options...
e-cue Posted March 25, 2022 Share Posted March 25, 2022 5 hours ago, MusicMan said: Looking forward to seeing SPL PQ as I quite like PA's SPL Passeq. Co-sign. If I were to get one more analog EQ, this would be it. How sure how well they can model something with 120 volt rails, but love most of the PA stuff so.... 1 Link to comment Share on other sites More sharing options...
Fleer Posted March 25, 2022 Share Posted March 25, 2022 How would it differ from Passeq? Link to comment Share on other sites More sharing options...
Starship Krupa Posted March 25, 2022 Share Posted March 25, 2022 Hmm, Unfiltered Audio TAILS. Wonder what it could be. Reverb is the first thing that comes to mind. Link to comment Share on other sites More sharing options...
e-cue Posted March 25, 2022 Share Posted March 25, 2022 (edited) 3 hours ago, Fleer said: How would it differ from Passeq? The PQ allows you to choose between Constant q (sometimes referred to as Constant bandwidth) and Propotional q (sometimes referred to as Variable bandwidth) on each band. For Prop Q, the bandwidth varies inversely proportional to boost (or cut) amounts, being very wide for small boost/cut levels and becoming very narrow for large boost/cut levels. For Con Q, the bandwidth remains constant for all boost/cut levels. SSL E series is Con Q, and SSL G series is Prop Q. This is one of the main differences, but there are others like the layout, which I dislike, on the Pass. Honestly they just sound different (and are different) and I much prefer the PQ. Edited March 25, 2022 by e-cue 1 1 Link to comment Share on other sites More sharing options...
Starship Krupa Posted March 25, 2022 Share Posted March 25, 2022 7 hours ago, Yan Filiatrault said: It’s more like flooding the mastering market, as they experienced themselves recently Too soon. Link to comment Share on other sites More sharing options...
Larry Shelby Posted March 25, 2022 Author Share Posted March 25, 2022 Just saw an ad for "Trails" on Facebook which said "Coming Soon"...so that's probably going to be the first release off of that list Link to comment Share on other sites More sharing options...
kevin H Posted March 26, 2022 Share Posted March 26, 2022 5 hours ago, Starship Krupa said: Hmm, Unfiltered Audio TAILS. Wonder what it could be. Reverb is the first thing that comes to mind. It’s a state of the art cat metronome 1 1 4 Link to comment Share on other sites More sharing options...
Larry Shelby Posted March 27, 2022 Author Share Posted March 27, 2022 By popular request, MEGA will be extended by a new REVERB. Early Access: MARCH 30 1 Link to comment Share on other sites More sharing options...
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