Thanks Nigel. The guitars on that piece, and on virtually all the songs I do, are on their own individual tracks. This gives me the ability to optimize EQ, delay, reverb, flanger, chorus, compression, etc. for each rhythm or lead/solo section based on what other instruments are happening with it and the guitar parts unique sonic signature as it was recorded.
The delay effects and methods on the lead guitars are:
1. using the reverb from the amp as it was recorded.
2. making a copy of the guitar part and pasting it on another track about .35 to .7 seconds off the original. this is usually a process of trial and error as each part is unique. this can give a really sweet echo/delay effect
3. the TH3 delay in CW.
4. the Sonitus Delay in CW.
5. the Sonitus Reverb in CW.
6. any and all combinations of above.
Cheers!🎶🎶🎶🎶