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  1. โ˜ฎWhy Can't We Be Friends? Jamm'in for Peaceโ˜ฎ by Steev | BandLab
  2. GREAT advice from John Vere. BTW according to the screen shots you provided, just because you "set" Cakewalk to "default" to record "new projects" @ 192k/Hz , you are actually recording at 44.1h/Hz at 46.4 msec. CbB can ONLY record at a frequency that your sound chip/card can support. That setting just instructs the DAW what bit depth and frequency to record at in a fresh "new empty project". And even if you had a CbB project that was recorded on another computer at 32bit/192k/Hz CbB couldn't open the project that your hardware can't support. And that may sound like bad news, but that's actually a good thing because 192k/Hz sound files are so HUGE they are an abusive waste of hard drive space considering us humans can't "very arguably" tell the difference in sound quality between 24bit/48k/Hz "professional industry stand" sound file and a 32bit/192k/Hz sound file being played on state of the art, top of the line audiophile equipment. And even the term "Very Arguably" is kind of pointless because even at best, us humans can only actually hear frequencies between 20Hz -20k/Hz sooo, ๐Ÿค” So unless you are willing to spend more money on a sound system that costs more then the average new car just to try to experience it, don't even bother trying to record at 32bit/192k/Hz. You CAN of course splurge with as little as $100 (us) on and audio interface capable of recording at 192k/Hz such as a Focusrite Scarlett Solo, but unless you spend $1000'S of big bucks on monitors you're still wasting your time. I have many old Cakewalk projects that were recorded at 24bit/96k/Hz many years ago using Windows 2000 and XP. 32 bit OS's that could only support 128 MEGA bits of RAM with duel M-Audio Delta 1010 PCI audio interfaces which allowed me to record up to a jaw dropping 16 audio tracks at once with SONAR 4 Producer. USB was just being invented & released. The reason for recording at 24/96k/Hz wasn't because music sounded better then music recorded at 24bit/48k/Hz, it was because of recording latency on much slower and less powerful computers then we have today, USB v2 became many times more efficient, faster, and cheaper than PCI tech, and as a result there is no longer any need to record at 96k/Hz. In fact, it's foolish to because the .wav audio files are 2x the size. But today we have cellphones 100x more power then those early computers, and computers with 1000x of times more power, ALL the rules change. Just like they did when we switched over from analog audio recording to digital. Even with all the constant and fierce misinformation I was one of the very few who embraced that with all my heart. Why? Because I knew it was only a matter of time before I knew I could compete with the "Big Boys" studios in NYC as early as when SONAR 4 literally blew past my coveted Mac/ProTools rig rocked the entire world with 1st affordable brute force reliable digital DAW. The whole political climate of the recording industry done got turned upside down and inside out. And while it was still true the Big Boys could still kill my mass media broadcast radio and TV career simply by ignoring me they couldn't control or stop me from publishing to the Internet๐Ÿ˜† And now, thanks to Bandlab's continued support of IT and embrace of music, they can't stop anybody. Bandlab's 16 track Mix Editor is not only a shockingly good fully functional and powerful web based DAW, it can interface with seemingly any device with a microphone that hooks up to the Internet, be it any kind of smartphone or computer. It's so good in fact, I would recommend uploading these projects your having trouble with on your PCs and try working on them from there. It doesn't matter what kind of DAW or computer you use, it cross platforms with everything that can run a Chromium based browser. It runs very fine with Microsoft Edge browser on both Windows and Mac PCs, as well Android and iPhones. I wouldn't say it's a replacement for CbB, not yet anyway, but if you crash it somebody else who know what they are doing will fix it for you and it's an EXCELLENT back up. You should try it, it's free, so you don't have anything to lose and many MANY things to gain. Things like fans, collaborators, Oh I can't list them all, free back up storage for projects you don't want to lose while you wrestle with trying to get your aging PC to do what you want it to, or come to grips with the fact that's it's never going to happen.. If you record the drum tracks directly into the EZ Drummer audio output channels without muting the MIDI track(s) for the drums you'll hear both the recorded audio tracks and the MIDI performance tracks playback together and go out of phase. Your LATENCY is so HIGH I'm kind of shocked that you can even recognize the drum performance. And even though I never gamble, I'd be willing to BET you can GREATLY REDUCE latency by getting rid of ASIO4ALL once and for all that as John Vere as already pointed out uses WDM drivers to fool your DAW into thinking you're running ASIO drivers and just use the much newer and much improved Windows WDDM audio drivers which a couple of years ago the bakers at Cakewalk had done a good job to greatly optimize to use for those who can't afford or refuse to spend a couple of dollars on an audio interface that supports real ASIO drivers.
  3. Yes, TTS-1 is super easy on computer resources. And I honesty have to say I'm not a big fan of all it's sounds and voices, but I can't say that about any one particular synth. I never was a fan of Roland's pianos and drum kits which are very much close enough for rock & roll, but I've always preferred my Kawai -K11 1st. and Yamaha's 2sd as far as vintage hardware synths go. But now I'm very fond of XLN Audio's Addictive Keys for recording. But for just about everything else the TTS-1 shines. Very authentic horns and strings provided you don't play out of the various instruments octave ranges. I really like Cakewalk Studio Instruments. Another bundle of very cool stuff that goes generally overlooked and seldom used because they are free. (?) I honestly do believe that they have tons of very cool and extremely useful sounds to add to the pallet that can be found IF YOU give them a chance and work with them long enough to see what they can do.. Like Cakewalk by Bandlab. I'd be willing to bet there are STILL people right here in this forum that are still over suspicious and will go out of there way to find fault with it simply because it free. I still have the last release of SONAR Platinum installed, most because of all the extra ProChannel modules I purchased and licensed 3rd party plugins that came bundled with it that I don't want to live without, and I spark it up every once in a while to compare performance. SPLAT is not only about 10-20% HARDER on computer resources, it doesn't have any of the new WAY TOO COOL features that were added since Bandlab took over. ๐Ÿ‘Œ๐Ÿป Same goes for Windows 10 too. Too many people held on to Win 7 for so long they didn't even realize that that was the bulk of their problems. Win 10 CLEARLY runs more efficiently with much less problems then Win 7 did. especially when it come to OS upgrading. No more manually searching the web for drivers, no more manually having to SPEND WEEKS reinstalling ALL YOUR SOFTWARE. And last but not least, Win 10 WON'T install if it finds a problem during upgrade installation, it will automatically roll back to the last successful boot. That happened to me once, it was a pretty scary and unnerving hour or so where I seriously considered hitting myself in the head with a board for not manually backing up my system config. But Win 10 did that automatically, it created an image of my c boot drive right before trying to upgrade. And as a 30+ year user of Cakewalk, I think I qualified to say that it just keeps getting better and better, and I do believe the continued support and development is without a doubt equal to 12 Tones & Roland, and MUCH BETTER then Gibson's. ๐Ÿ˜œ I do believe the #1 reason sampler synths are typically perceived to sound more authentic is because, being that the samples were recorded/made from the actual instruments, you CAN'T exceed the limits of the actual instruments octave range so you don't or won't get any cheesy, unnatural, or unauthentic sounds from them.
  4. With All due respect Michael, you didn't upgrade to today's tech, at best you went sideways. The Z87-K chipset only supports up to Intel Gen 4 which was released in 2013. Intel just release gen 11 CPU's running on the Z 490-M chipset.
  5. Hmm, perhaps you are overwhelming your computer's recourses? Have you tried "Freezing" the instances of the TTS-1 you aren't working with? It really a pointless use of energy and computer recourses to keep synths and massive amounts of audio plugins running on line even if your CPU can handle it, it still creates an excessive workload and heavy traffic in the PCI buss. And one seemingly simple small movement with a pitch or mod wheel can send 100's of MIDI messages per channel. Another One of the great thing about freezing tracks is besides saving enormous amounts of computer resources, it helps keeps your tracks/parts safe from accidental OOPSIES. And if you want to make any changes later on, you can always "UNFREEZE" them. I absolutely LOVE the Cakewalk TTS-1 and have been ever since it was introduced, I believe back in 2004 with SONAR 4, and still use it today and it doesn't take any hassle to get it to sit great in any mix with any modern 3rd party VST 3 synths from Native Instruments, XLN Audio, etc. and of which I have many, including the latest release Propellerhead's Reason 11 Studio version which runs flawlessly as a VSTi synth rack in Cakewalk. 1st off, the TTS-1 is a DXi synth, not a VSTi. And being as such it may look a bit cheesy, but it is ALL Roland GM/GS SoundCanvas synth engine under the hood. I know this to be true because I also own a now vintage Roland Fantom X which has been collecting dust for over a decade. And as great as the Fantom X sounds, it's still only a 16 bit synth. The TTS-1 runs at the same native 24 bit/48 k/Hz PER TRACK sound quality as I have Cakewalk projects default to. And THAT'S what makes it superior to a hardware Roland synth it can be configured for 4 stereo or 8 mono audio tracks in Cakewalk's mixer without ever leaving the digital domain. I.E. it will ALWAYS sound as good as your soundcard. And the TTS-1 responds EXCELLENTLY to my Novation Impulse 61 MIDI keyboard controller and is NO PUNK playing thru my Focusrite Scarlett 18i10.
  6. I'm not familiar with Superior Drummer but it should have MIDI map templates for most popular controllers. It should most certainly have a GM (General MIDI) MIDI map template, and if you set both the controller and SD to send & receive GM all piano keys/ trigger pads should line up accordingly.
  7. Ahhh, me now thinks I made a bad choice back in the day deciding on the Delta 1010 and blowing off the Echo Layla, as this is just proof positive that Event is willing to go the extra mile for customer support. M-Audio said enough is enough, 20 years of FREE support is ENOUGH refused to certify the M-Power drivers for Win 10. That was really the only problem, and it was an easy enough hack, but having to hack along with my hacking my Edirol PCR MIDI Keyboard Controller I thought, hmm, maybe enough is enough, in computer years this stuff is ancient dinosour tech, and all these hacks I'm doing are goobering up Windows Registry which slows the system down I've been using these products for over a dacade+ with great service so maybe it's time I man up a couple bucks for newer more modern toys. And I'm really glad and very happy I did. Not only did Focusrite prove that "OH YES YOU CAN" get super low latency out of a USB 2 audio interface, and Novation proved how much easier, faster, and more "intelligent" a a newer tech MIDI keyboard controller can be with Novation's "AutoMap" which is pretty good at searching, finding, and setting and MAPPING itself up to VST and VSTi plugins, every time I open a DAW project in CbB. It's also intelligent enough to recognize Mackie MCU protocol and ignore everything my Behringer X-Touch DAW controller is Mapped to, and head straight for mapping out most 3rd VSTi instruments, and VST audio FX. Not a perfect job mapping in CbB, but it does most of the work and SUPER EASY to create and modify any MIDI maps and it will remember them there after. The old trusty and beloved Edirol PCR, which I still use on my Mac/ Protools machine is nothing short of being a serious PITA to map and Heaven HELP the FOOLS who don't SAVE the MIDI MAPS to a SAFE PLACE and never forget where you saved them, or sooner or later you will be DOING IT AGAIN. ๐Ÿ˜ก Oh yeah, the dreaded and scary Windows Update program, it's always a tad hard on the nerves, but it really is a "condition" that's kinda like a necessary evil that can and WILL turn into serious problems if you wait too long, and go into it blindly and don't prepare for it by making SURE all your drivers are up to date. And that's something the Windows updater isn't exactly stellar at doing, and I've found that's the #1 cause of the proverbial "Shit hitting the fan" during major updates. ๐Ÿ˜ But there are a few 3rd party apps that are very good at it, such as my favorite WinZip Driver Updater does a very good job. There is a free version, which is a PITA because it starts up and checks for new driver versions every time you boot up into Windows, which really slows boot times down, and will annoy you with popup adds until you buy it. But THAT'S the price of FREE. ๐Ÿ˜œ However, it's one of the best $25 (us) I ever spent, considering it does a MUCH more through job then the Windows updater does, and what can take you HOURS to do yourself in mere minutes. As well as save you the hassles of the dreaded " BLUE SCREEN OF DEATH." It also not only speeds up the time it takes major quarterly Windows updates complete, it's extra insurance that they do, OR successfully roll back if the don't. ๐Ÿ‘ I think v2004 is definitely quickest, easiest and smoothest update yet, and many bugs fixed/removed and an improvement in functionality. I also recommend using Win 10 Pro so you can schedule updates, and keep an eye out for MS's "Patch Tuesday" policies and manually update, or chose to hold on Wed, or Thursday to have the time make sure nothing is causing problems. If so you can roll back anything that's not a mandatory security patch.. Yeah I know, nobody like to take out the garbage either, but if you don't you gotta keep living with the garbage. And all these things, once taken care of makes everything you do with your computer run smoother and more efficiently with a clean uncluttered Windows Registry and current up to date drivers are really essential for a smooth running DAW. ๐Ÿ˜Š
  8. Wow Echo Layla, now there's a blast from the past, LoL. Are you still running Windows 2000 or X Pee? That was a SERIOUS contender for reasonably priced (lower end) multi channel audio interfaces, that were still rather costly for us non rock star money making recording enthusiasts. I opted for it's slightly less expensive main competitor The M-Audio Delta 1010. My main motivation was because the payments for financing the Delta 1010 with a new AKG 414 + a very nice shiny new Focusrite ISA mic preamp to go alone with the AKG 414 + Teletronix LA2A Line Level Amplifier I had purchased the year before, and the new deal was more closely aligned to to my financial "comfortable zone". My original goal was to make double payments and pay them all off in 6 months instead of a year, but an unforeseen Teamsters Union strike put a kink in that plan. It only lasted 2 weeks but that set back my financial plans & stability back 6 months, so I had to occasionally limit my beer and weed consumption from time to time in order to make my payments on time, which I wasn't in the least happy about, but it was doable and well worth the effort. I still managed to keep the everyone in the household reasonably happy and comfortable and to pay my loan off in 9 months without the added expenses of ending up in divorce court. ๐Ÿ˜ And that's when life turned GOOD! Much thanks to Cakewalk releasing the ground breaking/recording universe changing SONAR 4 Producer. My dreams of actually recording 8 tracks of audio at a time into a computer with confidence had FINALLY BECOME A REALITY! ๐Ÿ˜ฎ After a few months of enjoying that, I toyed with the idea of selling my Tascam DA88's, and almost did until I upgraded Windows 2000 to XP, my new found confidence and reality took a SHARP TURN for the worse. ๐Ÿ˜ก In those days, there was no such things as simply checking a box with you mouse and rolling back your OS to a previous version. In those days, there was no such thing of "Cloning" your hard drives and you had to find your own drivers and install them yourself. In those days it took about WEEK to meticulously and very carefully rebuilding, tweaking and reconfiguration to upgrade a computer workstation for recording, and another week to get it back to the way it used to work as expected. So to make a long story shorter, had to wrestle with Win XP for a couple of months before I finally found the time to reinstall Win 2000. And I ran Win 2K up until Cakewalk and all 3rd party vendors stopped supporting it which was about a year or less before Win. Vista was released. I skipped Vista entirely and used XP until the stable x64 bit version was released, and rebranded WINDOWS 7 Pro x64. And then life became, very, VERY GOOD again with a GIANT LEAP FOREWARD into the wonderful and extra powerful universe of x64 computing for all software taking the MANY advantages of x64 bit, and the ability of running XP (mode) in the background in x32 bit on a VM (Virtual Machine) for all my older favorite software that didn't/couldn't. I used to love my Delta 1010's PCI cards and was kind of heart broken when M-Audio dropped driver support after Windows 7, and would have been more then willing to purchase and replace my 20 year old Delta 1010 PCI cards with the newer, faster, more better PCIe card slots instead of dropping the PCI line entirely and opting for USB interfacing which took a while for computer tech to catch up to get past the latency issues in the USB well into USB v2. Gone but not forgotten, I donated my 2 Delta 1010's to my buddy Frank's kids Win 7 based home recording studio which just crapped out last year. Being perfectly happy and happier with performance Cakewalk's CA2A clone of the Teletronix LA2A, I traded my Teletronix for a 2006 Honda CRV 4 years ago that still looks and runs 100% GREAT. Well so does the LA2A, but it can only be used on one mono track at a time. Cakewalk's CA2A can be used on as many tracks as I want, in mono or stereo, and being I have a very POWERUL AMD FX 8370 8 core computer/workstation that has no problems running and supporting Cakewalk's "Input Monitoring" I can run not only ProChannel, but ANY FX plugin I want in "real-time" whilst recording... As in 2x more audio FX plugins then I could run with Windows 7 then I CAN with Windows 10. Pro. ๐Ÿคช๐Ÿคช And am I the only one here who appreciates the difference in performance, functionality, and sound quality from VST2 to VST3 audio FX plugins? How MUCH EASIER & FASTER it it to use Melodyne with Cakewalk's ARA support? I clearly and obviously noticed the differences simply by updating/ comparing my older Waves v9 plugins to the current v11. Waves v9 plugins still work & sound great of course, but v11 sound & PERFORM ๐Ÿ˜ฎ๐Ÿ˜ฎ๐Ÿ˜ฎ๐Ÿ˜ฎ AWESOME! And also if you love Melodyne v4, you are in for some really TASTY TREATS with v5. The boyz & girls at Celemony got BUSY with some GREAT results. And so I shall close my "Why it's always a great idea to keep abreast of modern tech" rant, I should also like to point out one more thing. As much as I love my Focusrite Scarlett 18i20 USB gen 2 audio interface.. As long as you DO NOT have preexisting DAW projects recorded over 24 bit/48 k/Hz, I have to say in all honesty the difference in price of the Behringer U-Phoria UMC1820 should be the clear choice winner for those on a tight budget. 24 bit/48k/Hz is the industry standard, and Behringer ADA8200 does not support bit depths and sample rates higher then that. And in reality, with today's modern high powere multi core computer tech there is no real reason to record any faster sample rate then that. Back in the days of single core 32 bit CPU's that ran under 2 g/Hz and buss speeds under 1000 m/Hz the only way to achieve lower recording latency was to crank UP the sample rate speed. There has been an ongoing argument for decades over whether us humans can actually "hear" the difference between recording made 24/48 and 24/96. I have conducted and been to and thru more than a few double blind tests in top notch professional recording studio ENVIROMENTS, and it's been proven every single time NO HUMAN BEING can tell actually the difference with their EARS. I have used, tested, and compared Behringer's ADA8200 hooked up to my 18i20 via ADAT and got rock solid EXCELLENT results at 24 bit/48k/Hz with the 18i20 used as a timing master with the ADA8200 slaved to it running a very negligible 2ms lower latency then using the ADA8200 as master with the Scarlett as a slave. And YES if you listen carefully you can actually hear the difference between the Focusrite preamps and Behringer's Midas preamps, however it might not be as easy as you would think to verbalize or put into words what the difference is you hear. Personally I prefer the sound of the Focusrite preamps, but the only real answer as to why is, because they sound very familiar, I'm "used" to hearing them sound the way they do... ?... ๐Ÿค” But the difference isn't as great as it is listening and comparing them through Sony MDR 7506 or Sennheiser HD280 Pro headphones or the VAST difference between any and all near field monitors that are accurate enough to tell the differences. ๐Ÿ™†โ€โ™‚๏ธ
  9. No paying for piano movers & it never needs tuning, unless of course you want to change "Temperaments" then of course you are free to do so. I've been using Focusrite Scarlett 18i20's for years now, from gen 1 and currently using gen 2 as my main USB audio interface and they have been pretty much bullet proof. So has my Novation Impulse 61 MIDI keyboard controller. And believe me, their are quite a few very high quality audio FX plugins offered in Focusrite's "Plugin Collective" for free that I would not like to live without. So many you could actually save money by purchasing a Scarlett 2x2 USB audio interface and throwing it in the garbage just to keep the bundled plugins and software. ๐Ÿคฃ It's probably the 2nd BEST VALUE on the planet. Second only to CbB of course, which has not only been my absolute hands down "GO TO" favorite DAW for a couple of decades now, everything you hear in this piece, with the exception of XLN Audio's Addictive Drums 2 and Keys using "Modern Upright" piano samples is included in CbB. I had gotten Addictive Drums 1 and 2 free years ago with a SONAR Update. I got Addictive Keys "Studio Grand" free upgrading my Focusrite Scarlett from 1st gen to gen 2, and got AK's "Modern Upright" sample pack with my Novation Impulse 61. As much as I'd recommend the Novation Impulse 61 as a great feeling and playing all around excellent MIDI keyboard, DAW, and plugin controller, it only has 61 semi weighted keys which almost but doesn't really suit many concert pianists insistence on weighted keys typically found on acoustic pianos, not to mention only 61 keys which is over 2 octaves short, and only has access to one foot pedal. This is a raw unfinished, unmastered mix uploaded into Bandlab's "Mix Editor" in multi tracks. Feel free to analyze each track, remix, delete, replace or what ever to any track(s), and make it your own. The piano track was recorded using AK's "Modern Upright" https://www.bandlab.com/band/band6873043074588134/a-salty-dog-31725dca-ac6a28a7
  10. It's also worth noting that a fully licensed XLN Addictive Keys is available as a free download in the Focusrite "Plug In Collective" with a choice of one out several different sampled pianos. The Steinway Grand, Modern Upright, Mark One [Rhodes] Electric Pianos etc. can all be purchased separately for expansion. Each one of these Sample Packs has a very large selection of different choices of microphone and preamp setups, what types of mic was used, and various very high quality FX built into it's user interface for detailed editing and setup. Many presets, all editable and fully customizable to your liking. You can even dial in & choose how much "Pedal" noise you want to leak into your piano recordings. It's available for free to all registered users of Focusrite audio interfaces and Novation MIDI keyboard controllers with a choice of 1 free sample pack included Addictive Keys download. I would obviously recommend the "Studio Grand" sample collection for the type of recording you have described, as the Steinway Model D concert grand piano is contained in part of it.
  11. I've been running 2020.07 fairly hard for over a week now, with no issues. I was about to report an annoying issue with 2020.05 about getting a "CANNOT FIND FILE" dialog box after freezing Synth tracks, which was weird because I didn't notice any files missing, nor did it have any noticeable effect. ๐Ÿคท๐Ÿผโ€โ™‚๏ธ However that hasn't happen with 2020.07
  12. I believe Waves hasn't supported the "free" the Studio Rack since v8 or v9 when development stopped, it had always been problematic, all listed in their Support FAQ, and no they won't respond to any unsupported/outdated products any more then Bandlab will support SONAR 6 PE. ๐Ÿ˜‰
  13. ๐Ÿ˜ฒ Please tell me Betty Boop isn't SHANK'in on Olive Oil with Popeye at one of my Dance Parties! ๐Ÿ˜‚๐Ÿ‘ฏโ€โ™‚๏ธ๐Ÿ‘ฏโ€โ™€๏ธ Nah, it isn't so.. Things are not always what they look like, LoL.. SHOW MORE
  14. AMD is a no brainer for me.
  15. This is my test drive mix using the new 2020.04 release of Cakewalk by Bandlab.. ๐Ÿ’— I can't think of a better way to test drive then mix one of my favorite, not quite finished Steely Dan tunes I've been working on. FM, and there's no static at all. Rarely if EVER have I ever selected a plugin "preset" and thought it needs no tweaking. I've always thought of presets as a really cool way to get me close to what I want, but I think this is the first time I think in my entire history of recording and mixing that I EVER got this close to what I want with the new ENORMOUS selection of KILLER ProChannel module presets included in CbB v2020.04. This is also the first time in years that I used NO 3rd party plugins. This mix is 100% Cakewalk & Sonitus audio FX plugins that are included with Cakewalk by Bandlab. FM, and there's no static at all.
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