Doug Steinschneider

Watched a few videos of people using it to tweak the drum bus which would be helpful for us when looking for a quick turnaround of a mix which happens when we record rehearsals and want to send out a decent sounding two track to band members. UPDATE: I decided to buy it - just applied to some band recordings. It is a quick way to improve the drum bus sound.

I found this thread when troubleshooting a problem where the volume automation was correctly set to be read on a channel but there was no movement of the volume slider. There was some kind of bug (version 2024.17 (Build 125 64bit) where it just wouldn't work until I restarted Cakewalk. Reading this thread and watching a video did help me finally understand the button functions in the toolbar Mix section, main channel and the automation lanes.

AZSlow works great for the single channel FaderPort but not for FaderPort 8 or 16. Just posting here because I interpreted the post not noticing FaderPort vs the multi slider versions and was disappointed to find it didn't support multiple channels.

Hi Mark, After I posted I found the thread you and Bapu and others participated back in 2021. I followed your instructions using Mackie and Mackie XT and have all 16 channels working for volume slider, mute, solo, pan and arm. I didn't realize AZ Controller was for the 1 track FaderPort only. Thanks for your help (via your posts back in this thread:

I just put the FaderPort 16 through it's paces with 3 other DAW's which worked as expected. I can't get CbP 2024.07 (Build 108, 64 bit) to respond at all with either Mackie Control or AZSlow. The FaderPort 16 is on firmware 3.74 and I chose MCU Sonar. I downloaded the AZSlow user guide and followed the manual "Quick Start" setup steps. The Last MIDI event correctly recognizes the knob or slider. I think I've correctly followed the steps but the first track slider I setup doesn't move after I save the Does anyone have an AZSlow SPP file they can share that I can use to test? Thanks in advance for any help on this.

Hi Larry, Had some fun with UJAM Sparkle2 yesterday. Definitely one of the better freebies in the past year! I play guitar fairly well but would use this for guitar parts in EDM type creations. Thanks, Doug

I recently bought a Tonex One on the IK website at sale price and used jam points - got it down to $110 US

I use Vegas for video editing - most of my work is combining iPhone camera footage from band members cameras with a front on camera and the mixed down track from Cakewalk. I was on 19 from the last bundle which had added multi-camera features that made the workflow much better. Not sure what's in 21 but for $30 since it's my video editor I'm in.

Went with Starlight

Sure hope so 😃 UPDATE: on Reddit /ProMastering a participant who bought Pro-Q 3 on BF inquired and the response was that we get Pro-Q 4!

I personally use Reaper to track and Mixbus for finishing mixes of tracks. If I'm not recording/editing any midi tracks I go straight to Mixbus. I never go beyond Reaper if I'm not going to do a "finished" mix. For our band's studio we chose CbB two years ago. The band leader is considering ProTools so more pros could easily participate in our mixing. It's over $30/month which I think isn't worth the off chance said pros will help with a mix. Shortlist of replacements is Studio One, ProTools and Cubase. Considering moving over to Mac also.

My only BF purchase was FabFilter Pro-Q 3. I'll hang with it this version until I find out something about Pro-Q 4 that will save enough time to make the extra investment worthwhile.

I just downloaded the mobile version and am using it with my live performance software, Cantabile, which the developer built a plugin for. The mobile version runs well on my Pixel 6 phone. It works well but only 4 buttons without an upgrade. I trust the physical Stream Deck devices are a better way but it's tempting to try out the full mobile version.

Ade on the Cantabile forum (very well known pro keyboard/guitar/composer) recommends the original VB3 through the free Anvil amp simulator (for saturation) and then into the UAD Waterfall Rotary for a rock Hammond B3 emulation (heads up - don't know if they've fixed a requirement for Rotary to check online - I've only used the above in the studio). I've joined a local open mic playing with an Axiom 61 into a laptop and Behringer UMC202HD USB audio interface running Cantabile with Blue3, B-3X, AcousticSamples B5 or VB3 through an EV ZXA1 SUB and JBL Eon 610. It sounds very good but what works live is very different from studio recording. I've never used VB3-II playing out but it's great for organ trio style playing. The laptop is an almost 10 year old Lenovo x230.

Things to do when GAS is in check. I bought Cherry Audio Polymode in one of those "don't have to think about it" $5 deals here a while back and never spent time on it until I came across this tutorial: POLYMODE Synthesizer from Cherry Audio - Full Programming Tutorial & Sound Demo (youtube.com) Very understandable tutorial, walkthrough with presets demo