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Audio and Midi Input Questions
Michael Richards replied to Michael Richards's topic in Cakewalk Sonar
I have been using Cakewalk since the early 1990s. I used to have a Roland firewire interface. I never lost the I/O connections. Of course my RME is running before I start up the sleeping Win 11 computer. At some point in time after restoring from sleep I have been losing the input assignments. Today, the audio connections all retained their correct inputs. But all the Midi tracks reverted from UCX II Midi Port 1 to All External Inputs. -
This might have been the case forever, but I hope that it won't happen for perpetuity. I had to move some wires around, since I am in nomad mode, and disconnected my RME. When I reconnected it the audio tracks lost their correct input and reverted back to track 1. Is there already a way for me to keep this from happening? Also, in Preferences I have UCX II Midi Port 1 selected but it always defaults to All Inputs. Can this be fixed?
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I'll take a shot at this. I think he wants to hear the audio on one PC in his studio from his office PC. I recorded a vocalist on 2 songs 100 miles away from me. You have to use WASAPI Shared to hear the audio. Controlling the other computer is something I do by using Anydesk. Would that work for you? Michael
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I agree, no reason for 44.1.
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is it higher or lower? I can’t see why any professional would go lower. I could be wrong.
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Staff View - Keyboard Shortcuts
Michael Richards replied to David Thomas's topic in Cakewalk by BandLab
I spend a good deal of my day in the staff view, but for note durations it is much easier to view and edit in the piano roll. You can edit the lengths of each note very easily this way. -
Thank you, Freddy.
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That is something else, I have never heard of baking recording tape.
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Marco and Treesha. Thank you both for listening. I appreciate your comments.
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Thank you, Nigel. I appreciate you listening.
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Thank Gary, this song didn't get much love. Ha.
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garybrun: What a BEAUTIFUL voice. I must have been absent when they handed out great voices. Also, nice recording. Very full. Michael
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Marco, I enjoy your music, especially your harmonies. You are right, it is a great time to be alive and producing music. Just wish this all would have happened 40 years ago.
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Back in the early 1980s when I was a working musician my band had 2 Teac 3340s decks. We used one to bounce to the other. We were never good enough to bounce again, so we only really used 6 tracks. I have one of the 3340s and let it sit for 4 years. It no longer works and it seems it will cost a fortune to fix it. I look at it quite a bit and feel very bad I let it get in that condition. I then had a Tascam (?) 8 track cassette. It always sounded thin. Then I had a Sony DAT. It still works fine, but I no longer use it. Don't feel so bad about that. My band recorded in a New York recording studio with a Studer A827 24 track beast. We thought we were big time. The recordings were not very good. I learned a lesson early on that the person doing the recording is probably going to determine the quality of the recording more than the equipment used. I think that is one of the reasons I have stuck with Cakewalk for 30 years. I feel like I need to explore more than what we have and hope the new Sonar will eventually have some fancy bells and whistles. Yet, I realize I can get better with what I have.
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I agree. I think it is very debatable. There might be some pixie dust that gives tape a warmer sound, which is very pleasing to some people. Though, you can't deny the clarity in something like Blu-ray audio that was recorded in a digital studio, that probably still used analog outboard gear. I think of it like gasoline vs. electric automobiles. You know which one is the future but you still have a passion for all the cool things a powerful gasoline engine gives you, like the sound of a Ferrari or a Porsche. I recently drove a Mustang Mach-E GT. I forgot about the sound after I became obsessed with pinning my head against the headrest. Wow, what a thrill. I don't know this for a fact except for my own home studio experience but I feel like every little mistake or note that is not played to perfection is duly noted in Cakewalk. My memory says that my recordings on tape seemed to hide slight imperfections. I know tape and digital are different and totally feel digital is better but I love the passion that people have for tape. Not a bad thing to debate about.