K. M. Joshi Posted March 5, 2019 Posted March 5, 2019 At present, the meters in the mixing console can be set to display Peak, RMS or both. I think, along with them, we need LUFS/LKFS and True Peak as well. That would really help us mix projects according to standards like EBU R128 or ATSC. 1 7
synkrotron Posted March 5, 2019 Posted March 5, 2019 Gets my vote. In the meantime I use Pro-L 2 on the mix buss, just because I have it.
Ane Atsuko Sobreira Minato Posted March 5, 2019 Posted March 5, 2019 I like to use iZotope Insight 2. It's very complete!
Mark Morgon-Shaw Posted March 9, 2019 Posted March 9, 2019 On 3/5/2019 at 5:47 AM, Kaustub M. Joshi said: That would really help us mix projects according to standards like EBU R128 or ATSC. What do you actually use them for, anyone that has ever taken my tracks for broadcast has asked for me to make them louder
K. M. Joshi Posted March 9, 2019 Author Posted March 9, 2019 3 hours ago, CosmicDolphin said: What do you actually use them for, anyone that has ever taken my tracks for broadcast has asked for me to make them louder Well... dBTP for mastering songs and checking peak. LUFS/LKFS for checking dialogue levels against foleys and music. Also for setting the loudness as per the standard of whichever continent's project I'm missing. 1
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