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Found 6 results

  1. I have a few stereo instrument tracks (no MIDI) for about a 4-minute song. When I set master In/Out to Focusrite S, there is no sound on playback, to hear anything I have to set it to surround main or none. ( same with preview) Also, Breverb 2 occasionally crashes and either distorts my tracks or makes them silent ( which then I have to delete and put back) What I did was: I tried to normalize and mess with volume/gain which didn't work ( unless I made master -INF) The green lines simply don't move on the master until I turn off all FX on the buses. Tried to export in different formats, as well as exporting individual tracks/buses /mix /time selecting and everything is silent. I also tried different sample rates, dithering, and buffer sizes. Cakewalk is updated, and so are the drivers on the hardware. I do not believe this is a hardware issue because my computer, interface, and sound card run things fine and have space for the tape. Can anyone please explain why this is happening?
  2. Hi, Sometimes when I press record, or try to listen to the track after just recording, all audio stops playing. There's a split-second click before all sound stops and all meters drop to the bottom. I have to wait 10-20 seconds for sound to come back and then it seems to be fine. This happens even with only a few tracks and minimal plugins. I once got a message for Audio Engine Dropout 9 and tried the suggested fix, along with other suggestions like increasing buffer sizes and number of buffers but it hasn't fixed it. Task Manager doesn't report any wild resource usage. I am using a Focusrite Scarlett 2i2 interface and am running Windows 10 with 16GB of RAM and an Intel i7 processor if that is relevant. Any help would be appreciated, thanks.
  3. Hello BandLabers. I'm goofing around with the REMOVE SILCENCE function and I thought we had a way to just had it SPLIT CLIPS (retaining audio data in order to adjust the clip's borders and fades afterwards...). But is seems that it is not the case. When trying to "roll out" clip borders, there is just ... silence... Is there something I am missing here? The only work-around I can think of currently, is to set some kind of "forgiving" strip silence parameters first (still keeping some "to cut out" stuff) and afterwards complete the cleaning process manually... I also tried apply a EXP / GATE prior to removing silence, but I have not been able to set it up correctly in a way that I would not need to edit like hell anyway afterwards yet... so no proper "improvement" here... Regards.
  4. I am encountering this error for the second time where Cakewalk thinks a project (that I've linked below) is way longer than it actually is. The song itself is 45 seconds long, yet Cakewalk thinks it goes on for over 2 minutes, therefore rendering over a minute of mere silence. Last time I could actually apply a fix from a previous thread about the same issue (http://forum.cakewalk.com/FindPost/3205742) where I would open the Event List view and delete all events after the end of my song, but I can't find it anymore in the places it once was. Looking at the cakewalk manual https://www.cakewalk.com/Documentation?product=Cakewalk&language=4&help=EditingMIDI.45.html , the Event List view should be in one of those drop-down menus, but it isn't: So how can I get rid of the silence at the end of my tracks, or am I doomed to always select my track before rendering it? super long silence at the end.cwp super long silence at the end.mp3
  5. I had a friend tutoring me w/ audio, but unfortunately he has been sidetracked lately. Well, for 6 mos actually. I doubt I'll have access again. I've been on my own just as I was starting to understand a little!?! 1. I remember he'd have me take midi trks and record them as stereo into the audio . Then he would take them back to mono after bouncing them. Never understood that nor was experienced enough to question the process. 2. He would use a process to create silence between inactive sections within the bounced trk, why? Should I? 3. I can understand a mono trk I believe, if using a solo instrument or section. But, I occasionally use ensembles (GPO5, orchestral comp). Why make this mono? I don't remember that he did this or even suggested it (getting foggy at 75). Should or can the two be present in the mix down? 3a Ancillary to that, how does pan fit into the process. For ex, if I use a full string ensemble, does pan influence the balance? I'd say yes intuitively. 4. Is there a concise tutorial suggesting a process after the input portion - ie all midi trks ready to go in terms of balance, EQ, volume etc? I use orch stuff primarily and don't know if there is an actual difference in technique from current pop music mixing ideas. I appreciate any help. Willard
  6. How do you create silence in part of a track
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