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DrumDude

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Posts posted by DrumDude

  1. Yes, I have had the same issue with this plugin (IK Lurssen Mastering console) for as pretty much as long as I can remember. Because of this I have resolved to not even using it, which is a same because because it seems like it might be a decent plugin. Its an older plugin so I'm not sure if IK will do much. I will have to try as Jacques suggests and use an older version. Good to know I wasn't the only one having problems with it.

  2. 36 minutes ago, stony said:

    My price with the code is €40 inclusive VAT. - But I never heard from this Plugins. Are they worth it? 🤔

    Yeah, I was wondering the same thing.....How these plugins compare to Izotope's Neutron & Ozone as well as Sonible's plugins?

  3. 7 hours ago, abacab said:

    Don't really know for sure, as never used Enforcer. You can do plenty in Neutron as far as EQ, compression, and transient shaping of your bass. But if you want to layer synth bass on top, this might be the specialty tool for that task.

    https://soundbytesmag.net/review-boom-library-enforcer/

    "Layering is one of the most common techniques to create sounds or to make them sound fuller or larger-than-life, and it is used in music production as well as sound design. Layering is basically stacking multiple sounds in order to obtain a complex, rich sounding and unique one. Seem easy? It is actually quite hard to balance the elements to have everything in the right spot and at the right volume. For instance, it is common in Electronic Dance Music, to use multiple synths playing the same part. There will be a main layer and different sounds enriching the spectrum, perhaps covering a frequency range untouched by the principal sound. In this case it is usually preferred to end with a solid composite in which you can not recognize the single elements but rather perceive the sound as a single one. Layering is common for drums too. Kick drums might be comprised of a “top”, just the punchy transient, which will cover the mid and high range, and the “body”, the low end.

    In sound effects sound design, layering is life. Sometimes dozens of recorded sound sources will be layered to make an earth-shaking impact, multiple animal vocalizations will create a unique creature voice, different vehicle sounds will make an airship engine ready to be used in a sci-fi movie. The world of layering is huge, and there are too many techniques to be covered here, like offset layering (stacking sounds and pulling them off grid), or layering with attention to different sections of the spectrum.

    The last case can introduce us to Enforcer. It happens thousands of times to need some punch or additional low end in our SFX or in our drum loop, and EQ might not be the answer. If I wanted to enhance just the kick in a drum loop I would have to automate the gain of an EQ band to boost just the sections in which the kick is playing. Dynamic EQs, multiband compression or expansion can help, but what about adding a clean synthesized sound right where we want it?"

    Yeah that's what I'm thinking, just wondered if anyone on here had ever used it. Thanks

  4. Yeah definitely subtle from what I've seen/heard in some Youtube videos for this plugin but indeed a difference. It's looking like no one on here has any feelings one way or the other for this. Anyone...........Anyone?

  5. Was wondering what anyone's thoughts or experience with the Pi&Phi MkIII EQ are? Looks somewhat interesting but in the end I guess it's just another EQ & I have quite a few other ones. 

    Thanks

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