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Posted
24 minutes ago, Brian Walton said:

Seems like PA is really trying to corner the mastering market.  So many Mastering EQs, COMPs, and Saturators

It’s more like flooding the mastering market, as they experienced themselves recently

Posted
5 hours ago, MusicMan said:

Looking forward to seeing SPL PQ as I quite like PA's SPL Passeq.

Co-sign.  If I were to get one more analog EQ, this would be it.  How sure how well they can model something with 120 volt rails, but love most of the PA stuff so.... 

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Posted (edited)
3 hours ago, Fleer said:

How would it differ from Passeq?

The PQ allows you to choose between Constant q (sometimes referred to as Constant bandwidth) and Propotional q (sometimes referred to as Variable bandwidth) on each band.  For Prop Q, the bandwidth varies inversely proportional to boost (or cut) amounts, being very wide for small boost/cut levels and becoming very narrow for large boost/cut levels.  For Con Q, the bandwidth remains constant for all boost/cut levels.  SSL E series is Con Q, and SSL G series is Prop Q.  This is one of the main differences, but there are others like the layout, which I dislike, on the Pass.  Honestly they just sound different (and are different) and I much prefer the PQ.

Edited by e-cue
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Posted
5 hours ago, Starship Krupa said:

Hmm, Unfiltered Audio TAILS. Wonder what it could be. Reverb is the first thing that comes to mind.

It’s a state of the art cat metronome

 

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