Michael Fogarty Posted July 12, 2021 Share Posted July 12, 2021 I need professional help, and preferably somebody who has already been there, done that. I am recording an orchestral pedal harp soon and though of course have read much on google, wanted first hand experiences how to avoid the pedal shifting, yet getting a warm, full sound. My only available mics are two AKG SE300B/CK91 combos, and a Blue Woodpecker. The Woodpecker is figure 8 and lovely on voice and acoustic instruments. Anyone actually done this? Link to comment Share on other sites More sharing options...
John Vere Posted July 12, 2021 Share Posted July 12, 2021 (edited) I’ve never recorded that instrument but I’ve had my share of noisy instruments. It becomes a compromise between wanting ambient sound and close in mike technique. To bad you don’t have a giant collection of mikes. That’s what it usually involves. Trying as many mikes and types of mikes until you get a good sound but with as little of the noise as possible. The mike placement becomes a lot trickier. I would put all my mikes on it and record as many tracks as possible and then solo and pick the best. You might need to blend 6 tracks to achieve a nice sound I would also make sure to record just that noise so you can use that as a tool when you go to edit Edited July 12, 2021 by John Vere Link to comment Share on other sites More sharing options...
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