Amberwolf

yeah, it's weird. ghosthack just has a "regular" advent calendar thingy, and you can still access them later. bos's is a strange way of doing it, with the buying a completley unknowikn thing at zero cost, and no access to doing that outside the time window. (though i think the download stays in your account permanently)

Click + on the cart. Checkout for zero payment. Invoice comes up with download link. Viola! Or in this case more like Vocoderish!

So far they've all worked for me (as have ghosthack's, though one of hte gh's is a deal price on a bundle rather than a free pack so i dind't get that one).

the link should take you to a product page where you add it to your cart at $0.00 then complete the "purchase" and it shows up in your downloads. I'ts possible that if you aren't logged in it might not work right (haven't tried).

So....why not do the same thing for MIDI clips, when not viewing the PRV or inline PRV, just clips? Wouldn't that help the UI load? I know there is (or at least used to be) the option to not display clip contents, and I suspect that would speed up UI stuff with bajillions of clips, but that isn't very useful for most operations.

Looks like they actually both exist for real, and the one that has a website is kinda funny http://www.majortomsair.com/ Repairs Your circuit’s dead, there’s something wrong! Can you hear me, Major Tom? We’re experienced, insured, and able to service equipment at your home or office. So whether it’s fried, frozen, or fizzling out, we’re here for you. Give us a call today! https://www.buzzfile.com/business/Ground-Control-Landscaping.And.Design,-Inc.-561-963-7548

Just curious, for the lazy before I go try to find enough info: --do the things in this bundle, especially the video editing software, require internet access, activations, random "validation checks", etc etc? Basically, I want to know if I can use them on an entirely offline computer system, and be able to just reinstall them without worries about the company being around in the future, etc. I cannot use a tool that requires internet access, because if something is ever wrong with the internet anywhere between me and...wherever, or the program somehow unsyncs itsefl from it's license management,it will stop me from doing my work. We all know this never happens, of course. But just in case, I require software that doesn't do this. I am embarking on a new creative process project, a Drywater Mars webisode series, and the tools in the bundle could help with that enough to be worth spending this small amount of money on them. But only if the companies providing them actually trust their users, and don't do what Bandlab products (and many other companies) do even for free software.

If you force the 34" to the same res as the 29", what happens?

But...it shouldn't have to be "got around". If they are allowing it to be got around they are allowing existing users to use it so they ought to just let existing users use it. Not have to dick around to get it.

True... if you don't have a compressor, limiter, compander, etc., that has that function, then if you put it in a bus and route your track to the bus, you can turn on waveform preview for that bus and also see the results.

If you are using mono clips, just use the snap function with only the landmark of audio zero crossings enabled, so your cuts or slipedits all end up on one. If your'e using stereo clips that rarely works out.

Normalizing something only raises the clip's highest peak to the normalized level. If you have many notes of different volumes within a single clip, it will not bring up the lower ones to the same level as the higher ones. You'd have to split all the notes into separate clips first, then normalize each one. To do this without splitting into separate clips per note, you need to use a compressor or compander (compressor/expander). One "easy" way to do it with these is if you have the old VX-64 that used to come with Sonar (maybe still does?) it has a number of good squashing presets you can modify to do what you want.

My brother's apple stuff has an eq on the output built into the OS. I don't know where he changes the settings for that, but there is almost certainly one built into yours, too, ifyou look in your audio settings or wherever else apple might have hidden that. This would help you flatten the output of the iphone and not have to do anyting to the audio before that.

Don't send them to a bus. Change the output of the track to that bus. (presumably right now they all go to yoru hardware out)

What is the process you are using unsuccessfully, step by step? This may help us help you figure out what's missing from your recipe.