Nick Blanc

I was never a 'mic guy'. I thought the immortal Shure SM58 would be just fine. But with more and more recordings with Inge, I decided to invest a little more in a large diaphragm mics. Lewitt seemed a good option, so I opted for the Ray. Man what a difference. No hate for the SM58, but it feels like we recorded everything with a blanket over it. The Lewitt is so clear and Inge's voice shines through. Another lesson learned.

Lots of stacked synths and a pretty decent hard kick. That's a win in my book. Very much enjoyed the process and outcome.

This one came together after a long weekend with lots of festivals and bands. Perhaps a bit 'music' tired, but there's nothing like my little studio to get me in the mood. Nice beats, nice synths, overall nothing that stands out, except maybe the Malevolent, but still overall a fun one.

I really messed up the cameras this time. I accidentally permanently deleted this footage from my phone and I set one of the Lumix cameras way too dark. Beyond my colour grading skills. The jam itself went ok, lost count somewhere but overall not bad. I like the rolling / thundering sound of the kick. And luckily there was Inge who had some time the next day to lay down some vocals and save this one.

I was experimenting with a new arp plugin, it did...ok. Maybe I picked the wrong sound. Something pluckier would have been better. Anyway, very happy with the kick and overall kinda industrial vibe overlayed with lots of synths. Oh and I somehow forgot to play the Sub 37 after those first couple of notes 😶. So the later parts are MIDI (played in to keep the feel, but recorded afterwards).

Not entirely different, but a clear cut melody line (or hook) is not something I do a lot. It came out really nice if I may say so myself. Layering the synths gives this huge sound that I like. Cool one.

One of our best ones yet. The track kicks, sounds and melody are pretty on point and Inge is on fire! Had fun creating this one and recording Inge afterwards. Yeah I know, not entirely live but hey there's always next time.

Thanks for the extensive comment. The mixer is a midi mixer which basically can do unlimited channels. It has a forward button so I could 'scroll' through all the channels. But it has no feedback on which channel it is, so when you do that, you quickly lose track of what channel is on what fader. So I tend to just use the 8 channels. And if I want to control other devices, I use the volume or filter knob on those devices. As for live, as you said, I'm not hauling this equipment around. You could do a setup with just the Pulsar 23 and a synth or 2 and a laptop with pre recorded stuff, but I'm not interested in that. For the camera thing, yeah that would be cool. It could be done. Right now I'm filming in 1080p. If I switch to 4K I could zoom in without losing quality. I might experiment with that. Cool idea.

I'm playing some more with the Pulsar 23 and it's feedback capabilities. I'm still struggling with the looper but the fun never stops. The main kick is from the Edge.

Thanks! It's always a balance between 'what do/can I do live' and 'what is better left sequenced'. For excample, yesterday I was recording and I was so focused on the sequencing of the track I forgot to play one the synths I had picked out for live playing. Ands I have been asked to do some live stuff (not Tomorowland haha), but I'm not that interested. It's a hassle. But perhaps in the future with a small setup.

I decided to leave an unquantized loop in the Pulsar-23 as it was for some weird texture. Not sure about the outcome, but hey, here it is!

I don't know, it sounds a bit lighter and more mellow. So I'm calling it spring vibes. Really no special idea behind that, it's just how it came out.

It could have been heavier if I had added the MS-20 as a third melodic layer, but it was on bass duty. The melody can be a bit hard to follow. I was playing both synths with the Push 2, just noodling away without a metronome or counting and suddenly this melody popped out. So I recorded it and there it was.

Well, all the sources are analog. Of course there's fx and mixing/mastering. It came out fine. Not the greatest, but still fun to do and play.

Thanks, she is indeed. I'm lucky to have someone like that in my friends circle.