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Showing content with the highest reputation on 03/29/2024 in Posts
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AUDIOBRO SILVER Free inspiration… for free! A free and growing library offering five master instruments and a wide collection of Kontakt/NKS presets. What is SILVER? SILVER is a free, creative, growing collection of sounds. It started off as a deeply-sampled tongue drum, but we kept adding more and more diverse sounds to the library until we could create entire tracks with just this free tool. Listen to the demos for a few examples of what is possible. Silver is SIMPLE, DIVERSE, and FUN! It’s quick to load and packed with presets to get you started. It runs inside the free Kontakt Player and is NKS-compatible. The instruments (so far): Silver Tongue – a multi-dynamic tongue drum played with hands, soft mallets, and metal mallets. It includes Round Robin, unmuted and muted, isolated tongue tines as well a controllable resonance (“Reso”) Bowls – multi-dynamic hand-played bowls with Round Robin, slaps, mutes and semi-mutes Pads – Guitar Suspense, Slow Guitar Suspense, Strings Harmonics, Tongue Bells, Far Bells, Analog Wide, Analog Simple, Analog Zap Basses – Attack Bass, Attack Bass Monophonic, Simple Bass, Simple Bass Monophonic Electronic Drum Kit – A collection of General MIDI drums with various snares, kicks, rims, claps, and all the other regulars: hats, toms, crashes, tambourine, etc. SILVER is a “living library” and we will be updating with more instruments and samples as time goes by. https://audiobro.com/SILVER/4 points
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$29 intro price WE ARE BACK WITH A NEW PLUGIN The VCE-118 is a unique dynamics tool based on the breakthroughs that occurred in the advent of VCA technology in the early Seventies. Its reputation as a secret weapon lies in its special ratio implementation, which enables both compression and expansion, combined with its special linear mode as a powerful fuel for bending dynamics as a creative effect. Naturally, the VCE-118 provides the ultimate punchy compression known from early VCA compressor flagships like the famous 160. But it doesn't stop there, since its expanded dynamic range surprises with intriguing effects reminding of gates and transient shapers. Linear mode can take this even further with sonic escapades like heavily pumping beats or dead silent ambience. The plugin is on introductory sale for only $29 ($59 regular) until April 29th, 2024. Download your fully functional 14-day trial here Hear the plugin in action here Check the product introduction video here https://fuseaudiolabs.com/#/pages/product?id=3010861594 points
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Thanks for the insight. I'm coming at this from both the perspectives of someone new to Cubase, and a hobbyist who hasn't done that many orchestration projects. What you're saying does make sense with the parallel of hardware ports in mind, and can see how this could be a useful indicator, especially in larger projects and/or with shorter timescales. And this is an example of why I ask for opinions of those more experienced than I; thanks to all who've contributed.3 points
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MIDI in Cubase definitely trumps a lot of DAWs. I've also found that the mixer in Cubase has ruined the experience of mixing in other DAWs. It's such a pleasure to mix in, that the others fall short when I compare them. I love some aspects of Ableton Live for example, but it's falls so short in mixing in comparison. Cubase isn't perfect and from everything I've personal tested, nor are the others, but they do get a lot right in so many ways.3 points
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I prefer this, as I use both templates and external hardware FX. Just by taking a split second look at the channel-send section tells me what's being used & the level of each, without having to look at the names. If send 1, 3 & 7 are being used, I know what they are, and if 2, 4 & 8 are blank I know what's not being used. This applies to console view and channel view. This would be a mess if only used sends were stacked on top of one another regardless of Send #. This is also helpful from UI perspective when looking at 100 tracks in the mixer...since all send #s are on a horizontal line. I can just scan that line in the mixer and see everything going to Send #7 on a horizontal line. Same as a hardware mixer. If this wasn't the case it would be a nightmare for solving gain staging issues, especially with complex side-chaining setups. So there are features from hardware that I like having replicated in software. But having it as a simple preference setting would be cool too.3 points
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What's social media please?3 points
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I ALWAYS ignore EVERY "Sponsored" post on any social media! Easy way to avoid scams.3 points
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Best sounding virtual grand I've ever played. If you want it, though, you might hold off until MSoundFactory LE comes up in an Eternal Madness or periodic 50% off sale. It comes with every MSoundFactory instrument, which includes Meldway Grand. The Monastery Grand that comes with the free MSoundFactory Player ain't no slouch either.2 points
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There is actually - check out the slider at the bottom of Customization->Display within Preferences.2 points
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I have reported it multiple times...Fakebook doesn't care. It's not their preferred censorship target, and they're being paid.2 points
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I bought the Rhodes Electric S but did not find much use for it in my setup. Lots of tweakability but was still hard for me to gel with the overall sound. I eventually settled on the Keyscape Rhodes as a default starting point2 points
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Sometimes I want to select 2 or more tracks and hide them (particularly in the Console view.) I select the tracks and click on "hide tracks" with every key combination but it will only hide the track I've clicked on. I know about track manager but it does not solve this need. Thanks1 point
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Looks like holding CTRL allows you to quick group "Hide Track" in the Track View, but not in the Console View. I'm on vacation at the moment, but I've let the team know. We should get this fixed.1 point
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Use promo code INHARMONICS and get 69% OFF https://www.softube.com/harmonics1 point
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With the latest issue of Beat magazine you get EDM genius Syntorial Primer. Primer is a soft synth that usually only comes with Syntorial, a sound design learning app. With Beat you don't get Syntorial itself but the synth that's included in Syntorial. Also included: 178 chromatic Percussion- & Drum-Kits for Zampler & Akai MPCs1 point
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Checked out the video above and other demos. All instruments of the "Electric" series sound boring and lifeless to me, so I'll pass. Money saved, yay!1 point
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They were also impersonating Audio Deluxe and some other plugin shops a couple years ago. Back when they couldn't even spell the word "Plugin" correctly. I too reported them, even to PB and they we're gonna report them to Stripe and get their payment processor account taken away.1 point
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Ik u don't like Wusik but don't dislike me lol1 point
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@garybrun . . . Thank you for your ears ! . . . yes, I'm the guilty mixer here The vocals are running through a Nectar 3 vocal chain with dynamic EQ, de-esser, saturation, reverb (with rolled off highs and lows), small hint of compression, but it also it uses an Auto Level setting . . . which is very touchy . . . I'll have a closer look at that.1 point
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Sounds like your usb devices are going to sleep. Turn that off.1 point
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Sorry! Hold off then. It looks like it drops in price every 3 or 4 months so it'll come around again. https://musicsoftwaredeals.com/price-history/chroma-grand-piano-by-sonuscore-2/1 point
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Insta buy for me, although my Metal days are behind me and I likely wont use it that much, although . . . it does sound very good and they can be tamed, regardless, you got to keep the collection together. 😁 They do sound and feel very good. 👍1 point
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This week the free games on Epic Games is Islets. "Take to the sky and reunite a fragmented world in this surprisingly wholesome metroidvania! Help Iko adventure across beautiful hand-painted islands, receive letters from a quirky cast of characters, and face powerful monstrous adversaries." Get it here: https://store.epicgames.com/en-US/p/islets-5f2670 Free until: April 4 Steam rating: Very Positive / Overwhelmingly Positive Steam page (for reviews & more info): https://store.steampowered.com/app/1669420/Islets/ Gameplay video:1 point
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So I twiddled around with it and re did the solo and backing vocals outro and thats about it cheers ...as always all comments are welcome1 point
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I have the e-instruments Wurli and think it's pretty good. I find it's greatest strengths are in how you can customize the sound with the GUI. Especially for the dead key sound (I think it's the unplugged Wurli key sound that they mix in -- which is what I love so much about the AcousticSamples Wurlie library demos). I've created my own presets turning up that dead key sound that I like more than their presets. But I'd say it's a library I'm really glad I bought. I also bought the 145B from SkyBox Audio which has slightly different characteristics than the 201A -- it's more pristine. I have a bunch of Rhodes libraries, with the Famous E being my favorite and I quite like the freebie Rhodes from Fractured Audio too. @jngnz This was the video that sold me on the W. I'd strongly recommend checking it out.1 point
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The new Sonar has a much updated track manager which allows you to quickly change what tracks are showing or hidden and the toggle is now in the upper left corner where it’s easy to get at.1 point
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A new instrumental... classical style played with midi-keyboard + Garritan personal orchestra sounds. Double bass, piano, oboe, clarinet, strings.1 point
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https://sites.fastspring.com/fracturesounds/product/blueprint-toy-piano?coupon=BP-TP-2803241 point
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Weird! I've never even notice this, and I've been mixing 150+ track scoring projects for 2 decades. Now that you've mentioned it, I want this feature!! Although I usually do all my track arranging in the timeline, which then auto updates ordering in the mix console...but would be very handy to be able to do this from console view. Having said that - $600 is a steal for a software of this complexity / feature set, regardless of a few strangely missing features.1 point
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Easter Sale - use code WGR-Easter-2024 https://wavegrove.gumroad.com/ Islander Update Version 1.3.0 Funky Features released! CAUTION: not fully backwards compatible due to calibration change, but well worth the update! Happy Easter! Some much requested features are here, and perhaps you can spot the egg? - Automatic release, with a familiar sounding BUS mode and Tempo derived fractional settings - A/B Comparison mode - Extended and freely adjustable sidechain frequency control from 10 to 900 Hz - Revamped calibration, which corresponds to your desired level from -24 to +4 dBFS https://wavegrove.com/downloads/1 point
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The more I use it, the more I'm growing to really appreciate the clean lines everywhere1 point
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I’m not sure where this thinking comes from but my personal view is we were screwed by Gibson who took our money and abandoned us. End of story? It could have been, but an absolutely amazing, unexpected thing happened. Bandlab bought the code from Gibson. Then 2 more things that didn’t have to happen but did were also announced. They kept the original staff and they rebranded the code with a recycled name and made it free. In a way both the Name and the staff made former Sonar people happy but it also creates this problem that somehow a few people think the staff were the same people who took their money and left the building. They were not. And keeping the name adds more confusion for some people. In my opinion they are repeating this mistake by recycling the Sonar name. This will be massively confusing on the internet search engine. Anyhow I see no reason why they should be obligated to cut a deal. As just because you gave your money to a company that screwed you and oddly is still in business doing fine they had zero to do with that. You got 7 years of your moneys worth for free! If Gibson had kept going you might have had lifetime updates but I bet by now they would have wormed their way out of that deal . And who knows how much Sonar would have advanced. We are all in good shape and once they sort out the graphics all will be better than it ever was.1 point
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Well, at least if Samplitude users get orphaned, they can always come over to Sonar. Back during the Gibson Troubles, I bought Samplitude and used it for 2 months as a potential Plan B should Sonar unexpectedly come to some horrible end. Of all the DAWs I experimented with during that time, I liked Samplitude best. Mainly because it was the most like Sonar. But their insistence on re-installing that bogus ASIO driver with every update put me off and I said "fudge it, I'll keep using Sonar until it stops working". A couple weeks later the BandLab deal was announced.1 point
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Composite theme-shot: Right-click and open in new tab then magnify.1 point
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They have some great plugins. I use their tape plugin all the time. Their channelstrip plugin is nice too. One of the better companies to use.1 point
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@Byron Dickens; MJ used a Sony C800-G almost exclusively, carrying one with him to every session. Bruce Swedien turned him on to it. I always had to rent one in as a spare when he came in.1 point
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This is not helping! Stop enabling me! I also have been hoping the newish Premier Sound Kawai Legacy VI goes on sale...might have to wait0 points
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I will miss having my blue theme. Perhaps in the future a theme editor will be available. It's not always easy to accept change. I hated when they changed the name from PA, to Sonar. I hated when they introduced something called skylight. Over time I grew to love these things. I'm accepting change with more grace as I age. I believe we will come to embrace the new Sonar, and concentrate on the music, not being distracted by a screen. btw I hated when they came and put a dial on our phone. I had to learn a 7 digit number, rather than tell the operator a 4 digit number to call my Grandpa.0 points