Dave G

Thank you for the responses. The need for resolution merely comes from my OCD. I'll look into it. Thanks! EDIT: I just hit on something completely obvious. David Baay mentioned "Recent List". I should've figured that's what the list is, because why else would only the last four plug-ins used be listed there? LOL. I didn't even think of that. So this isn't necessarily a bug, it's by design.

When I right-click a track and select "Replace Synth", the sub-menu lists two entries for Cakewalk Sound Center. My installation is quite clean and there's no reason it should show two of these. . Within the "Utilities - Cakewalk Plug-in Manager" menu, the only instance of CSC is one entry within the Plug-in Category "VST Instruments (VSTi)". Why are there two, and is it possible to remove one? Any help is appreciated. Thanks!

Thank you for all the responses! I appreciate the assistance on this from all who chimed in. As stated, AD2 already has several rock/pop kits which offer this snare sound to a point, but I guess I can start at any one of those kits, experiment and go from there... (If I could only figure out how to quote multiple users in one reply so I can answer everyone at once. LOL)

Thank you for the screenshot, this is very helpful! I didn't realize that, until now, clicking the button for each drum piece opens up a wealth of customizable functions for that drum piece. I tried adjusting some of these functions to achieve the effect I wanted, notably the Snare Buzz vs. Top-Bottom. I haven't gotten there yet. It'll take some more time and research. But this information is helpful.

In Addictive Drums 2, I'm looking for a method to create that "hollow" snare drum effect in the likes of the rock and ska style of some bands. For reference, here are a few examples of popular songs with the drum track isolated: Blink 182 https://www.youtube.com/watch?v=VRIWzM-GoT8 The Mighty Mighty Bosstones https://www.youtube.com/watch?v=GfRB0Vqqkd0 No Doubt https://www.youtube.com/watch?v=NS7Z1eDIzAM https://www.youtube.com/watch?v=vAFTpbmp-dg Red Hot Chili Peppers https://www.youtube.com/watch?v=Gpr82ebF1gA Stone Temple Pilots https://www.youtube.com/watch?v=4BhFbKxF1Go https://www.youtube.com/watch?v=bhWf_5dSfL0 Per the above examples, you probably get the idea. I know that a few of my AD2 kits already have presets with that "hollow" style. Unfortunately, they don't quite match exactly the effect I'm looking for. Can anyone give me any pointers on how to tweak the snare drum using AD2's variety of mixing functions to make it sound more like those examples above? Thanks in advance!

Thank you for your explanation. In reference to your first few paragraphs, I can safely say that this is a basic project with no modifications to output paths or anything unusual that I'm not familiar enough to mess with. Here's what my volume faders look like: ~ AD2: Every kit piece set to its individual volume level: Snare & Toms at 0db, HiHat and Flexis a few db less. Master -3 db on this particular kit (I don't know why.) ~ DAW console faders: Every instrument track default to 0db. ~ DAW note velocities: All default volume of 100 (out of max of 127) to begin with. Obviously, what I'm hearing is that the AD2 kit pieces' individual tracks combining to make Master Volume vs. the kit playing on one instrument track in the DAW -- the AD2 kit being slightly louder. So I feel there's no clarity/fidelity issue after all...just a basic difference in output volume. Especially in the fact that, when I increase the velocities in those notes in the DAW, it is much clearer. (It may also benefit me to have my ears cleaned. LOL.) I'll put this one to rest for now and experiment with proper mixing and volume control so I can understand better. Thanks for your help on this!

In sampling drum kits within Addictive Drums, I'm hearing a strange problem in regards to playback between the synth and the DAW itself. When I sample a drum kit in the AD2 synth browser, it's crisp and clear. But when I play the kit in the Piano Roll of the DAW, it sounds...well, "not as present". As if I don't know if the volume's too low or that the sample sounds like it's "in the next room". Just doesn't sound as present or "open". It's puzzling my mind and ears and I can't figure out how to regulate it. Of course, the AD2 mixer faders are all at their default positions and the faders in the DAW are what they are, represented in Console view. I don't know if there's an anomaly there or my imagination -- or it's only an imbalance in volume between the two and nothing more. Can anyone evaluate and help me identify the imbalance and understand regulating it there? Furthermore, when I mix that AD2 track into the DAW, whether to use the AD2 mixer or the DAW console mixer? Anyway, answers would be appreciated! Thank you in advance.

Thank you for the response! As an experiment, I tried placing simple notes of these Patches into a new project. (I wasn't able to upload a sample WAV here, as the file size was exceeded.) I will test the CC events you suggested and follow up as needed. Thank you!

By no particular recent event or action to my knowledge, a few of my TTS-1 instruments suddenly sound different. 1) The Distortion Guitar (patch 31-000) sounds muddy and inconsistent in tone while descending into the decay -- not as smooth as it should be. 2) The default drum kit Crash Cymbal 2 seems to be disrupted by the light "tick" of Ride Cymbal 2 shortly into the cymbal hit. (i.e. "Ckshhhhh!" is "Cksh-ts-hhhhhhhhh!") I still appreciate the TTS-1 library and strictly use it as a placeholder for instruments in a new project until I replace them with higher-quality VST's. These anomalies aren't central to one project. It's the TTS-1 engine itself. To make it more complicated, I don't know if they always sounded like this or I'm just now noticing it...or if my hearing is just really good. I don't know where to start diagnosing this. I don't want to have to go the trouble of reinstalling Cakewalk or even reformatting my hard drive to weed out the issue. Any ideas? Thanks in advance.

Thank you for your extensive knowledge and wealth of information! This is pretty much what I've been looking for. After I posted this, I watched several YouTube videos of the hi-hat in action. Although I found some answers there on the mechanical aspect of the equipment, I also realize that it partially depends on the drummer's preference in setup and intended use. I know I could've visited a music equipment retailer and spent time at a drum kit to familiarize myself in a more real scenario, but that's far beyond means and necessity. If we may take this discussion back a few decades... When I first began composing MIDI music in the 90's, all I knew to work with was the General MIDI universal drum map. Although this drum map is laid out without rhyme or reason -- various drum piece articulations jumbled in no particular order -- I conformed with it and grew accustomed to it. But now with Addictive Drums, my options have become greater...and unfortunately, much more challenging and complicated. For somebody with OCD, it's a painstaking process to make decisions and commit to them. One being, of course, creating a custom drum map tailored to preference. In this case, I want to integrate every vital drum piece articulation but exclude any that I feel are redundant or unnecessary. Once this drum map is complete, it'll be the basis of all my projects and maybe I can finally get them off the ground. I'm overthinking and obsessing too much over the fact that I may not like it later. I guess that's why it's taking so long...I want it to be right. Anyway, I appreciate everything I've learned here. It just feels complicated assembling a custom AD2 drum map that's not too busy or difficult to work with. I'm not looking to create a commercial product...it's just a personal hobby I'm trying to remind myself to keep it simple. For now, my questions have been answered. Thanks for your help!

[Please pardon my reviving this topic so long after originally posting. I abandoned the project for a while, but still seek answers.] Thanks for all of your input! As a newbie/amateur, I have remaining questions on hi-hat articulations. These simply aren't elaborated on in the Addictive Drums 2 Manual PDF. Typically, I don't have a need to utilize every specific Hi-Hat articulation that AD2 offers. I'm looking to finalize my basic drum map that includes every articulation I'm likely to use. Before integrating my AD2 drum map into all my projects, I wish to familiarize myself with how these articulations work in a real-life scenario -- to tell them apart and understand how to utilize them properly on the PRV. The image attached is my updated drum map's "Hi-Hat" section (keys 53 - 59). Here are my observations; please comment accordingly: I assume that the hi-hat is open by default, not closed. Does the foot pedal typically push down to close the hi-hat, or to open it? I assume that "HH Open" is the default action of pushing the pedal to open the hi-hat. The four "HH Open A, B, C, and D" seem to all sound similar, just gradually a harder attack with each key. How does "HH Foot Splash" differ from "HH Open"? I assume that "HH Closed" is the articulation of hitting the bell, tip, or shaft while the hi-hat is closed. I've observed that each "HH Open" and "HH Foot Splash" are muted/choked by the "HH Closed" and "HH Foot Close" keys. Simply looking for explanations on exactly how these functions work. I worded these questions as clearly as I could. Any further insight and/or explanation is appreciated. Thank you again!

Thank you for your responses, everyone! ?

Awesome. Thanks for the information! Would you please elaborate on clip gain automation, and how that is done? EDIT: Now, experimenting with how to do this, I'm running into issues. MIDI CC #92 is listed as "Tremolo level", but it's technically undefined and doesn't do anything. I tried using an Expression controller, but Cakewalk doesn't allow me to draw a Sine pattern (or any of the other patterns below it) in the Controller Pane or Automation to create the effect. Then I noticed, in the Cakewalk 30th Anniversary FX Chain add-on, Tremolo is there and works perfectly. (However, I wouldn't mind finding other ways). Any other ideas, and what might I be missing? Thanks again!

As opposed to the modulation effect (where the audio rapidly fluctuates in pitch), how do I create that "fluttering" effect (where the audio rapidly fluctuates in volume, similar to vibrato)? Examples from which I'm trying to replicate the effect are: "Crimson and Clover" (guitar at 2:56 and vocals at 4:25) "Spinning Wheel" (vocal fade out at 1:15) Is there a process to this, or is it a simple vibrato controller? Please advise. Thanks in advance!

I concur. A few days ago, they indicated there was an issue with the download servers. They followed up this morning with the status of the issue. It's confirmed that all the aforementioned add-ons are now once again downloadable via the Cakewalk Command Center, and working properly. SOLVED. Thank you for your help, everyone!