SuperFreq

Thanks for that technical and wooknichal analysis. Ok it's settled then, I gotta do something about this (listen to dry mix below)... Great advice, I can't make heads or tails of my mixing strategy since it's been evolving/contradicting itself for so long, so in frustration I just muted every effect bus so I can start over. A funny thing happened (to my ears). When I muted all the effects, suddenly the bass frequencies seemed to come back in? Particularly the bass drum seems to punch through a lot better. I still feel like I might need to add something (cello?) but it doesn't seem as hopeless as before. I dunno what do you guys think? Here's the whole song including 2 min intro, minus all FX & EQ except what might be on individual clips like the girl & intro drums. https://drive.google.com/file/d/1BXqjJH1FXyQQJeRV_FRybRVbQxsOmLTf/view?usp=sharing

Strangely enough I'm not put out by the idea of a new drummer as much as the addition of a keyboard player? Rush fans help me out here, have they ever toured with a (visible) keyboard player before? All the vids I've seen are just a tight 3 piece. I'd hate to hear them lose that 3 piece tightness which is what separated their sound from the more elaborate prog bands.

That's insanely impressive. I wish he demoed chords and polyphonic riffs because that's where I bet there might be some trouble with the software. But for solo stuff, he proved it can track as fast as Keith Emerson at least. One unique feature of the Roland hex pickup & guitar synth combo is each string is goes to a separate voice, so you can adjust the fx or even assign each string to a different sound. For example bass guitar to the low strings and synth to the upper. I recall one preset that's hours of fun: a full drum kit! But I recall installing the hex pickup can be a pain. I'd just as soon use a software converter for most uses. Thanks for the tip!

Thanks for these! Fun fact: I'm the proud owner of the mic pair used to record Daron's cabinet on their debut album Pluck (not sure about Toxicity). I bought the set from the late great engineer Gunji Patterson when his family held a fundraising auction to help with his medical costs. It's a pair of Groove Tubes MD1 tube mics, and they still have the printed labels saying "DARON ON" and "DARON OFF"[axis].

BRILLIANT. That would be so effing sweet, especially since I happen to have an earlier model GK-2a as well as a GR-1 synth module collecting dust! From what I recall, the GK installs at the bridge, leaving the regular pickup cavity available, so I can have the best of both worlds. But using it as a MIDI guitar would definitely go with its space age looks!

Hi gang, this is my latest project. A 100% metal (aluminum) guitar based on a Warlock single pickup design. I've never built a guitar by myself before, although with the help of experienced luthiers I've co-designed 2 aluminum gtrs, having them do the labor. This is my first solo build. I have the body and the neck as pictured. That's all I've got so far, meaning everything from electronics to tuners to strings is fair game. If the plan is to stay close to a BC Rich Warlock single-pickup design, what do you suggest for hardware? Spare no expense at this point; the body & neck cost me a pretty penny so why not go for the top of the line.

Tight guitar playing! Great song. Ever heard of a maestro named Stuart Adamson? Your acoustic work reminds me of that ("The Storm" acoustic version, "Shattered Cross", etc).

Dude that would be a dream come true. I just checked tourdates and the closest they're coming to me is Atlantic City this weekend, but unfortunately I'm in a cash crunch and can't flip the 80 bills for the cheapest seats. I've never seen a Steve Howe incarnation of Yes live. It's my biggest regret because to me he is the defining member. Holy smokes, I actually play the cello so that should've been a no brainer but I just didn't consider it. Great suggestion, especially since a cello would cut through the mix better than a traditional bass or bass synth. No joke man, that song is a huge inspiration because the instrumentation is so sparse and yet the mix is so full. Consciously or not, I try to go for that philosophy, but the longer I work on a mix the more crap I keep throwing in there. But I guess that's the story behind When Doves Cry too. Supposedly the original mix was a dense, unmanageable wall of sound until his engineer Peggy McCreary chucked half the instruments, effects & production. Maybe I should start chucking. Thanks! And I totally agree that the muddiness has gotten out of control. The problem is I've been picking at the song for literal years, using a hodgepodge of production strategies that don't really gel with each other. So it's just swamp. Maybe I'll try to strip off all EQ & effects just to make a totally raw mix, then I'll post back for EQ suggestions.

You just named my fave band (Yes) and although I'm not well versed in Starcastle I've heard the name a lot in prog circles. Thanks! Yup I definitely wanted a contrast between the intro & first verse without coming to a full stop, so I'm glad you noticed! Originally I thought I could carry the rest of the song that way, but I think you're right. At some point it needs to build back up and bass would do it. Maybe not an actual bass guitar but I'll experiment with a synth drone like Dave suggested. The "bass" in the intro is sorta that: a low note on organ enhanced with an octave subsynth.

Awesome info & suggestions, gang. It'll definitely be too much work to find & bounce each V-Vocal clip, so I'll probably try @mettelus trick of saving as a bun. If that works then problem solved and I can still tweak the mix (which itself is a nightmare... I was really sloppy in my younger days 😅)

Hey I'm working on a song and wondering if I should add bass. Here's a snippet. The idea was to keep it small, currently it's just drums, guitar, keys & vocals. But I feel like the bottom end is empty. Or is it just me? General crits & comments are welcome too! https://drive.google.com/file/d/1GoDbZHospsaZ1WObpqiFO0z2DvtUp4Jk/view?usp=sharing 10/08 update with DRY MIX: https://drive.google.com/file/d/1BXqjJH1FXyQQJeRV_FRybRVbQxsOmLTf/view?usp=sharing

Totally man. Yes, AI can crank out some good stuff. But that just forces us real humans to up the game. I consider it a worthy challenge. Now I have to do even better, if I'm worth my salt. If it gets to the point that AI is creating something better than I can imagine or produce, well then I'm not a good musician and I should go back to being the doorman at the Oasis Hotel.

I'm using og Sonar 8.5 to tie up some old projects, wondering if any old schoolers can help with this error (see attached). I keep getting this when exporting audio. It happens about 45% through. Yes, I reinstalled Sonar 8.5 fresh with both the updates. I still get this pesky error about Cronus.dll. If I'm not mistaken, that's V-Vocal, right? So maybe I can troubleshoot by deleting, or deactivating all the V-Vocal clips til I find the offender? Just wanted to ask here first because there are a TON of V-Vocal clips, around 100. So I'd hate to be chasing the wrong tiger.

Yup, that's my situation. Would love to try the new Sonar, but I'm rooted to Windows 7 due to legacy hardware, so CbB is/was my only option. Would love to see them work out the activation issue so I can at least get projects squared away.

Ugh I was afraid of that. I no longer have 8.5 on my computer, and from the sound of it, it won’t make a difference so I’ll just roll back to an earlier backup and start from there. Thanks for checking!