K. M. Joshi Posted March 5, 2019 Share Posted March 5, 2019 At present, the meters in the mixing console can be set to display Peak, RMS or both. I think, along with them, we need LUFS/LKFS and True Peak as well. That would really help us mix projects according to standards like EBU R128 or ATSC. 1 7 Link to comment Share on other sites More sharing options...
synkrotron Posted March 5, 2019 Share Posted March 5, 2019 Gets my vote. In the meantime I use Pro-L 2 on the mix buss, just because I have it. Link to comment Share on other sites More sharing options...
Ane Atsuko Sobreira Minato Posted March 5, 2019 Share Posted March 5, 2019 I like to use iZotope Insight 2. It's very complete! Link to comment Share on other sites More sharing options...
Mark Morgon-Shaw Posted March 9, 2019 Share Posted March 9, 2019 On 3/5/2019 at 5:47 AM, Kaustub M. Joshi said: That would really help us mix projects according to standards like EBU R128 or ATSC. What do you actually use them for, anyone that has ever taken my tracks for broadcast has asked for me to make them louder Link to comment Share on other sites More sharing options...
K. M. Joshi Posted March 9, 2019 Author Share Posted March 9, 2019 3 hours ago, CosmicDolphin said: What do you actually use them for, anyone that has ever taken my tracks for broadcast has asked for me to make them louder Well... dBTP for mastering songs and checking peak. LUFS/LKFS for checking dialogue levels against foleys and music. Also for setting the loudness as per the standard of whichever continent's project I'm missing. 1 Link to comment Share on other sites More sharing options...
Recommended Posts
Please sign in to comment
You will be able to leave a comment after signing in
Sign In Now