Kevin Perry

Pining for the fjords, eh?

As luck would have it...Blue Cat Audio have just released a plug-in that allows you to game the DAW to achieve this). Note that I haven't tried it, but it is a use case in their manual. https://www.bluecataudio.com/Products/Product_Connector/

I succumbed (I love the Def Leppard clean chorus sound) and it is pretty authentic from my initial play with it.

You joke, but I'd actually like to be able to model my POD Pro (there's one amp/speaker combination I just can't seem to get with anything else).

Some of the Nomad plugins are very useful, but there are a LOT of EQs and compressors...

Doesn't turn itself back on here, and hasn't for 2 years since I installed Windows 10. But I think I may have killed it via Policy Editor.

I did change the bass guitar FX (the original was done in 32 bit SONAR with ReValver, which I don't have in 64 bit CbB, so I bit the bullet and changed the amp/cab/FX chain). With regards to the vocals, I think it could actually be quieter, or at least the rhythm guitar could be louder than it is now (so vocals seem quieter), so I think it's probably about right for the style 🙂

Agree entirely with @Mark MoreThan-Shaw

I took note of some of your comments and did a remix (actually quite a lot of a remix in the end): https://www.bandlab.com/xoospacemusic/state-of-emergency-2021-664e87bd?revId=8bc486cc-2873-ec11-94f6-a04a5e79a6b8

You wouldn't happen to be running a USB2 audio interface on a USB3 port, would you? If I do that (MOTU Ultralite/Ryzen/Windows 10), I get genuine wow and flutter on playback sometimes even with no obvious DPC latency or CPU issues - move it to a USB2 port and it's solid as a rock (famous last words!). Not identical, but not a million miles way from what you see.

+1 And/or allow just one lane to be zoomed at a time (ie. they don't all have to grow simultaneously).

I could remember that, the "Beast" and the "Slayers", and the cyclops dying. Everything else was a blur. Thankfully 🙂

Dunno - might be, although I don't know if ARA uses the application's DP settings.

There are (were?) a handful of plugins that are very unhappy when using DP.

Rhythm and the non-delay'd lead guitar were all recorded via an old POD Pro, with just some Pro Channel and Sonitus EQ, and a touch of Pro Channel PC-76U compressor on the main rhythm track. The heavily delayed lead track was a DI guitar, then into a long Pro Channel chain (PC4K-S compressor, EQ, FX chain* using Project 5/SONAR's Tempo Delay, Satursation Knob, PC-76U compressor) then Sonitus EQ and Overloud TH2 Producer (the one bundled with SONAR Platinum). * I created this FX chain by dragging the tempo delay into the Pro Channel by accident - hit play and heard the crazy delay and thought "yep, that works"! Glad you liked it.