Wei Liang Yap

Thank you everyone. On this occasion the solution was cleaning the contacts on the jack inputs (the unbalanced side of the DI box). On stage, swapping to a different DI box resolved the problem at the time - so I do not think it was static. Prior to fixing it, the problem was reproducible in a different environment (my house).

Thanks. It is a Behringer Ultra DI. Same problem regardless of phantom power or battery. However after I cleaned the contacts in the jack inputs (the input and the link out) - the problem seemed to improve a lot. I don't understand why though.

If my active DI box picks up a humming noise when I put my hand near/on it, and also seems to function like a microphone (it sends a noise when I knock it),... is it time to bin it? I had a look inside - the capacitors look ok, and measure correctly (with a capacitance meter). (I was wondering whether to replace the caps). Thanks in advance

what is the shelf life of things like FaderLube?

Ah thanks. There were pop singers at that concert too - didn't occur to me that a backup mic could be passed to them quickly. There was an "orchestra" there - and each instrument appeared to be individually mic-ed. Some of the choir were clearly singing but I couldn't spot their mic(s).

So I was watching the Coronation Concert the other day and noticed that Bryn Terfal and Andre Bocelli using two microphones each. What is the reason? I am curious. Is it redundancy (in case one "breaks")? Is there some clever noise reduction technique (although I can't understand how it would work side-by-side but https://www.soundonsound.com/sound-advice/q-why-do-sometimes-see-singers-using-two-microphones-stage describes what looks like a back/front method for noise reduction). I've used "two" microphones in studio before - but it was really that one of them was "fake" such that it could be touched, fiddled, etc (the singer was a playful child) whilst the other microphone further behind was doing the proper work, at the desired distance from the singer. https://www.classicfm.com/artists/andrea-bocelli/bryn-terfel-youll-never-walk-alone-coronation-concert/

added the new patches from V-Piano Expansion 01 German Concert

Thanks. I quite like the X32 but for now (for my own use) I realise that still need/want one SPDIF input and so this on it's own does not suit. Wei Liang

The idea is to leave the mic on. Prevent people from muting it. Or turning it off. (The switch is at the bottom of the mic, covered by the ferrule)

Yup the mute button. It stresses me that the first thing people do with the microphone is turn it off (or mute it) when they need to use it.

For example finding a cover for the switch on the wireless microphone. 🙂

Thanks @Hatstand. Most of the material is speech. None of the people have a clue about what decibel is, and they will have done well if they even managed to send the video across. So it will be for me to try to make it such that it is loud enough, and not too loud. (The aim is so that the listener doesn't have to reach for the volume control many times) For uncomplicated clips it has been fastest to use Audacity for loudness normalisation to a target. (Can make it a macro, with limiter as second step). For the complex clips I use cakewalk plus any combination of envelopes, compression, limiting, erase, etc. I was hoping however that Cakewalk had a simple loudness normalisation tool like audacity. Hence this feature request. Wei Liang

Hi - this is probably much more than I would ever need (in terms of I/O and routing), but I am wondering if anyone has experience of using this as a USB audio interface with Cakewalk. Any issues with its ASIO drivers?

Thank you all for the suggestions. I'll look at the MLoudnessAnalyzer and 4U meter as well.

Vocal Rider might be what I need. Thanks for the suggestion. Wei Liang