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Craig N

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Everything posted by Craig N

  1. On the compare page on the NI site it says with std you get 1 PA voucher, with Ultimate 2x, and with CE 3x. The terms and conditions says they are buy any plugin for 29 vouchers.
  2. So am I reading some of the commentary here correctly in that you only get the plugin alliance but any plugin for $29 vouchers if you buy direct from NI? I'm keen to go from 12 to 14 Ultimate and I wouldn't mind being able to pick up maybe The Oven and Kirchoff for $29 each.
  3. Huh, for some reason I thought it was more like 4-600 or something to update CE to CE.
  4. The increased update pricing is what puts me off upgrading from vanilla Komplete.
  5. Haha you'd think so wouldn't you. Then Triaz comes along.
  6. Haha as an owner of EastWest Spaces II, I guess I should take consolation that it might only take 4 years after the release of EastWest Spaces III before an affordable upgrade path appears. Huzzah! $184 upgrade price vs $149 purchase - never fear. Just wait 4 years. https://discuss.cakewalk.com/index.php?/topic/16570-eastwest-spaces-to-spaces-ii-upgrade-116/#:~:text=Spaces I owners can upgrade to Spaces II,II outright for a 60% discount%2C just %24149. If I see East West Spaces III in the next 6 months, I'm going to take a very unfavourable view of the company. Very unfavourable.
  7. Plate is my favourite plate reverb - love it. And you don't get access to it for free in Falcon, unlike some of the other effects.
  8. I'm not sure if you're saying it makes your throat hurt sympathetically or if you actually listen to any of this kind of music, but as someone who has had a great fondness for death metal and some of the less extreme black metal bands like Samael, it makes my throat hurt too. When I was in my teens through my thirties I could sing along (growl along?) with death or black metal, but now that I'm nearing 50, my voice just can't tolerate it for more than a few seconds - probably not a good sign for the health of the vocal cords. Just as well I don't listen to that kind of music anymore really.
  9. This is what I'm getting back to now. It took letting go of obsessing about plugin deals to get there though.
  10. I had my own uncomfortable realization recently. I added up how much I've spent on music software, sound ware, hardware and DAWs since 2020 when I decided to get back into music. It was a lot more than I thought I'd spent. Like 4x more than I thought I'd spent.
  11. I loved Ableton Live (10 then 11 Std) for a while, coming from Reason then Reaper then FL Studio and briefly trying Cubase Pro. Eventually certain annoyances with Live got to me and I decided to try Bitwig. It was as if they specifically decided to fix the things that were broken in Ableton while keeping most of the rest the same. The only thing I miss is built in retrospective recording.
  12. They don't need to charge WUP. They ask you to buy the plugin again if they do major work rewriting it. And they keep adding new things to their bundles to get you to upgrade the bundles every year or two. Next up they might start emulating drum machines and have a drum bundle. Three analog drum machines you will actually use. Three digital drum machines... you get the picture. I reckon I'd buy that bundle too, lol.
  13. Heads up to potential buyers, the Pearl Concert Grand has issues in some of the samples, specifically there's noise in some of the hall mic samples. I think they have a lot of nerve continuing to sell it.
  14. Assuming daws and plugins implement the async/await pattern, it shouldn't be less efficient, ie they shouldn't block (the processor) while waiting for the fx send to be executed. I only just learned about this fairly recently while working on some asynchronous Dot Net code for the first time. I thought it was quite clever. But I am a geek.
  15. It's a lot more efficient to set up fx like reverbs as sends, especially if you have a slow computer like me 😂 Including fx in this channel strip would encourage people to do all their fx as inserts instead, and then they'd complain at how inefficient the plugin is. 😄
  16. Well I got one thing right. They got rid of WUP. WUPs time was up. I've bought over $550 worth of Waves abandonware it seems. But if I'm honest, I hardly use any of it. So I guess I'm just glad I didn't WUP or upgrade to Mercury. I think with the amount of backlash they're facing, they might pull a Bitwig and reverse course. But maybe it's all just part of the plan to drum up more sales? Take away perpetual sales temporarily to sell a few subs, then give in to customer demand and bring back perpetual sales later.
  17. System requirements PC VST3 Windows 7 – Windows 11 64-bit VST3 compatible application VST Windows 7 – Windows 11 64-bit VST compatible application AAX Windows 7 – Windows 11 64-bit Pro Tools 11, 12 or Pro Tools HD 11, 12 or Pro Tools Ultimate All DAWs The latest iLok License Manager application installed macOS Intel or macOS Silicon AudioUnit macOS 10.10 – macOS 12.01 Monterey 64-bit AudioUnit compatible host application VST macOS 10.10 – macOS 12.01 Monterey 64-bit VST compatible host application VST3 macOS 10.10 – macOS 12.01 Monterey 64-bit VST3 compatible host application AAX macOS 10.10 – macOS 12.01 Monterey 64-bit Pro Tools 11, 12 or Pro Tools HD 11, 12 or Pro Tools Ultimate All DAWs Up to date iLok License Manager application installed
  18. Update - apparently PSP decided to end the sale earlier than the projected April 4 deadline. -- This is a new low price, I think the lowest it's gone until now has been $70ish. Infinitely Configurable Channel Strip PSP InfiniStrip can be used for mixing, tracking, or live streaming/broadcasting anywhere you need a great sounding and easy to configure channel strip, without having to worry about latency. https://www.adsrsounds.com/product/software/pspaudioware-psp-infinistrip-channel-strip-plugin/ PSP InfiniStrip is an infinitely configurable channel strip plug-in based on PSP’s 20 years of experience in developing handcrafted plug-ins for tracking, mixing and mastering. PSP InfiniStrip can be used for mixing, tracking, or live streaming/broadcasting anywhere you need a great sounding and easy to configure channel strip, without having to worry about latency! PSP InfiniStrip is part of our series of Zero Latency Processing plug-ins; making it ideal for situations such as live Features 25 independent processors divided into 8 types of modules (preamps, filters, compressors, equalisers, limiters, dynamic modules [expander, ducker and gate], control and special modules) to create your custom channel strip. 7 dedicated “slots” for you to add one module from each type of processing modules, and 2 flexible insert slots for any module type. Intelligent parameter matching – easily swap different compressors or EQs without touching a knob to find your preferred colour and flavour. 3 different view modes (full, resizeable, and mini view mode) designed for different workflows and screen sizes. External side-chain support for each module. Includes both Mono and Stereo plug-in versions for different track types. Zero latency processing. Over 230 presets designed by top sound engineers from around the world. Module List Preamps: Gain – pure gain with automated gain adjustment. Pre 60s – as Gain plus valve type of preamp emulation. Pre 70s – as Gain plus discrete preamp with a transformer. Pre 80s – as Gain plus discrete transformer less preamp. ADC 90s – as Gain plus 12 bit nonlinear analog to digital converter. Filters: Basic Filters – low and high pass filters with three slopes options per filter. Pro Filters – Basic Filters plus middle filter with five filters types to choose from. S.C.Filters – as Pro Filters but dedicated for the side chain processing. Gate/Expander/Ducker: Expander – expander with built in side chain filters and optional external side chain input. Gate – gate with side chain filters and optional external side chain input. Ducker – ducker with side chain filters and optional external side chain input. Compressors: Opto Pressor – optical compressor with optional external side chain input. FET Pressor – redesigned for channel processing version of the PSP FETpressor with optional external side chain input. VCA Pressor – VCA compressor designed for channel processing with optional external side chain input. Equalizers: ChannelQ – general purpose equalizer. PreQursor – redesigned for channel processing version of the PSP preQursor. RetroQ – redesigned and upgraded for channel processing version of the PSP RetroQ. Limiters: VCA Lim – in strip implementation of the PSP TwinL. Opto Lim – in strip implementation of the PSP TwinL. BrickWall – a sample accurate brick wall limiter. Saturator – a dedicated and highly adjustable saturation module. Control: Master Control – fader, width, balance and meter. Special: De-esser – unique deesser algorithm. De-hummer – hum noise reduction algorithm. ReactivEQ [NEW!]- a specialised filter that acts as a type of dynamic equalizer.
  19. There's no indication they're going sub, or at least sub only. Mathematics on VI Control called Waves and was told "DEALERS won't be able to sell perpetual licenses after the 23rd but Waves will still offer perpetual licenses directly."
  20. I reckon AVID might have offered free transitional licenses for existing Waves licenses to sweeten the deal. That's what I'd do if I was AVID.
  21. tmpc on VI Control contacted Waves and was told "they are moving to a different company to handle the actual license generation and management" I still think I might be right about them getting rid of WUP. Maybe moving back to iLok. It made sense to use their own license manager when creating new iLok licenses comes at a cost and new Waves versions covered under WUP required generating new licenses. But what an error prone mess Waves licenses are. I'm terrified of updating Waves plugins because half the time everything disappears and I have to do some kind of deep clean to get them back. It must have been costing Waves a fortune in support dealing with all the issues. Whereas iLok, for all the hate it gets, works pretty reliably these days. So if there's no more WUP, then there's no reason to maintain their own licensing and copy-protection regime when iLok does it better. Anyway that's just my guess... partly fueled by wishful thinking 🙂
  22. This is one United Plugins plugin I'm really happy to have bought. I copied the settings I saw someone demo in a YouTube video and saved it as a preset to add crunch to drums, and using that I can take super clean SSD5 drums and make them sound like Goldbaby samples. So I think adding some new presets was a good call.
  23. I've been keeping an eye on Unify and the deals really are few and far between so I decided it was best to grab this while it was reduced. Looking forward to learning more about it. Clearly I'm going to have to read the manual because I couldn't figure out how to scan for VSTs 😊
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