HOOK

Right. That's not default.

I spent months basically begging for control over some of the easy stuff....but they refuse to put any energy into letting the user control something as simple as the default background color on a wave display. So...you get what you get. Pick a color scheme and try to move on. Makes no sense...because you can control the default foreground color. I'd actually like to use the Dark scheme. But I can't because I can't easily see the line when I split a wave.

When I switched to Win11, I battled my "new" machine for months with bios tweaks. Then I realized I had forgot to disable core parking - which cured the remainder of my latency problems. Good luck.

Jim...you're a gem. It sure is nice to pop in here now and again to see your advice on these topics.

I'm not going to debate you when you consistently show your willingness to edit your previous responses to make it look like you weren't confusing the hell out of yourself with something you read on the internet.

Show me where you control input dither in Sonar or on your converter.

It's not. He's wrong.

Call me deaf if you want. I don't particularly hear much of a difference in any of those clips that couldn't be attributed to proximity or axis placement. Could be overthinking.

the horse don't mind

You also want to be sure you're not loading a workspace that has been saved with this option checked.

Under Console/Options. Uncheck Allow Module Resizing if you want the FX bin to auto adjust to more FX units as you add them.

I came in here for a good argument.

Maybe they'll follow Next up with a new flagship DAW called "And Then".

Plugins up sample all day long, and Sonar wouldn't be the first pro-level DAW to allow multiple sampling rates in a project. So...yeah...it's totally possible.

So, @Noel Borthwick, what's the fundamental reason this is an option in Next, but not the new Sonar? Is this an option you're working on for Sonar?