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Found 94 results

  1. Blue Cat Audio Plug-Ins 10% off --- discount code: DIGIFQ20 https://www.bluecataudio.com/ And find more discounts at: http://www.digifreq.com/digifreq/deals.asp
  2. I'm an amateur MIDI musician who started composing in the 90's. Using Voyetra Digital Orchestrator, I created General MIDI tracks strictly within the confines of my PC: simply drawing notes into the Piano Roll, no live instruments or external hardware. I knew nothing about mixing; I just created the tracks, effects/controllers, set volume levels and called it done. Needless to say, when I listen to these tracks now, I could've done much better. Twenty+ years later, I work in Sonar/Cakewalk in the very same manner as above. Synths used: TTS-1, Studio Instruments, Session Drummer, Cakewalk Sound Center, and Addictive Drums 2. I'm not a professional musician...I just simply wish to create the melodies I hear in my head. Target audience is the casual listener. I live in a small apartment environment which isn't suitable for acoustically-treated walls or a large assortment of equipment. However, once I get further along, I may purchase an audio interface and studio speakers/headphones. Otherwise, I have to work with what I have and be happy with it. That being said, I will explain my experiences the best way I can. I've recently begun the process of remixing my old MIDI songs in today's DAW. Having started in Sonar but also experienced in Studio One, I feel my place is in Sonar/Cakewalk. However, the drastic evolution and advancement in digital music software has left me consistently overwhelmed and questioning my processes. I've sat on this project for over six years, because I constantly get frustrated, annoyed, second guessing, overthinking -- and repeatedly abandoning the project to start up again. But now I feel determined and motivated to keep pushing, do it right and finish some day. To the point: I've watched countless videos on mixing, volume levels, gain staging, and the like. I've taken notes of everything I learned, especially things that I can't find in the Manuals, documenting it in my personal reference guide. But I'm still confused, unprepared, and unsure of what I'm doing, worried about doing everything wrong. I seek guidance and education to help get my projects off the ground without fear of messing up. To begin, here's my understanding of the gain staging process: Set every channel's fader volume at 0db. Begin setting track volume using the console's Gain knob, staying below -12db to -18db. Implement each track's plug-ins/effects. (I don't use EQ or compression, as these techniques are beyond my comprehension.) At some point, I intend to bounce these tracks to audio to preserve them. (Before/after step #2? And how do I convert the audio back to MIDI?) When the mixing is complete, set fader levels accordingly, preventing clipping. I'll have to export and store my finished projects in both raw and final formats without losing any plug-ins...I have no idea how. All my TTS-1 instrument tracks are gradually upgraded to SI Instruments, Sound Center, etc. Problem is, these other "synthtruments" are about 15-25% louder than TTS-1 instruments. But when I lower that track's Gain knob, the instrument becomes muddy, muffled, and distorted, and the Gain knob has reached a horrendously ridiculous level (< 50/60%). I've also heard that I can raise that synth's volume level to compensate lowering the Gain knob too much. (But by how much?) The entire gain staging process has gotten me so conflicted and rattled that I don't know how do it right. On the other hand, I've seen articles that suggest simply ignoring the gain staging hype (don't worry about that Gain knob) and focus solely on preventing clipping throughout the entire process. So, my biggest pain point is to gain stage/not gain stage...and that darn Gain knob. Properly balancing the volume levels without misusing the Gain knob. I don't think I even want to use that anymore. Can I create a balanced mix without even using the console's Gain knobs, and just use the faders in the end of the process? I know every musician's routine is a subjective personal preference, but I'm having a great deal of trouble establishing a process that works for me...after all, still an amateur. Because of the complexity, this project is literally taking me forever because I can't make a decision. CONCLUSION I apologize for the rambling, as I have to lay out all the details. It could be said that, after so many years, I clearly have no business making music and perhaps should be pursuing other hobbies. But I truly feel I can do this. It's been complicated, but I'm thankful for several users here on the Forums who've answered so many of my questions in the past as I work on these projects. Therefore, I hope for some insight to get me going with confidence and hopefully more education. I could really use some help here, and dumb it down if you have to. Please provide your thoughts and guidance to above? Thanks in advance!
  3. BandLab is quickly becoming one of the top online music platforms, and with good reason! Due to their business model, you can make music anytime, anywhere. Connect with millions of other users around the world, and release your tracks right from this platform. The social features built in under the hood also allow you to engage with fans and keep 100% of their support. Today we're going to cover the Mix Editor on both the PC (Windows 10) and an iOS device. This will be a great tutorial to kick start your journey into the world on online collaboration with BandLab. Want to download it and use it for yourself? Head over here on your PC: 👉https://www.bandlab.com/ Head over here on your phone: 👉Android and iOS: https://www.bandlab.com/download - Instagram @BandLab - Facebook @BandLab - Twitter @BandLab - TikTok @BandLab
  4. Get 10% off ALL Blue Cat Audio Plug-Ins --- discount code: DIGIFQ20 https://www.bluecataudio.com/
  5. Get 10% off ALL Blue Cat Audio Plug-Ins --- discount code: DIGIFQ20 https://www.bluecataudio.com/
  6. Get 10% off ALL Blue Cat Audio Plug-Ins --- discount code: DIGIFQ20 https://www.bluecataudio.com/
  7. Mixing vocals can be easy if you just know the right approach. Today, we are going to use EQ, Compression, and even some nice extras to get a vocal to set on top of a mix. What is EQ? It stands for Equalization. This is a term that describes what an EQ is doing, it is literally making things equal. In other words, if you have an offending frequency that is built up in the vocal, you can grab an EQ to make that frequency more pleasent to hear by turning it down. Want an awesome EQ cheatsheet to hang at your mixing station? Join the Patreon group at $1 or more a month and you get access to one! Mixing Vocals in Cakewalk by BandLab
  8. https://open.spotify.com/track/5H4bopz87NmkmJlw2VUhve?si=0a6576a4bc03402f Produced ,arranged and mixed in Cakewalk Bandlab. Thanks for listen Thanks Cakewalk Bandlab.
  9. Get 10% off ALL Blue Cat Audio Plug-Ins --- discount code: DIGIFQ20 https://www.bluecataudio.com/
  10. What an amazing learning experience! From production to recording techniques, to mixing in the best free DAW on the planet, everyone can learn something from this!
  11. Get 10% off ALL Blue Cat Audio Plug-Ins --- discount code: DIGIFQ20 https://www.bluecataudio.com/
  12. Get 10% off ALL Blue Cat Audio Plug-Ins --- discount code: DIGIFQ20 https://www.bluecataudio.com/ And find more discounts at: http://www.digifreq.com/digifreq/deals.asp
  13. Exporting as OMF to share across platforms (and even among BandLab users). When exporting as OMF two things are happening that are really frustrating: 1) All panning and volume settings are reset to 0/center 2) tracks that have breaks in them come back in as "overlap tracks" creating headaches of multiple tracks. I think the second can be solved with freezing tracks before exporting but the panning issue is a real bother. Any solutions? Thank you!
  14. A request for improved productivity. Use Case: Mixing; excessive scrolling to display+select || delete a Send 1. Relocate the audio I/F I/O listings to the end of the display. They are currently the first entry in the display which in my case is 31 entries and takes up more than half the vertical real estate. Excessive scrolling is required to display a Bus/Aux or S/C of interest. IME, audio I/F I/O is more of a one time setup activity and easily managed with the "[+] Track" feature and project templates. Send, Bus and S/C assignments log considerably higher activity. It would be nice to do so without having to wade through a long list of Audio I/F I/O. 2. Relocate "Delete Send" to the top the Send list (i.e same as FX Bin). An alternative to excessive scrolling has been suggested but it's more work/defocus than desirable imho; a. Left click "Send" b. Move mouse to highlight "--- none ---" c. Press the Up Arrow key (sends focus to the *last* entry which is "Delete Send") d. Press "Enter" key 3. I'm also seeing a focus issue between the Send and FX Bin which causes the Inspector display to "jump" when trying to select an FX or Send. The scenario is a Send bin with 1X send selected and a second empty Send slot displayed in the Inspector. > Left Click on [+] Send (actually anywhere in the Send bin) - The display "jumps", hiding the empty Send slot and leaves the mouse pointer positioned over the FX bin. - To complete the intended activity, you have to reposition the mouse pointer and reselect Send [+]. > Clicking anywhere in the FX Bin will cause the Send to expand and show the empty slot again. > Once this state is active, it is consistently repeatable (and annoying).
  15. Get 10% off ALL Blue Cat Audio Plug-Ins --- discount code: DIGIFQ20 https://www.bluecataudio.com/ And find more discounts at: http://www.digifreq.com/digifreq/deals.asp
  16. Wanna speed up your workflow and boost your productivity in a flash! Try using Cakewalk by BandLab’s Screenset and Mix Recall features! Screensets and Mix Recall
  17. Get 10% off ALL Blue Cat Audio Plug-Ins --- discount code: DIGIFQ20 https://www.bluecataudio.com/ And find more discounts at: http://www.digifreq.com/digifreq/deals.asp
  18. Get 10% off ALL Blue Cat Audio Plug-Ins --- discount code: DIGIFQ20 https://www.bluecataudio.com/ And find more discounts at: http://www.digifreq.com/digifreq/deals.asp
  19. I have received many request to do a mixing tutorial so I finally got one for you guys Its kinda long but should help you out if you are starting to mix vocals (This is in no way a you have to do things this way video just somethings you can try that should help) ... in Cakewalk by Bandlab come check it out link below... Dont forget to Subscribe, like and hit that bell notification Lets go..
  20. Regardless of the space you’re using to mix/master your tracks in, a good reference will get you to a better end result faster! You can also learn a ton about mixing along the way! https://youtu.be/uMBkkbm7aSQ
  21. Thoughts on this mix? WARNING EXPLICIT LYRICS
  22. I can access the Mixing Latency slider at the open screen, but if I adjust it, when I open a project the audio doesn't work. If I open the project first, Mixing Latency is grayed out. I have been using Cakewalk by Bandlab for about a year, and had adjusted it previously without issue. I recently updated Cakewalk and added some VSTs. Did something change with the update? Could it be one of the VST's?
  23. Get 10% off ALL Blue Cat Audio Plug-Ins --- discount code: DIGIFQ20 https://www.bluecataudio.com/ And find more discounts at: http://www.digifreq.com/digifreq/deals.asp
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