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Found 6 results

  1. Arranger seems like a great feature - especially when wanting to move multiple tracks. However, in trying to use Arranger, I'm finding it a bit difficult to use without the ability to enter specific start and stop points for each arranger section. Here's an example: Live Band Recording (rehearsal) has a bunch of songs in it. Step 1: I create arranger sections for each song. Because it's not sync'd to measure lines, it's hard to find the right start / stop points . I've used Markers to some extend and this has helped, but not completely. Step 2: We have segues between many of the songs. In some cases the band (like most bands) goes through fits and spurts , starting and stopping to get the segues right. I now want to adjust the and add additional Arranger sections, and then remove the "stops & starts" to be able to use the Arranger sections to merge them together. Is the only way to do this really to use Markers? Any other ideas?
  2. There have been major improvements to Cakewalk lately. The Arranger and now Articulation Maps is INCREDIBLE. but, I can't stress this enough: Having an arranger track that is not visible within the PRV window is a seriously downside. Especially if I want to use an arranger track essentially as a chord track. I've mentioned this before, but I'm posting it again, since the latest version still lacks it. This would drastically improve the usability of the arranger track for composers. Even if I use PRV docked in the multi-dock and don't maximize it, it doesn't line up with the track view, making that not a workable work around. Please, Please, Please implement the option to turn on the arranger track in the PRV.
  3. You're probably already aware of this, but on the latest and last release, if you adjust the END of an arranger track part, CW crashes. It doesn't do this if you move the start of an arrangement part. You'd think I'd learn by now to stop adjusting things during play back....
  4. I've been doing a lot more score work and I'm having a few difficulties with Cakewalk that could be resolved with this feature. Right now, Cakewalk is very much designed for a single "works" project and although the projects can handle tempo mapping and time signature changes fairly easily for a song, the work flow is very challenging from a scoring context (Visual Sync). I need to experiment a lot with tempo especially, but also time signatures, in order to figure out what belongs where in context to the film. If I already have the musical piece "figured out", I might set a section to the tempo, say 120bpm for example. But as I'm reworking the mood, I might need to change it to 121 bpm. This is fine if I'm working in a linear fashion from start to end, but I'm not. I'm jumping all over the place. See my screen shot here: = I started with Jett's theme (as marked by the arranger bar). This has a set time signature and bpm. Now I'm working on the Main theme. Any changes I make to the main theme, completely screw up where jett's theme starts, because Cakewalk is all about the musical time instead of the absolute time. Every change in the main theme area affects all other music further along. My current workaround to this is to set ALL of my clips in Jett's theme to "Absolute time", instead of "musical time". This at least allows me to make changes to the other prior sections. And then when I'm done, I have to re-setup jett's theme area with the previous tempo and signature at the start of the first clip in Jett's theme and then change all of my clips to be "musical" instead of absolute (so if I need to move things around or change jett's tempo, the clips all stay relative and correct). As you can imagine, this is incredibly painstaking. The good news is that Cakewalk over the years has been leading up to the functionality I need. First came Ripple Editing. Then came Arranger, with movable arrangements (basically advanced ripple editing) Now we need the Film score arranger! What I'm proposing is that there be an option to make it so the Arranger sections essentially become their own tempo / signature scenes that are locked to "absolute time". This would have major benefits: You could easily make changes to earlier sections and NOT affect the later sections, because the later section is locked to an absolute time and no changes to the previous section affect it. IE: I can change the main theme BPM and at the beginning of "creepy atmosphere 2", the tempo / bpm for "creepy atmosphere 2" take over. If I decided to move "creepy atmosphere 2" later in time, Cakewalk just automatically extends the previous "scene" boundary to the new point. This would allows for EASY realignment during film edits. It's VERY common that a score writer doesn't get a locked film. They may add a few seconds or even frames here and there and I need to EASILY re-align the score to the new time. If the scene is locked to absolute time, I just find the new start and slide the film score arranger scene to the new start and BAM. Done. No tedius resetting of the tempo to get the start point re-done. Today, I have to do a lot of "set measure / beat at now time" in order to get the "scene" to start where I want it. Tedious. I have a suggestion to make this as simple as possible. Have a "default project tempo / time signature". This will set the project frame of reference. Using my screenshot example, we'll say 100 bpm 4/4. Any part of the project that DOESN'T have a film score arrange scene assigned, gets this bpm / tempo. All arranger sections have their own assigned tempo / bpms. So in my example case: Main theme (purple) : 145bpm 4/5 Start: 00:00:08:07 (absolute time) Finish: 00:00:35:28 (absolute time) Creepy atmosphere 2 : 111 bpm 4/4 Start: 00:00:53:23 (absolute time) Finish: 00:01:21:16 (absolute time) Jett's Theme : 113 bpm 4/4 Start: 00:01:37:11 (absolute time) Finish: 00:02:43:15 (absolute time) Everything else without a arranger assigned: 100bpm 4/4 I would legitimately pay $300 of my own money to see this implemented. I'd get the money back incredibly fast with the streamlined flow from scoring money. Please Please Please consider this. I've been using Sonar since v1 and I'd like to keep using it. I've found that for most aspects of film (ADR, dialogue editing, sound editing), it works just fine. But scoring is a real pita. Thank you for your consideration.
  5. When composing in staff view, it would be of value to see the arranger sections. So some kind of arranger track at the top of the view would be great, even if it's just a read-only track.
  6. Hi folks! As some of you may know, there is a new 'Arranger Track' feature in Cakewalk, so I've made this easy tutorial to get you started! WATCH HERE: https://youtu.be/_2e1SUcEpms
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