No gigs here except at church. It's hard to find an audience for the kinds of music I tend to create.
As for the guitar, it's my new Epiphone SG Modern, playing through Overloud TH-U's "Tango Lead" patch.
The speeding up actually triggers my inner alarm bells about staying ON TEMPO. I keep saying to myself "get back in the pocket!"
Well done in any case. I love those fat tones and your creative playing. Glad you're still producing.
Hey John! I always love your use of the arturia vintage synths. I'm wondering why you used the jup v3 and v4 though? Was there a particular patch in the v3 that you couldn't replace?
Here's one that Tom helped me out in earlier this year. At this point I think this production is in the books, but I'm always interested in comments and appreciate the listens!
Two overlapping drumkits in different time signatures, with a thick bass line, blues guitar, schmaltzy piano (thanks Tom!), spacy synths, and a few vintage movie voice clips for interest.
Thanks for the detail @slartabartfast. Are there services that offer longer licenses? 1 year seems like an annoyance. I'd love a set-and-forget type of license if possible.
I still find myself inspired when I go back and listen to Dark Side, Animals, Wish You Were Here, Meddle, Atom Heart, Momentary Lapse.
I'm not particularly inspired by The Wall though. Same with Final Cut. Too Waters-y, whiney.
And some others are just curiosities to me, like the Barrett stuff and really early Gilmour. Ummagumma, Relics, More, Piper, Obscured. Some moments of intensity, but often just... weird.
I don't listen to them much any more, but when I do I love them.