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  1. You tacked this on to a thread from 2019. Much has happened since 2019, especially in the past several months that affected TTS-1's inclusion in the current build of CbB (Cakewalk by Bandlab). See the following thread. If you have an older version of CbB, perhaps you can find TTS-1. Not sure if you only have a version after which TTS-1 was dropped. In either case, the 2024 thread would be a better place to ask for help than a 2019 thread.
  2. User 905133

    TTS-1 missing

    You tacked this on to a thread from 2019. Much has happened since 2019, especially in the past several months that affected TTS-1's inclusion in the current build of CbB (Cakewalk by Bandlab). See the following thread. If you have an older version of CbB, perhaps you can find TTS-1. Not sure if you only have a version after which TTS-1 was dropped. In either case, the 2024 thread would be a better place to ask for help than a 2019 thread.
  3. NAMM Special – 50% OFF During the NAMM Show you can save 50% on Software, Upgrades (including License SL) and Soundsets. Only until January 28! https://waldorfmusic.com/shop-english/#software
  4. https://www.musicradar.com/news/namm-2024-martin-remasters-its-affordable-x-series-acoustic-guitars-available-from-dollar599 https://www.andertons.co.uk/search?search=martin x&tduid The remastering breaks down to what Martin details as a number of improvements in playability and cosmetics. On the latter side, new High-Pressure Laminate (HPL) patterns make for some eye-catching looks with cocobolo, ziricote, and Brazilian rosewood joining mahogany, koa, and all-black. Elsewhere, the remastered X Series guitars also feature headplates that match the model's respective HPL pattern, along with refined rosettes .Specs include satin tuners, Martin E-1 electronics with a built-in chromatic tuner and volume, tone, and phase controls.
  5. https://www.musicradar.com/news/korg-microkorg-2 microKorg 2 will be released in June of this year. We'll be checking out the synth at NAMM next week the most noticeable upgrade is the synth's 2.8-inch colour display, which offers advanced control of the synth's parameters alongside animated effects and an oscilloscope view that visualizes your patches. Like its predecessor, microKorg 2 is built around a virtual analogue synth engine. The synth's polyphonic architecture can handle up to eight voices, and sounds can be layered in Dual mode to create multi-timbral patches. The synth comes with 512 presets categorized into eight banks labelled by genre, and custom sounds can be saved in its 64-slot patch memory.
  6. https://www.korg.com/us/ The NTS-3 Kaoss Pad falls under the Nu:Tekt brand, and enables you to tweak up to four effects simultaneously via an XY pad. 35 are supplied, including filters, modulation FX, delays, reverbs, mastering processors and more creative options such as a looper, grainshifter and vinyl break emulator. The effects can be edited, and you can build and add your own thanks to support for Korg’s LogueSDK. https://www.musicradar.com/news/korg-nutekt-nts3-kaoss-pad
  7. https://www.boss.info/global/products/ve-22/ BOSS has released the VE-22 Vocal Performer, their new vocal effects processor. The VE-22 offers singers enhanced live sound control with an XLR microphone preamp and a range of sonic tools. It features basic vocal enhancement and processed effects, including a real-time harmony function, and is suitable for practice, recording, and online streaming The new BOSS VE-22 Vocal Performer and CB-VE22 Carrying Case will be available for purchase at authorized US BOSS retailers in January for $349.99 and $69.99.
  8. https://www.gpu.audio/blog/51-announcing-living-sky-a-cutting-edge-spatial-reverb-that-forges-a-new-partnership-between-gpu-audio-outer-echo-and-mntra-instruments MNTRA, GPU Audio, and Outer Echo have teamed up to introduce 'Living Sky', their new spatial reverb plugin designed to revolutionize three-dimensional spatial audio production. This collaboration combines MNTRA's skill in developing immersive virtual instruments, GPU Audio's advanced audio processing, and Outer Echo's expertise in DSP solutions for spatial applications. Living Sky offers an expansive collection of acoustic spaces, enabling creators to transform sound in imaginative ways. Unlike standard reverb plugins that offer limited motion within a space, Living Sky claims to "brings the space itself to life", creating dynamic and organic audio processing.
  9. https://audient.com/products/monitor-controllers/oria/overview/ Audient has announced ORIA, an all-in-one audio interface and monitor controller designed specifically for multi-speaker arrays ranging from stereo to 9.1.6 setups - and everything in between. ORIA provides 16 outputs via TRS or AES, two dedicated relayed switched stereo outputs, two independent headphone outputs, BNC Word Clock in and out, as well as two Audient Console Mic Preamps, 16 ADAT inputs and an optional 16 input AoIP Dante card, which is ideal for large studio complexes and education facilities ORIA will retail at UK £2520 inc VAT; Euro €2885 and US $2625 MAP. The optional Dante Card is priced at UK £600; Euro €685 and US $625 MAP.
  10. https://www.korg.com/in/products/synthesizers/grandstage_x/ The interface on the Grandstage X has been designed with live players in mind, and promises to be very intuitive. You can layer and split at the touch of a button, and there are dedicated level controls for each part. The keyboard has Korg’s RH3 weighted hammer action, and we’re intrigued by the key-touch slider, which promises “instant control over volume and timbre changes with each keystroke”. There are Nutube-powered analogue-style effects, an EQ and multiple delays and reverbs. The Grandstage X also has a slight arranger keyboard vibe with the inclusion of a rhythm and chord progression function, which creates a backing track that’s said to complement your playing. There’s no shortage of competition in the stage piano market, but with its distinctive look and (hopefully) high-quality sounds, the Grandstage X could definitely be a contender. There’s no word on a price yet, but you can expect it to arrive in June.
  11. https://www.korg.com/in/products/synthesizers/kingkorg_neo/ This 2013 61-note keyboard never really seemed to fully capture the public’s imagination, but Korg has now taken the XMT virtual analogue engine that powered it and stuffed it into the more compact KingKorg Neo. The Neo will be available from February priced at £949/£1,099
  12. I'm not as well-versed in this issue, as I only have a couple of outboard processors, so not in danger of running out of sends. But I've seen the plaintive cries over the years and sympathize with having "if they'd only fix this ONE DAMN FEATURE it would be the greatest thing ever" going around in my head. To the extent that the devs have replied, I think they mentioned that mucking about in that area would be opening a can of dusty spaghetti, and they'd likely also want to do it better this time. The current method seemed kind of kluge-y when I tried it. When I've done it in the hardware world, that kind of thing is well-integrated into the mixer itself, not as an add=om. From what I've seen, the devs really have their hands full trying to get the initial release of Sonar ready with the vector UI being the big new feature The silver lining with Sonar going payware is that the development will naturally shift in the direction of features. "Now with!" being a favorite marketing phrase. That could be "now with completely overhauled and expanded support for external rackmount signal processors!" Gotta have the word "rackmount" in there.😄 Payware license-driven software development can hit the pitfall of adding a new feature, then letting it dangle in the wind when the development team is then put on the task of working on the next big set of features before things are fully right with the new feature, and from what I've seen, SONAR, with its various changes in management, may have suffered from that one. At least for the nasty crashy bugs, the current team have been ferociously active about setting that right. There are older features that could get some love, like Matrix view and the Arpeggiator. My understanding is that those were grafted on from Project 5. The Matrix isn't as well-integrated as it could be (right click on clip, Send To Matrix cell, eh?), and there's no way to create and edit arpeggiator patterns. They're both features with more potential, especially for current music styles. The boom in use of external processors is not a thing to discount. People shell out a LOT of money for those little mono 500 rack gadgets. I hope that BandLab goes back to the NAMM Show someday, last time I was there it seemed like half of Hall D was taken up by people peddling 500 rack stuff. I know from personal experience with my boutique pedal company that musicians LOVE using stuff that not everyone can find/afford/figure out how to use. It's a segment of the market that doesn't mind opening their wallets. There's no reason not to treat them with the same importance that compatibility with software processors gets.
  13. Hi is the link to the download the one at the beginning of this thread as that says posted in 2019?
  14. I don’t know about Synthesizer V, but if it requires ARA 2, SONAR Platinum won’t work. SONAR Platinum only supports ARA, not ARA 2. I think ARA 2 support was introduced in CbB 2019.5.
  15. Sounds like Gulfoss with a 4 band eq built into it? And magic dynamic audio dependent frequency things? My Gulfoss use is on the master bus, predictably around Tame 20, Recover 15, so pretty minimal and quick. My Soothe use is never on master bus, probably just vocals, and I agree too many controls that do similar things, taking longer. I wonder if people who go to NAMM are often "blown away" because, they have invested a lot of time and money going to NAMM.
  16. I knew their "Wham! Bam! Thank you NAMM!" newsletter implied upcoming expenses!
  17. The groundhog smelled spring but not a lick of these folks. Loose lips sink ships, but after missing the holiday season and NAMM from a June announce, and dropping a prompt to go online and see that there's nothing to see about the new SONAR, I feel they should speak now or risk losing me and others to other DAWs where there is a healthy exchange between users and devs. Kinda like it used to be here...
  18. Well the installers in the humble bundle are the kind that are small and then go grab the actually install info from servers from what I recall. I haven't run into issues yet with them (started buying ~2019) but who knows if they will eventually break the process even with your "off-line" installer that isn't really off-line. I personally would not be at all worried about a future build (assuming you do it in a year or so), but if you are thinking 10 years down the road, might be a pause for thought.
  19. In 2019 got the fastest processor then, the 3900X. It worked great, then later Cakewalk started messing up. For months I started changing everything else, upgraded to a 5950X. Same problems. Everything I tried worked for a day. The last couple of months, while playing back a song, it didn't matter if I had a recording of mixed Audio and Midi of 4 tracks or +20. The CPU threads would start spiking at 4:04 minutes of playback, slow down for a few seconds, making noise, or just stopping no matter where you started playback on a song. Every time I tried something new, remove a virus program, it worked for a day or two then act up again. Normally my CPU with maximum channels with 3-4 effects, audio and or Midi, the CPU use was at 3-11%, and 128GB of RAM memory at only 16% usage. Hard drives are a mixture of SSD and NMVe, showing no or little visual activity. A few days ago. I finally ran a latency audio tester. The final results were that my computer had no problems and could practically run anything. I then ran Cakewalk with it running and when it crapped out, it said the error was due to something not turning off fast enough. I could see the spikes in the CPU threads. It recommended, that update my motherboard Bios. There have been 8 updates since I last did one. I updated the Bios, and I noticed right away on Cakewalk the thread pattern of the CPU looked different. At the +4-minute mark when the Audio engine dropped out, it was the first time I had no CPU thread spiking. I use an MOTU 24AO as my audio interface. I went to their website to see if they had new hardware and software updates for Win 10, and they did not. But they had a new page telling you to remove Windows Cortana. I always had mine disabled, and Windows plans to get rid of it. I always disabled most background programs, and the modem which didn't help. I followed the steps to remove Cortana. Then I went to the Presonus (I have 4 DAW programs) knowledge base, it has a page to optimize the computer for audio. It had me disable, one protection protocol I had on. Before when I would reach that 4:04 mark, when playing back If it did not crash or slow down. I could still see the CPU thread indicators starting to increase double or triple, and after a while go back down to normal. After getting rid of Cortana, and doing what Personus recommenced, I feel like one or both of these two things, solved my problem. Why? Because now when I get to the 4 minute mark, my CPU thread activity, remains the same. Today will be day 3 since I made the changes. Keeping fingers crossed.
  20. The Wurly (original trademark spelling) AKA the Wurli AKA the Wurlitzer electric piano is coming back to life in 2024 according to Music Radar. I am surprised that Music Radar's writer couldn't find out if Gibson still owns Wurlitzer or not, especially if they found this news out at NAMM. In any event, it's pretty exciting news to find your favorite electric piano is soon going back into production. EDIT: If you read my later posts, you'll find that I'm longer confident that the party behind this Wurlitzer website is legitimate. https://www.musicradar.com/news/new-wurlitzer-electric-piano?utm_content=keyboard&utm_medium=social&utm_source=facebook.com&utm_campaign=socialflow&fbclid=IwAR06lTzR7GJExVBLHWY9KTLYd76JSeiZPxI-cAKVUapIP6pS4PnrMc4GYlY
  21. Same. I know I do have the Google one because I see it in my apps but I don't think I ever had to use it after the initial setup. That may have been fro my previous job, where they used the Google suite. I also have the Microsoft one because it's mandatory at work and also because someone managed to steal my hotmail credentials in 2019. I remember the first time I looked at the log of failed login attempts. I was a little shocked, although I really shouldn't have been. I still see 20-some attempts on any given day. If tapping on a number to confirm my identity on my cell phone can make things a little safer, I don't mind.
  22. No, and yes. Cubase 13 is more stable than 12, and they cleaned up the interface and allow much color customization. I'm hoping SONAR will look as fresh. btw, Steinberg was at NAMM...
  23. I've never been blown away at NAMM. But I don't go there for the *****. I'll be right there tomorrow at 5AM. I having brekkie with my mate @daryl1968 and driving him to LAX so he can get the 'ell out of this god forsaken country. 🙂
  24. So apparently they're showing this at NAMM and people who got to try it were blown away. It's a more intuitive, intelligent and tweakable Gullfoss, basically. Also, I second the notion this will easily be $180 if not higher.
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