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About Me

Found 23 results

  1. UREQ v1.0 U-Style stripped down classic equalizer Features - Switchable Low Band : 60Hz / 110Hz / 180Hz / +/-16dB - Switchable Low Mid : 400Hz / 830Hz / 1.4kHz / +/-16dB - Switchable High Mid Band: 2kHz / 4.4kHz /7.4kHz / +/-16dB - Switchable High Band : 5kHz / 11kHz / 18kHz / +/-16dB - High Pass Filter : 80Hz - Low Pass Filter : 12kHz - INPUT & OUTPUT: +/-16dB (Gain compensated input) - Touchscreen support - Resizable interface. Simple "Bottom Right Corner Handle" to resize. 50% to 200% https://www.patreon.com/posts/ureq-88488633
  2. AudioDeluxe is having a sale on three Sonnox plugins now: Sonnox Oxford EQ Native $65 Sonnox Oxford Envolution $55 Sonnox Oxford Drum Gate $55 Sale ends on Aug 21.
  3. https://www.audiodeluxe.com/products/audio-plugins/tokyo-dawn-labs-tdr-slickeq-mastering https://www.audiodeluxe.com/products/audio-plugins/tokyo-dawn-labs-tdr-vos-slickeq-gentlemans-edition
  4. G'day. I am trying to sidechain a kick to a frequency band in TDR Nova (dynamic eq) - when a kick happens it will reduce the lower frequencies in my vocals to reduce muddiness. the issue i'm having is that TDR Nova will not detect any input. i've worked with sidechaining a lot before (with other vsts) and have never had this issue. i have a send going into the TDR Nova and I have TDR Nova on ext sc (external sidechain mode). been researching for ages and haven't found any solution. hopefully someone with more experience can help me out. other daws have no issues. it appears that you need to route the sidechain signal into inputs 3/4 of the track you add TDR Nova to. not sure how to do this in cakewalk. thanks in advance
  5. Hello guys. I would like to ask if there is a way to keep the maximized EQ panel for cakewalk pinned while selecting multiple tracks? Currently when you select a different track the maximized eq panel gets closed. It would be nice to have the option to keep it open while it automatically changes the eq corresponding to the currently selected track. Thanks.
  6. Roedell Simmons

    EQ plug-ins

    After I EQ the tracks with EQ that's on ProChannel, is that usually sufficient for the mix, or do I need to use an additional EQ plug-in on each track? Thank you!
  7. What’s up fellow fader finalgers?! I recently hosted a live event where I took a clients mix and performed EQ adjustments Live. Thought it might be helpful for some. I stream once a week and (rotate Saturday’s and Thursday’s) and I have really met some awesome people as well as a supportive group of users!
  8. Get 10% off all Blue Cat Audio products - use code: DIGIF008 https://www.bluecataudio.com/
  9. John Deacon

    EQing input

    I use Cakewalk in a simple way, usually for live work. (I do use Ableton as well, but I prefer Cakewalk most of the time.) So, hardly ever mixing for a final master, I realize I don't understand EQ, or at least the routing of the signal. I have a guitar backing part I'm recording and it's booming at 80 - 120 Hz. Right I thought, I'll just EQ it. I used Pro Channel EQ. It had no effect. Ah I thought, perhaps you can't EQ the input, just like the volume slider doesn't work on the input; I'll bring the mic into a track, EQ that track and route that mic track to be the input of the audio track I'm recording to. Still no effect. The guitar gets recorded on its track but it hasn't been though the EQ. I know the EQ works because I can apply to the recorded guitar track during playback. But I wanted to EQ the signal before recording it. In the past I would have simply used the mixer, but this particular microphone goes straight into the sound card. What I am doing wrong or not understanding?
  10. Acustica Audio Acqua PINK update + special Update-Special* €99 (reg. €199) - Save 50% OFF FREE update for current PINK users PINK3 is a bundle consisting of 6 different plug-ins: • PINK3 215 - Preamp module with 8 different circuit distortion models • PINK3 780 - 10-band graphic EQ • PINK3 1650 - 4-band EQ module with 4 selectable per band models • PINK3 2412 - Single band compressor • PINK3 7236 - Multiband compressor • PINK3 Channel Strip - Full channel strip with EQ, compressors and preamp options https://www.acustica-audio.com/store/products/pink
  11. What is a GYRATOR? Originally proposed in 1948, a gyrator is a type of electronic network that can be used at the heart of equaliser designs as an alternative to its even older inductor predecessor. Although inductors are still popular with some designers looking for a vintage sound, they have inherent issues like ringing and odd harmonics. On the other hand, gyrators can work better than the ‘real thing’ and give the designer more freedom, a factor put to work in the VSE-2 to create, among other things, a tube-like distortion spectrum. VSE-2Unique Features Discrete Gyrator EQ based Hardware emulation Tube like Distortion Spectrum up to 1% THD Smooth and Punchy Vintage Console EQ Sound Unique A.I.R Mode (Enhancement of the auditory threshold) 18 selectable frequencies Hi Pass Filter 10Hz-400Hz Cut & Boost steps +-: 1dB, 2dB, 3,5dB, 5,5dB, 8dB with proportional Q Frequency bands can be switched indepently to "Broad" (Low Q) Additional Input and Output Trims to Avoid Internal Clipping Issues in your DAW. All levels can be set directly at the VSE-2 EQ stage. Harmonic Control with Drive LED NOW ! 99 Euro approx. 112 USD https://www.vertigosound.com/products/vse-2-plugin
  12. Purple2 suite includes of: -Purple2 P1 (Vintage tube-based, passive program Equalizer) -Purple2 PAA (Tube-based passive program Equalizer reissue) -Purple2 M5 (Classic mid range tube EQ) -Purple2 M5V (Vintage classic mid-range tube EQ) -Purple2 H2 (Vintage single channel tube EQ) You may be wondering why we are introducing another M5 into the Purple2 suite? This is a legitimate question, but very easy to answer: we challenge anyone to find two equal sounding units of this kind. The case of our M5 and M5V is a clear demonstration that two faithfully sampled versions of two different models can have differences in terms of sound. For this reason, when we had the original unit in our hands (from which we derived our M-5V), we were really pleasantly surprised and decided to offer you a new "vintage" plugin, very colorful, given its tube nature, and immediate operation. Plus, you get Purple2 H2, which is a passive tube EQ renowned for the ability to both boost and cut the low-end frequencies at the same time and to add an unmistakable analog flavor to your mix. This emulation is derived from a rare and vintage 2U single channel program EQ designed as a compact version of our Purple P1 with a more transparent character. Purple2 H-2 differs from its bigger sibling however, in that it has different peak boost curves but the same Class-A output stage as the M5 (mid-band EQ). Perhaps the most noticeable difference is the fixed bandwidth for the HF Boost and fixed high-cut at 12kHz. Early Access- Intro 99.00€ (REG. 199.00€) Free upgrade for previous Purple customers http://www.acustica-audio.com/store/products/purple
  13. NoiseAsh RULE TEC COLLECTION passive EQ With tons of research and hard work; we are proud to present extremely accurate models of legendary passive equalizer units, Rule Tec Collection. We’ve modeled lot’s of unique complex interactive analog behaviour in order to present all signature characteristics of the original units’ “a must have tone”. All in one solution for legendary famous equalizer tone that you’ve heard in thousands of records for almost 70 years. Well known Top 3 models: Rule Tec EQ1A for classic mixing and mastering, Rule Tec EQ5M famous multi purpose mid range equalizer, Rule Tec F3C completes the collection with unique sharp high pass - low pass filters. RULE TEC ALL COLLECTION (Intro Price : $99.9 / Regular : $199.9): Rule Tec Heritage Pro | NoiseAsh RULE TEC HERITAGE PRO (Intro Price : $49.9 / Regular : $130): Rule Tec Heritage Pro | NoiseAsh RULE TEC EQ1A (Intro Price : $29.9 / Regular : $90):Rule Tec EQ1A | NoiseAsh RULE TEC EQ5M (Intro Price : $29.9 / Regular : $90):Rule Tec EQ5M | NoiseAsh https://www.noiseash.com/rule-tec-all-collection/
  14. These program libraries work in licensed Nebula3 and Nebula4, NOT N3 1.3.505 and N4-Player. The W91A equalizer is one of the later developed. It was designed in the early 1990´s when customers requested for more channels with full features. All circuitry for the W91A’s is high quality and build after the standards of the IRT (Institut für Rundfunk Technik). The idea behind the W91A equalizer was to build a balanced eq module in a small, half fader (B1) cassette. The W91A is quit flexible and a good alrounder featuring with selectable frequencies and a q-factor. You can use the the W91A for mixing and mastering. The W91A is a flexible eq with a relatively clean yet slightly aggressive character. It´s ability to go from subtle filtering to extreme EQ-ing effects, makes the W91A a very powerful tool. The sound is much more “in the face” and you can still add loads of high frequencies without getting any harshness. . High Quality programs with full dynamics and harmonic content . Special light edition "le" programs (CPU friendly) . Low Bell: 45 to 330Hz +/- 15dB 1 to 3 Q . Mid Bell: 330 to 1500Hz +/- 15dB 1 to 3 Q . High Bell: 1.5 to 15kHz +/- 15dB 1 to 3 Q . Special AlexB 1U Rack N4 skin €30,00 -------/ W92 German eQ Sweet Mastering The W92 equalizer is one of the classic '80 era. All circuitry for the W92’s is high quality and build after the standards of the IRT (Institut für Rundfunk Technik). The W92 is a flexible and a good alrounder featuring with HPF, selectable frequencies and each band can be switched in/out. You can use the the W92 for mixing and mastering. The W92 is a flexible eq with a relatively clean character. It´s ability to go from subtle filtering to extreme EQ-ing effects, makes the W92 a very powerful tool in mastering. The sound is much open and deep and you can still add loads of high frequencies without getting any harshness. . High Quality programs with full dynamics and harmonic content . Special light edition "le" programs (CPU friendly) . HPF 20. 80, 140Hz 18dB/oct . Low Shelf: 50 to 400Hz +/- 15dB . Low Mid Bell: 60 to 1000Hz +/- 15dB . Mid High Bell: 1 to 16Hz +/- 15dB . High Shelf: 3 to 10kHz +/- 15dB . Special AlexB 1U Rack N4 skin €30,00 http://www.alessandroboschi.eu/html/alexb/equalizers.htm
  15. From April 2, 2019 through April 30, 2019, 25% off selected plugins. Log in to your account and apply the following code at checkout: inwtnew_2019 https://www.acustica-audio.com/pages/specials/in-with-the-new-spring-2019
  16. Early access pricing - Retail €189 Sale €89 - Save 52% OFF Titanium3 suite is made up of six (5 plus one FREE) separate Acqua plug-ins: Titanium3 3BComp (standalone three-band compressor) Titanium3 1BComp (standalone single-band compressor) Titanium3 EQ (standalone all-tube passive Equalizer) Titanium3 Pre (Preamp standalone module) Titanium3 Strip (Channel strip that includes all the previous cited standalone plugins) Titanium BASSTard: a bass-frequency monster machine derived directly from the complete Equaliser, available through Aquarius as a forever-FREE download! https://www.acustica-audio.com/store/products/titanium
  17. VQP-Bundle Vintage Passive EQs Available for Mac OS and Windows in AAX, AU, VST2.4 and VST3 in 32 and 64 bits. ON SALE FOR ONLY $24.50 UNTIL APRIL 18TH 2019! (REGULAR $49) ABOUT THE VQP-258A / VQP-259A PLUGINS The VQP-258A and VQP-259A plugins are faithful recreations of two entirely passive EQs / filters that were introduced in the 50s. Unlike its competitors from the same era, the 258A offered two widely orthogonal and intuit*ive controls that were capable of independently cutting or boosting the low and high frequency spectrum, whereas the 259A filter cascade excelled in its wide range of settings. The VQP-Bundle includes Precise emulation of the original 258-A and 259-A circuits Intuitive controls Interactive filter bands Musical EQ curves A wide range of settings https://fuseaudiolabs.com/product.html?id=300910246
  18. Do you want perfect sound from your mic that’s as close to natural as it gets? If you own an SM57, AT4050, or MXL V67G, the following are EQs that will create a perfectly flat response. Note that you will need the LP EQ (a.k.a L-Phase Equalizer) as this equalizer has enough nodes for the task, has a non-linear setting, and has a high quality, transparent sound (esp., compared to the ProChannel EQ). First, place the LP EQ on an audio track FX rack (open the plug-in window for the LP EQ and click the Expert button, select Non Linear under Precision and Slow under Analyser for low latency recording); next, create a new aux track from the output of the first track; set input on the first track to your mic input and turn Input Echo ‘on’ (also 48V phantom power—only if you’re using a condenser mic, otherwise leave it off). Now, arm the aux track for recording. Recording with this input channel setup will produce some input latency, so go to Preferences and view your Input latency under Driver Settings. Write down how many samples are shown. After recording, set your Snap tool to Samples and enter this amount. Set Snap to ‘snap by’ and zoom in to the front of your recorded clip. Drag the clip left until it snaps by that many samples—this fixes your recorded latency entirely. You can use this method for any input channel FX in the future, such as compressors and so forth. Also, you can use these on tracks already recorded with the above mentioned mics by placing the EQ on the track’s FX rack. Here are the EQs both written (for those not using the LP EQ) and uploaded (for those using the LP EQ). Enjoy! Sincerely, Maximus, Rock Mojo Studios. I recommend using these on vocals when the most natural sound is needed or on tambourines, snaps, claps, etc.; try it on your guitar rig and you'll notice that the sound you get is exactly what was playing through the speaker(s) (perfect for when you don't want to change a thing about your settings!) SM57 Flat Input EQ (set each to Peak/Dip) 50 Hz, +10dB, Q 9.16 100 Hz, +5dB, Q 6.76 250 Hz, +2dB, Q 2.49 3,000 Hz, -2dB, Q 10.00 4,000 Hz, -4dB, Q 10.00 6,000 Hz, -7dB, Q 10.00 7,500 Hz, -3dB, Q 10.00 9,500 Hz, -4dB, Q 10.00 13,000 Hz, -1.5dB, Q 10.00 15,000 Hz, -2.5dB, Q 10.00 AT4050 (set each to Peak/Dip) 30 Hz, -1.75dB, Q 3.08 1,375 Hz, -0.8dB, Q 10.00 1,725 Hz, -0.8dB, Q 10.00 2,750 Hz, -0.8dB, Q 10.00 4,000 Hz, -0.8dB, Q 10.00 6,000 Hz, -2.4dB, Q 10.00 9000 Hz, -3.75dB, Q 10.00 10,000 Hz, -4.5dB, Q 10.00 13,000 Hz, -2dB, Q 10.00 15,000 Hz, -2.25dB, Q 10.00 20,000 Hz, +10dB, Q 10.00 MXL V67G (set each to Peak/Dip) 20 Hz, +11dB, Q 10.00 30 Hz, +3dB, Q 10.00 38 Hz, +2.13dB, Q 10.00 50 Hz, +2dB, Q 10.00 60 Hz, +2dB, Q 10.00 70 Hz, +2.13dB, Q 10.00 85 Hz, +2.13dB, Q 10.00 100 Hz, +2.06dB, Q 10.00 150 Hz, +2dB, Q 3.45 375 Hz, +3dB, Q 10.00 400 Hz, +3dB, Q 10.00 500 Hz,+2dB, Q 2.03 1000 Hz, +2dB, Q 10.00 1,500 Hz, +2dB, Q 10.00 2,000 Hz, +0.38dB Q 10.00 3,500 Hz, -1.25dB, Q 10.00 4,250 Hz, +2dB, Q 10.00 20,000 Hz, +1.5dB, Q 5.55 AT4050Flat MXLV67GFlat SM57Flat
  19. Ivory 4 Suite / Acustica The IVORY4 suite consists of 6 separate Acqua plug-ins, each with a gorgeous graphical user interface that allows for an easy and quick operation. This bundle includes: IVORY4 EQ IVORY4 EQ STEREO IVORY4 COMP 1B IVORY4 COMP 3B IVORY4 DYN EQ IVORY4 DYN EQ STEREO Free for any previous owners of Ivory, any version or purchase it at €149 (reg. €199) Ivory users can download it via Aquarius (Purchased page) IVORY4 is a VST/AAX/AU plug-in suite which includes 2 equalizers, 2 compressors and 2 dynamic equalizers. Each of these modules has been carefully crafted with the goal of building a set of awesome-sounding, mastering-grade tools. Ivory4 is a transparent yet extremely musical processor that shines on just about everything you throw it on. Whether you are a mastering engineer, looking for the utmost grade of control in the studio, or you are mixing and producing your next big hit - and you need a powerful, versatile tool for shaping your subgroups - Ivory3 has you covered http://www.acustica-audio.com/store/products/ivory
  20. Babylon - comprehensive equalizer plug-in with eight fully automatable filter types. on sale £10 MSRP £30 https://gramotech.co.uk/products/babylon/ GT Analyser (free) High resolution spectrum analyzer plugin with loads of control. Info at: https://gramotech.co.uk/products/gt_analyser/ Direct downloads: Windows VST3 MacOS AU MacOS VST3
  21. January Sale now on! 66% off Babylon for the whole month! https://gramotech.co.uk/products/babylon/
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